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Playtime in Paris

Catherine Varlin's 27-minute Playtime in Paris (1962) is almost a practice run for Le joli mai, a sampling that starts in a classroom and then observes various subjects from afar. A woman is compared to a cat, and then we see a little girl on a playground, kissing, hugging and swatting a little boy companion as if he were a doll-plaything. A supermarket is compared to a flea market; an upscale equestrian event is compared to a soccer match, a comic bullfight and other attractions. Marker edited and Lhomme was the cameraman.

Playtime in Paris

NR 1962
Entre Terre et Ciel

This is Gaston Rebuffat's fourth film, in which, with several close friends, he discovers the sublime landscapes of the Alps. “Mont-Blanc is beautiful. I climbed it several times depending on the time, the color of the sky and the shape of the cornices and ridges. Because of the weather and also because of this feeling of altitude, Mont-Blanc provides great pleasure. For the guide, Mont Blanc is his garden, but the garden becomes more beautiful when shown to a friend. Personally, I really like the bivouacs; only there one penetrates a little the mystery of the altitude. That's why I immediately accepted when Tazieff expressed the desire to spend the night at the top of Mont Blanc in an igloo. The film won the Grand Prix at the Trento Film Festival in 1961.

Entre Terre et Ciel

10.0 1961
The Music of Lennon & McCartney

A 1965 British television special honouring the songwriting partnership of John Lennon and Paul McCartney. It was produced by Granada Television and aired on that network on 16 December 1965 before receiving a national broadcast the following evening. The programme mainly consisted of other artists miming to their recordings of the songs. The Beatles performed Day Tripper and We Can Work It Out, and Peter Sellers delivered a comedic interpretation of A Hard Day's Night, in the style of stage actor Laurence Olivier's portrayal of Richard III.

The Music of Lennon & McCartney

7.0 1965
Carna

Although it was actually an impersonal commissioned film, the director's style is clearly recognizable. Once again he manages to make something that is normal very strange: the dancing people in costumes are filmed in such a way that they look bizarre and absurd. Jan de Bont's camerawork shows a series of color images of dancing people, edited to the rhythm of the music. Halfway through the film, a lonely clown can be seen among the dancing crowd, accompanied by sad music. This clown is played by Ditvoorst himself.

Carna

5.8 1969
Soldier in the Sun

This informational programme follows the British Army in Aden (Yemen) during the state of emergency in 1964. Aden is one of the last outposts of the British Empire and a strategic part of the Arabian Gulf guarding access to the trade routes that flow through the Suez Canal. The British colony has become a hotbed of insurgency, and the film follows British troops as they try to keep order in an increasingly violent mountainous region from where the insurgents regularly attack the Port area.

Soldier in the Sun

NR 1964