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36 to 77

Very rarely screened since its original release, this film was originally conceived as Nightcleaners Part 2. A portrait of Grenada-born Myrtle Wardally (b.1936), a leader of the Cleaners’ Action Group Strike in 1972, it features her discussing the partial success of that campaign and also her childhood in the Caribbean. It’s also an experiment – as probing as it is rapturous – in the politics of film form, and a fascinating deconstruction of the idea of Myrtle as a “symbol of struggle, the nightcleaners, working women, immigrants, mothers, blacks”.

36 to 77

5.0 1978
Being Gypsy

Roma and Sinti people talk about their experiences in the Third Reich and the Federal Republic of Germany, inspired by Otto Pankok’s paintings of Romani theme and subject in the 1930s, declared degenerate art by the Nazis. These are moving narratives of persecution, discrimination, marginalisation, of life as second-class human beings, all of which lasts, incredibly enough, right up to the allegedly democratic present day of the film, since they live in inhumane conditions in barracks at the margins of cities and society and are not officially recognised as Nazi victims. Long, nearly uncut sequences open space for the people and their stories. That’s all it takes for one of Peter and Zsóka Nestler’s most important works.

Being Gypsy

6.3 1970
The Taste for Flour

This documentary is about the Montagnais from Saint-Augustin et de La Romaine Indian reserve, in the region of the Côte-Nord in Quebec. Perrault approach those First Nations Citizens in order to discover that even if in our traditional occidental thinking and culture we consider ourselves superior to them, we still have a lot to learn from their traditions and ancestral way of living. Through a warm, human and respectful gaze, Perrault looks at the repercussions of European civilization's influence on Aboriginal culture, exploring the imagination and the codes of Native from Canada. The result, contradictory yet profound, was especially striking thanks to the sublime images captured by Gosselin within close relations with the Cinéma-Direct tradition in witch Perraut is one if not the greatest ambassador in the world.

The Taste for Flour

7.5 1977
The Spatial Compositions of Katarzyna Kobro

Abstract, geometric forms, became the basis for the most outstanding works of the avant-garde sculptor Katarzyna Kobro. With her 'Spatial Compositions', she created her own artistic language, with which she aroused a lot of criticism, which was based on the traditional assumption that a sculpture should be a compact, modelled mass. However, the task of "Composition" was to shape forms that were to come into being. Kobro, however, still wanted to change the space surrounding people with her own art.

The Spatial Compositions of Katarzyna Kobro

NR 1971
Self-Loving

An intimate discussion film, Self-Loving is a unique cross-cultural statement about female sexuality, focused around masturbation. Filmed in both city and rural settings, the eleven women of gay, bi-sexual and heterosexual lifestyles Share their early experiences, current patterns, use of vibrators, fantasies and orgasmic patterns. Specifically a film dealing with women's feelings and experiences of masturbation, it is a positive, in depth statement about women's Sexuality.

Self-Loving

8.0 1976