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Everything is going well

The film’s protagonist, P. Pūras, has dedicated his life to working diligently at the Žiežmariai clinic. He is not a doctor, yet the institution’s daily operations would be unimaginable without him—he is a jack-of-all-trades: driver, electrician, plumber. He performs every task willingly and joyfully, never engaging in conflict with others or himself, never questioning whether helping someone will bring him any benefit. He simply works, and that brings him satisfaction. Šablevičius portrays a man who maintains his optimism and inner clarity in any situation.

Everything is going well

NR 1986
Electricity

A poetic documentary by Alfredo Nagib, it outlines a futuristic vision of electricity through the musical universe of Kodiak Bachine, a composer and performer, a cybernetic character with punk hair. Kodiak Bachine is a pioneer of Brazilian electronic music and a founding member of Agentss, the country’s first electronic music band. Bachine plays himself as a man from the future who, although he has learned to control machines with his mind, has also become dependent on them.

Electricity

NR 1984
The Time of Our Lives: The Most Amazing 60 Years in History

Retrospective of TIME's reporting of the personalities and events of the past six decades. Made in collaboration with TIME editors and representatives of the publisher's office, and checked for accuracy by reporter-researchers in the manner of TIME stories. Includes March of Time archival film and quotes from TIME's contemporaneous judgments. Provides behind-the-scenes insights into the publication's history, like the origin of Man of the Year, TIME's early writing style of backward-running sentences and neologisms like "tycoon" and "socialite" that are now English vernacular, and canceled cover stories.

The Time of Our Lives: The Most Amazing 60 Years in History

NR 1983
The Golers: The Untold Story

The spotlight is shone upon the Goler family when a 14-year-old female member of the family flees the family and reports her lifetime of abuse. The Goler family lived together in two dilapidated shack shacks in a remote wooded area on South Mountain, located south of the community of White Rock, outside the town of Wolfville. Their ancestors occupied the area since at least the mid-1800s and due to their isolation, this caused generations upon generations of incest. Charles and Stella Goler, the patriarch and matriarch of the family, lived together with their five sons and grandchildren in the shack.

The Golers: The Untold Story

NR 1986
Finnish American Lives

A moving portrait of traditional Finnish American culture in the Upper Peninsula of Michigan, highlighting that fragile community of memory connecting ourselves with parents and grandparents. It uses the “biographical model” of folklore filmmaking to tell the story of Erikki Vourenmaa, a 92-year-old Finnish immigrant, and his family living near Ironwood, Michigan. This three-generation farm family works, celebrates, reflects, and grieves together. The film explores the meaning of family, ethnic history, aging and intergenerational bonds. It contrasts between the immigrant elder, his American-born son and the partially assimilated grandchildren to illustrate change and continuity in the "sauna belt" of the Lake Superior Region. As Dr. Sharon Sherman concluded, “Loukinen’s focus on the bonds between generations will strike emotional chords about family relationships and ethnic identity for numerous cultural groups.”

Finnish American Lives

NR 1982
Cambodia: The Prince And The Prophecy

CAMBODIA: THE PRINCE AND THE PROPHECY explores the years of Prince Norodom Sihanouk’s rule, his juggling for peace, his charisma and contradictions. Following the Prince’s overthrow in 1970, the film traces Cambodia’s destruction during the five years of war before Pol Pot’s Khmer Rouge came to power and launched their revolution… As a central theme, the film and its sequel CAMBODIA/KAMPUCHEA feature exclusive interviews with Prince Sihanouk, and focus on his pivotal role in shaping Cambodia’s fate.

Cambodia: The Prince And The Prophecy

NR 1986
The Zerda or the Songs of Forgetting

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

The Zerda or the Songs of Forgetting

8.1 1983