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A series of complaints directed at the camera that nobody wanted to take care of before. It turns out that the complaints focus on policemen, a sergeant, and a master corporal.

Every year, in the colonial city of Antigua, Guatemala, the "sorrowful way" of Good Friday is recreated by a path of colored sawdust and flower petals. Along this road several hundred people take turns carrying a ponderous mahoganybier.

The director interviews inmates at a girls' reformatory while they prepare a performance of Cinderella.

The conflict between the spirit of fraternity and that of commercial competition at the Christmas party in Lima.

The story of two Soviet chief engineers from Leningrad. Both are graduate engineers who have been in the German Democratic Republic for several years, have learned German, and are supervising the assembly of the latest generator in Unit 8 of the Boxberg thermal power plant.

The film tells about the amazing archipelago of Spitsbergen, which is completely covered with glaciers, and about the unique flora and fauna of the islands. It is located at 78 degrees north latitude. The film also tells a romantic story about the conquest of the North Pole by Amundsen, Nansen, Nobel, and others.

An Israeli Film Service documentary, describing the two faces of the Negev: unspoiled desert landscape alongside modern Israeli settlements. The film documents the culture and commerce in Beersheba, the works in Timna Valley’s copper mines and the Aravah’s agricultural fields, and the technological strongholds of Ben Gurion University’s labs, the Wise Observatory, and Eilat’s desalination plant. Alongside the modernization, the film captures the surrounding desert nature and wildlife, the Nabataean archaeological sites in the Negev, as well as the remains of the War of Independence in Mizpe Revivim.

A documentary resembling a moving photo album that describes Warsaw's Praga district, which has its own urban legend. The least damaged area during the Second World War, its tenements and wooden houses from the turn of the century remained intact. Praga has its representative part in the Art Nouveau Śródmieście district. Its small-town soul could be seen at the back of the streets, the suburban part may be noticed on the outskirts of the city. Apparently, one could be born and die without leaving the surrounding buildings, Praga satisfied all the needs of the inhabitants. The voiceover mocks the artistic aspirations of "better people" preserved in the facades of the tenements. It appreciates the architecture of the wooden houses, the workshops of old crafters. Through the architecture, the story of the district is told.

Episode from the documentary series Paraskinio, dedicated to Mimis Fotopoulos, who speaks about his life and work in a monologue in front of the camera, likely improvised. We watch footage from his films, and we hear him reading aloud. Among the ruins of an open-air space, mostly used as a film studio, he initially plays the blind man from "The Counterfeit Coin", talks about his films such as "The Counterfeit Coin", "Laterna, Poverty and Dignity", and "The Little Chauffeur", and comments on that period of the golden age of classic Greek cinema. Fotopoulos wanders through the ruined studio and discusses the increased responsibilities of actors in theater and the challenges of filming while performing in plays during the flourishing period of Greek cinema.

The “Helene” narrow-gauge railroad is bought back as a discarded train by members of the Society for German Railway History and painstakingly restored to working order.

In Bagaji, a Hausa village in Niger, the Bawra is both village chief and priest for the rain sacrifices. Here he tells of his youth, his travels and his conception of life, and describes the tasks he has to fullfil.

Film-dossier on workers' struggles against industrial diseases.

Footage of a sunny village square in Sardinia leads to humorous, philosophical reflections on reality and the role of the ‘objectively recording’ documentary maker. Van Gasteren sees the square as a backdrop in his film, and the chance passers-by as extras. Then, as a ‘director of reality’, he gives an ironic commentary on what he sees. “For a moment I thought, from what source of information am I thinking up what I see. Or, did I just see exactly what I thought.”

A profile of the Italian painter and sculptor Lucio Fontana (1899-1968), who made his mark on 20th century art with his concept of Spatialism. He proposed a cooperation between artists and scientists to express ideas in a total art form, synthesising colour, sound, movement, space and time. Includes contributions from artists who knew him and critics who chronicled the impact of his ideas.

Four million Tiv people form the major culture of the Benue state of southern Nigeria. They are popularly known as the greatest democrats in Africa as their society is based on fraternal cooperation between age mates rather than on authoritative chieftaincy. Men of an age work together on communal farming and house building and celebrate their achievements with feasts famed for the excellence of their music and dance. Their women create amongst the greatest dances in Nigeria within their extended family compounds. Each year, during the dry season, when there is little farm work, the leaders of the dance teams compose songs to record recent experiences and new features in their lives which they express in the rhythms and gestures of their dance.

Using the example of a modern large-scale development, filmmaker Kurt Gloor examines the influence of the environment on children's development.

Children are instructed in (edible) crafts.

Push-ups to the rhythm of a metronome, a meter counting backward from 100; three words are shouted time and again: “dog – pig – monkey”.

Short documentary about the traditions, lives and culture of the Qadiri tariqa of Iran's Kurdistan

Gay mothers argue for the right to custody of their children.

