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Bulky Trash

In early summer 1989, Helke Misselwitz portrays young musicians in a band who produce their music on other people’s waste items. The four boys call themselves "Bulk Rubbish" and they drum out their resentment, having grown up on the new housing estates of East Berlin. A straight-up picture of the GDR youth is presented here, which in no way conforms to the official image. The film crew concentrates on the observation of the boy Enrico and his mother Erika: when the mother marries in the West, her son decides to stay in East Berlin, bidding her farewell at the border-crossing. Only shortly after, the tables are turned again: as the events in Berlin leading up to the fall of the Wall are practically captured live from the film crew, Enrico insists on maintaining his cultural identity, even after the fall of the Wall. The "Bulk Rubbish" musicians want to remain citizens of their own state and perceive the looming reunification with scepticism.

Bulky Trash

6.5 1991
The Electric Kiss

In Kohlberger’s second film that could be considered narrative driven, the artist fashions a dystopian fiction from the remnants of cinema’s past. Drawing on excerpts from obscure sci-fi films, The Electric Kiss imagines a world not unlike our own, in which people plug their brains into a kind of neuro-network that connects the whole of human consciousness. As cyberpunk imagery draped in VHS textures alternates with passages of prismatic visual noise (achieved, in trademark style, by feeding footage through self trained machine learning algorithms), a quasi-plot emerges: a man in a VR headset, literally and figuratively lost in space, subjects himself to a mysterious procedure to alleviate the ill effects of this new technology on the mind.

The Electric Kiss

NR 2024
The Instant

Depicting the events of Mardin-İdil in the late 1980's, the film deals with international migration of Assyrians in the context of "leaving" and "staying", based on the story of an ordinary group. Today, among the 18 people who are narrated, nine live in Germany, seven live in Switzerland and only two people stayed in Turkey. This documentary, while combining the instants, on the other hand explores the memories of the past and today through the present atmosphere and aims to answer these questions: "Is it hard to go? To stay? Or to be together again?"

The Instant

NR 2019
Eisenberger:  Art Must be Beautiful, the Frog Said to the Fly.

Art is merely a label of no relevance according to the artist Christian Eisenberger. At the age of 40 he has created over 45,000 works. He deposited thousands of them on streets and squares, where anyone could gather them up. He defies galleries, art fairs and museums with his unrestrained production. His art runs rampant, eluding all control. In a milieu that desperately struggles for attention and recognition, Eisenberger again and again asks, "What really constitutes artistic freedom? And does it require artists at all?”

Eisenberger: Art Must be Beautiful, the Frog Said to the Fly.

NR 2018
Sonderzug nach Pankow

On March 25, 2015, Udo Lindenberg's special train to Pankow became a reality. BVG and rbb Radiowelle 88.8 invited the artist to take a ride on U-Bahn line 2. The journey started at the Olympiastadion subway station and ended in Pankow. His song "Sonderzug nach Pankow" (Special train to Pankow) had caused a stir in both the West and the East in 1983. The song was a cheeky request to the comrades to let him perform in the GDR - in vain. When he was allowed to sing for the first and only few times in the GDR in October 1983, his "Sonderzug nach Pankow" was not allowed. In March 2015, Udo Lindenberg traveled to Pankow on a special train on U-Bahn line 2, accompanied by rbb reporters.

Sonderzug nach Pankow

NR 2015
Going Nuts: Tales from the Squirrel World

Squirrels are among the most widely known and recognized mammals. In many parts of the world they gladly join us for our lunches in city parks, amaze us with their acrobatics and entertain our children as cartoons on TV. Squirrels live in an extraordinarily diverse range of habitats. Some can fly, some can swim, some live in trees or underground, others love icy wastelands or burning hot deserts. But don’t let their cuteness fool you! They may be small, but squirrels are one of the most successful species on the planet. And they have big families. This blue-chip documentary explores some of the most fascinating squirrel species and shows how they became so successful dealing with extreme environments and curious (human) neighbors. 'Going Nuts' unveils the enchanting world of one of the “most watched” mammals on the planet.

Going Nuts: Tales from the Squirrel World

8.7 2019
Geheimsache Mauer - Die Geschichte einer deutschen Grenze

Germany in the summer of 1961 - the "Iron Curtain" divides the country. Only in Berlin is the border still permeable. West Berlin is the open wound of the GDR. Until August 13, 1961, a summer Sunday that would divide the world into a before and an after. 2011 marks the 50th anniversary of the day on which the division of Berlin cemented the division of Germany and Europe for more than two and a half decades. The docu-drama "Geheimsache Mauer - Die Geschichte einer deutschen Grenze" by Christoph Weinert and Jürgen Ast tells the story of the Berlin Wall and the inner-German border from a new, unusual perspective: from the point of view of those who planned, built and guarded it. The film takes the viewer behind the scenes of the Wall builders: it reveals the "concreted" thinking and calculating calculations of the Wall strategists - and their secret plans to perfect the deadly border further and further.

Geheimsache Mauer - Die Geschichte einer deutschen Grenze

NR 2011
Passages

Lisl Ponger creates an imaginary map of the twentieth century on which the stories of emigration are engraved like well-worn tracks of occidental memory. The pictures, made by observant tourists, are revealed, in their tensile relationship to the soundtrack, as a post-colonial journey. A journey through exactly those countries which long ago have been shrunk together in space and time. Finally the wonderful neon signs of the “Hotel Edison” and “Radio City” remind one of the origins of this form of appropriation of the world, of the time of great expeditions, of Benjamin‘s shop-windows and passages, and of the time when technical apparatus and means of transportation fundamentally altered the perceptions of modern man.

Passages

6.7 1996