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There Is

Lena Ditte Nissen has created a series of experimental short works on analogue film, which in a personal and often elliptical and dreamy language channels a subjective view on the world through the unexpected connections that arise between image and sound. Her most recent work is a portrait, and a new variation on her method. Before the camera, we encounter the formidable 87 year-old artist Margaret Raspé who works in photography, film, drawing and other art forms. Regardless of the medium, automatisms play a significant role in her art. Nissen transcends the traditional limits of the portrait genre and has created a congenial and loving tribute to a unique creative mind.

There Is

NR 2020
Broken Vows: Stories of Separation

Broken Vows: Stories of Separation is an award winning documentary that was produced over a four year period. Initially starting as a team of one Sunnie McFadden-Curtis built a small but dedicated team of creatives around her.This documentary takes you into the lives of several women, to learn from their personal stories, hear tales from those caught in the crossfire of marriage breakdown and separation, and find solace in the notion that those affected can walk through the darkness and into the light.

Broken Vows: Stories of Separation

NR 2020
Soviet Friendsbook

A friendsbook was like Facebook during the Soviet times. Many had one. Russian kids called it a Form. Classmates were asked to write in it and say what they thought love is, what they wanted to be when they grow up, what their favourite food was. It was mostly girls who had friendsbooks, of course. Twenty-five years later, Alyona Surzhikova browses her 6th grade friendsbook and decides to go and find her then classmates to ask whether their dreams have come true. She travels to Russia and Germany and even Cambodia and puts together a thought-provoking aggregate portrait of the Russian generation that grew up during the restoration of Estonia’s independence. Many of them have left Estonia by now, with half of Surzhikova’s classmates living abroad. Why did they do that? What do they think about Estonia? And what would they write into the Form now?

Soviet Friendsbook

NR 2020
Medicine Bundle

Weaving together family narratives and current thoughts on the pandemic, the ethics of representation, and the nature of the sacred, Thirza Cuthand discusses a medicine bundle which was used to heal the artist’s great-great-grandfather from a Gatling gunshot wound in 1885, and her grandfather from the Spanish flu in 1918. In this film, Cuthand reflects on the ways that the bear cub spirit contained within the since-buried bundle has continued to protect her family from the trauma and diseases brought on by colonization.

Medicine Bundle

NR 2020
Protest in Cariesland

In 1990 a group of young students from the Art High school in Sarajevo forms the band Protest. The same year they have their first concert under that name and shortly after that they enter a recording studio and record their first demo. 30 years later, after the war, 5 albums, a dozen of hits, countless gigs, and plenty of line-up changes, Protest still exists and works. This is a tale about love, music, and rebellion in the complex Balkan reality, symbolically titled PROTEST IN CARIESLAND.

Protest in Cariesland

NR 2020
A Lack of Clarity

Public light rips through the night of a modern city. Sleeplessness is lit up by a computer monitor in an urban space, where day and night are no longer distinguished. Starting from videos of thermal cameras found online, a reflection goes through the changes in the contemporary city, the extension of social control mechanisms and the evolution of digital technologies to face the frontiers of a progressive expansion of the field of visible - and controllable - in the surveillance society.

A Lack of Clarity

NR 2020
Ülo Sooster. The Man Who Dried A Towel In The Wind

After ten years in a Soviet labour camp in Karaganda, the Estonian artist Ülo Sooster (1924‒1970) didn’t return to his homeland but settled in Moscow and became the most influential trend-setter for a whole generation of Soviet non-conformist artists. Narrated by the artist’s son Tenno-Pent Sooster, this film features rare footage and interviews with Sooster’s contemporaries in the 1960s, as well as leading experts from the Kumu Art Museum, the Tartu Art Museum and The Tretyakov Gallery.

Ülo Sooster. The Man Who Dried A Towel In The Wind

NR 2020
The Reunited States

Follow four Americans as they travel the country in an effort to bridge political division. From Susan Bro, reluctantly called to activism after losing daughter Heather Heyer in Charlottesville, to Milwaukeean Steven Olikara, founder of the Millennial Action Project, they all seek to mend division and find the human bond that crosses the aisles of our partisan nation. This film is a balm before Election Day, reminding us that even within division, connection is possible.

The Reunited States

7.0 2020
Nails in My Brain

A young man wanders through the ruins of what may or may not be his childhood home, where each crumbling doorway opens up onto the past. Memories accost him-memories of his school days, of loved ones long gone, of wonder, callousness, and defeat. The painful invasion gives rise to a series reflections on the limits of cinema and the poverty, and inescapability, of the life of the mind. No matter how much he has tried to change, the young man-who may or may not be the filmmaker himself-always returns to the same places, same questions, same faces, same recollections-the same nails in his brain.

Nails in My Brain

7.0 2020
Le Grand Viveur

Mario Lorenzini was a working class man, a hiker, a hunter, and a member of the Italian Walser community. In the 70s, he bought a super8 camera and started shooting home-movies with it. Through his lens we experience the seasons passing by in Priami, a small village on the Swiss-Italian border. With his cinematic eye, he explores the people around him, while a second point of view emerges, giving an interpretation of his world, his life and his sense of cinema. His relationship with masculinity and the missed relationship with the "other sex" is often highlighted, enhancing the conflict between the expectations of his community and the reality of not fitting in.

Le Grand Viveur

NR 2020