Discover Movies

9,084 Matches Found

You Only Have To Draw The Bow Back

This documentary explores the diversity of Moscow’s underground youth culture during the late Soviet period. Filmed around alternative art scenes and informal gatherings, the film depicts hippies, metal fans, and members of the city’s artistic subculture, including residents of the Bulgakov House squat and participants in the unofficial “Love Street” art festival. Performances by alternative bands such as Zvuki Mu, Nikolai Kopernik, and Oblachny Krai are featured.

You Only Have To Draw The Bow Back

NR 1986
The Language Of The New Music

This is a film about Ludwig Wittgenstein and Arnold Schoenberg; two men whose lives and ideas run parallel in the development of Viennese radicalism. Both men emerged from the turmoil of the Habsburg Empire in its closing days with the idea of analyzing language and purging it with critical intent, believing that in the analysis and purification of language lies the greatest hope that we have. They never met and might never have fully understood one another, because while the nature of their genius they found themselves alone breaking new ground of the very frontiers of their respective disciplines. But their work springs from the same soil and shares a common ethical purpose, so that their ideas and methods echo and illuminate those of each other to a remarkable degree.

The Language Of The New Music

NR 1985
Ein Haus in Prenzlauer Berg

A 360° shot from Schönhauser Allee reveals Stargarder Straße 3A’s neglected courtyard, where tenants, spurred by community leader Michalski, restore its greenery. Built in 1900 as a social-democratic workers’ cooperative, “the red block” once housed activists, ran its own kindergarten and summer fêtes. Wartime saw Nazi block wards, Post-’45 resident Bruno return, and ’50s festivals fade. By the ’60s, tenant turnover and mixed generations reshaped its life. Now, the film crew’s presence reunites residents for the first courtyard celebration since 1952, closing past and present.

Ein Haus in Prenzlauer Berg

NR 1980
Doble cara

This documentary examines the formation of labor unions in El Salvador and the systematic violations of workers’ rights that characterized the country during the 1980s. Through testimonies and on-the-ground footage, it exposes the climate of employer authoritarianism and repression faced by workers, situating these conflicts within a broader history of social unrest that dates back to the 1930s and re-emerged with intensity in the 1980s. The film also depicts how the guerrilla movement carried out campaigns of political and labor awareness among peasants and workers, encouraging collective organization and the defense of labor rights. Ultimately, the documentary reveals the “two faces” of El Salvador: on one side, state power embodied by the army and the police; on the other, the opposition represented by guerrilla forces and grassroots popular organizations.

Doble cara

NR 1989
Youth of Today - European Tour Documentary from 1989

This documentary was made by Martin Strothoff on Helter Skelter Records in 1989. It features footage from several live gigs that Youth of Today played on their 1989 European tour along with a German interview that aired on regional television. "I organized and booked the Y.O.T. + Lethal Aggression DIY tour on my own and accompanied them as a driver. Three of my best sandbox friends accompanied me on the long 89 DIY tour as drivers and rowdies. It was a chaotic tour in many moments and a beautiful experience that I would not want to miss. If I had actually produced, supported or released the Halter Skelter - Bootleg "Live in Vienna" or this "European Tour Dokumentars - 1989", at least I had spelled my name correctly. During the tour I had neither means nor possibilities to record or film the concerts. (In 1989 there were no iPhones yet!) "Helter Skelter Records" is not known to me either."

Youth of Today - European Tour Documentary from 1989

NR 1989
Mômimages, the World of the Spoks

Six Brussels children between ten to twelve years old make an animated film together in which they let their imaginations run wild. With great care, they sculpt characters, build sets, and bring everything to life with stop-motion. The end result is a universe full of angels and monsters, a creative translation of the way they experience the world around them. Filmmaker Patrick Van Antwerp gives a fascinating insight into the children’s creative process and the workings of the studio.

Mômimages, the World of the Spoks

NR 1988