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Migration

A group of ancient Tibetan nomads live in the Qilian Mountains in western China. Their home is a tent made of yak hair. They change their location with the seasons — to allow their cattle and sheep to eat the best grass, while protecting the vegetation of the pasture. They stick to their traditional beliefs. The women chant scriptures from time to time while turning prayer wheels. In the evening, devout rituals are performed in front of small portraits of the Panchen Lama and the Dalai Lama. During migration, the families help each other pack their belongings and load them onto yaks; they ride horses, sing pastoral songs, and drive cattle and sheep along the ancient nomadic route. This film documents their journey — from the spring to the autumn. It is a spiritual and a practical life: Sheep are exchanged for yaks, wool for tea, fried noodles for money. Every cloud over the mountain has a divine nature; the sun and the moon are the Panchen Lama and the Dalai Lama. (Shot June 1995.)

Migration

NR 1995
The Artists of Yuanmingyuan

In the years before 1995, young artists who pursued free creativity came from all over the country to Yuanmingyuan, in the western suburbs of Beijing. These people settled in the rental houses of the village farmers, and then ambitiously bought paint-stretched canvases to explore and create art. The biggest difficulty they face is to make up for the monthly rent to be paid to the landlord. Selling paintings is not their only means of survival; they would also rely on other crafts to maintain their lives. Their works were very different; they have a spirit of rebellion, and they do not conform to traditional aesthetics. This is what caused Sate officials to intervene. (Shot May–December 1995.)

The Artists of Yuanmingyuan

NR 1995
I Burned Legs

This film deals with the atrocities of war as portrayed by a film student who spends some time working as a medic. One of the duties he performed was to carry amputated limbs to the cremation furnace. This is a film about the collective madness that engulfed Sarajevo. A one-armed boy is troubled because he can't make big, firm snowballs; a man who lost both legs demonstrates walking on his stumps... The film and the director's story help us understand the commotion and tumult that have occurred in the minds of Sarajevans.

I Burned Legs

6.0 1993
Images of the Absence

"In 1991, I traveled from Buenos Aires to Germany to study film. Seven years later, I wanted to make this film: Images Of The Absence. The film tells the story of a family that never became one. My family. Images of the Absence is also a kind of diary of my journey from Germany to Buenos Aires to be able to understand the reasons for my parents' separation and for the long absence of my father. It is a film about love and the end of love, about growing old and death." - German Kral

Images of the Absence

NR 1998
Tom Chicago on Location

The nom d'art 'Tommy Chicago' reflects independent filmmaker Tom Palazzolo's unique status within the Chicago film community. Since 1967, Palazzolo has filtered all aspects of the Windy City through his audacious lens. This documentary captures the artist at work and play on his latest film: we see him engage street urchins in the service of his vision, teach his son that you CAN buy love, and drive cast and crew to the brink of artistic chaos. Colorful and fast-paced, the tape illuminates the vital interplay between Palazzolo's brash personal style and his filmic art.

Tom Chicago on Location

NR 1990
Heaven

This playful video from famed director and photographer Tracey Moffatt turns the tables on traditional representations of desire to examine the power of the female gaze in the objectification of men’s bodies. HEAVEN begins with surreptitiously taped documentary footage of brawny surfers changing in and out of bathing and wet-suits. While the soundtrack switches between the ocean surf and male chanting, Moffatt moves closer to alternately flirt with and tease her subjects, who respond with a combination of preening and macho reticence.

Heaven

7.0 1997
Sunset Boulevards

In this documentary about the exile of two famous French actors in Argentina during and after World War II, the director Cozarinsky returns to Argentina after many years in France and recalls places and events from his childhood, particularly the celebration of the liberation of Paris on in August of 1944, in Buenos Aires's Plaza Francia. Featuring testimony from various authors and acquaintances of Maria (Renee) Falconetti and Robert Le Vigan, the film explores their lives and final years in Argentina.

Sunset Boulevards

9.0 1992
Rabbit in the Moon

Like many Japanese Americans released from WWII internment camps, the young Omori sisters did their best to erase the memories and scars of life under confinement. Fifty years later acclaimed filmmaker Emiko Omori asks her older sister and other detainees to reflect on the personal and political consequences of internment. From the exuberant recollections of a typical teenager, to the simmering rage of citizens forced to sign loyalty oaths, Omori renders a poetic and illuminating picture of a deeply troubling chapter in American history.

Rabbit in the Moon

4.3 1999
Sand and Sea

Liu Zeyuan is a farmer on the edge of the desert at the junction of Inner Mongolia and Ningxia. He grows food and raises camels, and his family's annual income is 5,000 yuan. Liu Picheng is a fisherman on Jingwa Island, part of the isolated Liaodong Peninsula; he is unwilling to attract attention and becomes hostile to the camera. The living environment and conditions of these two families are different, but the directors try to find some common ground while expressing the two respective unique lifestyles. In fact, these lives are firmly swayed by nature: sand storms can destroy everything, just as the ocean tide can destroy everything, and for the two protagonists, the difficult grasp of the future and their children also brings them the same loneliness. Filmed in 1989, Sand and Sea received the Grand Prix award from the 1991 Asian Broadcasting and Television Union.

Sand and Sea

NR 1991
Raoul Dufy: Painter and Decorator

Raoul Dufy (1877-1953) is perhaps best known for his colourful and joyous fauvistic paintings but also produced a dazzling array of ceramics, wall-hangings, dress fabrics and furniture designs. This film, which includes interviews with patrons, dealers and models who knew Dufy, puts the case that he was one of the fines draughtsmen of the twentieth century, a designer whose influence is still much in evidence and a painter of genius to rank alongside Matisse and Léger.

Raoul Dufy: Painter and Decorator

NR 1997
Fire Under Your Ass

The German homosexuals to whom the third film "Feuer unterm Arsch" is dedicated are visibly less enthusiastic about safe sex, let alone safe sex 'with Mother Earth', which Allen Ginsburg envisions for dealing with an AIDS-like contaminated earth. In Berlin, the gay capital of Germany, Praunheim encounters a party atmosphere during his research. "There's no one who thinks safe sex is good," say some of them, yet they plead for reason, "you also have to have the freedom to fuck yourself to death," is the extreme response of the boys, who do not want their painstakingly acquired identity as gays to be reduced to an AIDS identity through voluntary restrictions. Praunheim has also tracked down politically active people in Germany, but according to his observations, they are identified with the unpleasant truth and avoided according to the Cassandra principle.

Fire Under Your Ass

10.0 1990
Efter Muren - mellan taggtråd och kaos

On 3 October 1990 DDR stopped existing as a state and became the Federal Republic of Germany. The past had been overturned. The new had not yet taken shape. The rejoicing over the fall of the Berlin wall. The bitterness and shame when the doors opened to cabinet of horrors at Stasi. Uncertainty and worry about the future. Everyone's battle against everyone for survival. In the form of a travelogue, freelancing journalist Rainer Hartleb depicts all the mixed feelings that flow from the country that no longer exists.

Efter Muren - mellan taggtråd och kaos

NR 1990