Howie, a 70-year-old alcoholic and ex-sailor, sums up his life in the following terms: "Travel and drink, drink and travel, that's all I've ever done." The film Howie redefines its subject in terms of the present, documenting Howie's two-year hiatus in a small college town, his confrontations with the townspeople, and his relationship with the filmmaker.

Strand spent over twenty years documenting her friend Anselmo Aguascalientes’ life, eventually creating a stunning trilogy of films—Anselmo, Cosas de mi vida, and Anselmo and the Women—tender portraits that are also glimpses into poverty, resourcefulness, perseverance and patriarchy.

El Abnoudy's first documentary depicts women in a mud-brick factory in the centre of Cairo, where they are treated like 'horses', working at repetitive and monotonous tasks in miserable conditions. Nevertheless, El Abnoudy brings out the women's dignity, showing a beautiful choreography to their movement. By giving control of the microphone to the workers themselves, she also allows the women's own stories to be interleaved with their work.

Documentary about the political and social reality of Uruguay during the period of 1968-1970. This short is incomplete and composed of a series of fragments. The complete film was taken by the military dictatorship in Uruguay (1973-1985) and is now lost.

Semi-documentary film about the alcoholic/outcast community in Oslo. The film's strength lies in its visuals. The co-producer, Oslo Indremisjon, provides religious elements as an alternative drug.

The Sensitive Plate consists of 1250 filmed black-and-white photo portraits made between 1913-1969 by the Amsterdam photo studio Merkelbach, ran by father and daughter Jakobus and Mies Merkelbach. The sequence of faces is interrupted only by the year in which the photos were taken. In this chronology, each year consists of one minute of film time. Each photo is displayed for two seconds; 57 years are displayed in 57 minutes.

Being Women in Japan documents the recovery of Michishita’s sister from brain surgery, which hospitalized her for four months. Michishita's interest was not only in the personal struggle of her sister to regain her health, but also in how this crisis caused a major rupture in the daily life of her sister's family.

Documentary filmed in b/w on 35mm made for Films Division, India.

A 1975 documentary on the great Blues pianist Earl Hines, one of the most influential figures in the development of jazz piano.

Glimpses of everyday life in 1970s Nottingham form the backdrop to this film about local refuse being converted into heating for new homes.

The drama of the East German tanker on the coast of the island of Sein and the bay of Audierne.

The story of a successful Greek immigrant, the restaurant owner Giorgos Kozompolis, who emigrated in the mid 1960’s from the poor village of Sotirianika, in Mani to the developed city of Heidelberg in the Federal Republic of Germany.

Demonstration by FHAR, the Homosexual Revolutionary Action Front, the 1st of May 1971. People discuss at the University of Vincennes and show a common determination to break prejudice and open minds. They refuse to hide anymore, and talk about this revolution of desire.

Flying hundreds of miles a day through wild weather with no engine requires feats of airmanship unprecedented in human history and known before only to the birds. George Moffat and Gleb Derujinsky are great pilots and good friends who compete in the sport of Soaring for speed and distance in aircraft without engines - sleek competition gliders. Both would like to win the U.S. Soaring Championship. Derujinsky relies most on feel and creative impulse to sense his way through invisible air currents. Moffat does the same but relies more on a hand calculator he constantly works in his cockpit. This film 'The Sun Ship Game', voyages with both pilots into the sky at a regional contest in Vermont and into wild weather with eighty three other competitors in Marfa, Texas. Through eight days of hard flying in skies alternately filled with brilliant beauty and black violence, their two approaches arrive at a dramatic conclusion and one of them is named the U.S. Champion.

Filmed by WDR, featuring excerpts of a concert, some backstage shots, autograph signing, various bits of banter, a train trip to Devon, and a visit to a Scottish castle.

Magda and Paweł seem to have different expectations of life: she needs a bit of craziness, and he needs a bit of normality. Even though Magda cannot imagine living in the countryside, following Paweł's will, they decide to buy a farm near Serock. Magda and Paweł, not without problems, buy the farm from old farmers. The youngsters start to manage the homestead, at the same time they undergo some mental changes. Paweł's father dies, his mother decides to be an adviser to her son and Magda. The girl begins to trust life, however, she loses her first baby. Paweł finds it difficult to get along with the local farming club. The spouses share with us their fears, hopes and reflections.

This short documentary profiles the Canadian military’s organization, logistical, and security operations at the XXI Olympiad held in 1976 in Montréal. The scale of the operation was large: 16,000 troops were mobilized to provide protection for 7,500 athletes, countless VIPs, and the general public on 138 sites located in Montreal, Bromont, and Kingston. This film offers a behind-the-scenes look at the planning and synchronization necessary to mount a successful international event of massive proportions.

Portrays the challenges of creating a film about nuclear disaster amid public apathy. It captures behind-the-scenes moments as the crew discusses the gravity of nuclear threats, the importance of preparation, and the emotional impact of a nuclear attack. The narrative emphasizes the need for individuals to take responsibility for their safety and community in the event of an attack, blending factual information with a call to action.

Report on a government project in mining.

The theory of progress and the utopian ideals of well-being are at odds with the reality faced by Latin Americans, who are immersed in poverty and violence.

About the USSR national volleyball team, which became the world champion in 1978, and its senior coach Vyacheslav Platonov.

For one year Marc Thorpe trained two young bottlenose dolphins to perform two long sustained synchronous swimming patterns that he calls behavioral sculpture

The drought of 1976 marked the history of agriculture by surprising in its duration and extent. But if there had been better management and use of water...

Frans Bromet lives at 'De Noord' number 20 in Ilpendam, North Holland: "An island of tranquility in a noisy world." The houses on the dike were previously inhabited by Ilpendam residents; now, Amsterdammers who fled the city live there. What is the difference between the original and the current residents?

Part 3 of the Wittstock series also shows the surroundings of the textile factory. Older gentlemen in a pub reveal that two factories produced fabrics for the military here during the Second World War. In 1945, only a handful of handlooms remained. The contemporary witness does not say why. It was probably too sensitive to reveal the reason on camera in 1978: The Soviet occupying power dismantled many production facilities in the GDR after the end of the war and transported them to the home of the victorious Red Army.

This 1973 French documentary explores the conflict between modern values and material comforts in Japan and the more traditional obligations (giri) and culture which are still the real backbone of the society. Among the topics touched on are the Osaka Expo, battles against pollution, and Japanese leftist movements.

A Soviet biographical documentary devoted to Leonid I. Brezhnev, portraying his life “at work and at home” and tracing his path from the son of a metalworker to General Secretary of the CPSU and Marshal of the Soviet Union.

An accurate depiction of the basic tenets of northern Mahayana Buddhism, cast into living or "experiential" form, consistent with powerful mantras heard on the soundtrack of the film. Tarthang Tulku, a Tibetan Lama, was the advisor.

In 1970 I went to New Orleans with Noel Parmentel to shoot fragments of the “The Moviegoer.” While we were down there my daughter Elspeth and I went to visit some friends of mine whose teenager daughter was to be Queen of a fancy Mardi Gras ball. I didn’t know anything about this, but my friends thought it would be a nice idea if we filmed it. So we went over for an evening; black tie, dinner gown and all the rest of it. We changed a few light bulbs in the house and unobtrusively filmed the evening. I ended up making a 12-minute short with my daughter Elspeth taking sound. – Richard Leacock

This NFU film visits the remote Urewera to explore the world of the Tūhoe people. Their independence and identity have been challenged by historical tensions with Pākehā, and now modernity — as ‘children of the mist’ leave for education and jobs (at the mill, in the city). A tribal outpost in Auckland is visited, along with law student James Milroy. At a Ruatoki festival the debate is whether young people should manage tribal affairs.

This short documentary vignette reveals the curious origin of the name of Flin Flon, Manitoba.

At the request of a dying Tiwi man and his family on Melville Island, this film was made of the pukumani (bereavement) ceremony to follow his death. The film observes the family through the long period of preparation for the ceremony, following age-old traditions. Dancing and face-painting are rehearsed, to the family’s satisfaction, and because “things should be right for this film”. For the two days of ceremony, the community moves to Carslake Beach where a smoking ritual is held to protect the participants from spirits. The cemetery poles are erected, traditional dances are performed along with personal dances by family members. Facial and body decoration is elaborate and spectacular. After saying a final farewell to the old man, the community and the family leave the Beach and return to the village where routine life resumes.

Nirad C. Chaudhuri expounds his views on culture, history, religion and society from a comparative perspective.

Music of the Spheres returns to Belson's galactic imagery in a kaleidoscopic journey through space and time with the technological help of an optical printer.

This feature-length documentary from 1974 takes viewers inside Fidel Castro's Cuba. A movie-making threesome hope that Fidel himself will star in their film. The unusual crew consists of former Newfoundland premier Joseph Smallwood, radio and TV owner Geoff Stirling and NFB film director Michael Rubbo. What happens while the crew awaits its star shows a good deal of the new Cuba, and also of the three Canadians who chose to film the island. (NFB)

This film presents geographic and cultural aspects of Italy with an account of one family living on a small farm, who, unlike many Italians seeking modernization, avoid mechanization in preference for a simple way of life.

Stoff (1) is part of a series of films made for television and aimed at young audiences. The series was dedicated to the history and techniques behind the production of objects, materials (paper, letterpress, fabrics, etc.), highlighting the differences between artisanal and industrial production and the labour and economic relations involved in each of these methods of making things.