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Lu Shan

Mount Lu or Lushan, also known as Kuanglu (匡庐) in ancient times, is situated in the northern part of Jiangxi province in southeastern China, and is one of the most renowned mountains in the country. The oval-shaped mountains are about 25 km long and 10 km wide, and neighbors Jiujiang city and the Yangtze River to the north, Nanchang city to the south, and Poyang Lake to the east. Its highest point is Dahanyang Peak (大汉阳峰), reaching 1,474 m above sea level, and is one of the hundreds of steep peaks that towers above a sea of clouds that encompass the mountains for almost 200 days out of the year. Mount Lu is known for its grandeur, steepness, and beauty, and is part of Lushan National Park, a UNESCO World Heritage Site since 1996, and a prominent tourist attraction, especially during the summer months when the weather is cooler.

Lu Shan

8.5 2010
How High Is The Mountain

In this documentary, director Tang records his own son's birth and growing up, his father's recovering from a stroke and a nostalgic trip home to China. (In the 1940's his father evacuated with the Nationalist troops to Taiwan after it lost the Mainland to the Communist in the war. It wasn't until 1980's were people allowed to go home to visit in Mainland China). From his search for the earliest memory of life, with a close observation and sensitivity, he exams the parallels of the different lives of a different time. In his previous work, "HOW DEEP IS THE OCEAN," director Tang ends it with the ultrasound image of his unborn child, representing the beginning of a new life. With this work, "HOW HIGH IS THE MOUNTAIN," it is rather a beginning of a series of questions about life and a continuation of examination of his own life and the longing of a perfect world.

How High Is The Mountain

8.5 2003
Myanmar Girls

YouYou and Kat, two Burmese girls entering their final year of high school, are preparing for the overseas Chinese student exams that may take them from Yangon to Taiwan. Power cuts, shrill whistles, demanding exams, and teenage anxieties shape their everyday lives. Kat is driven and ambitious; YouYou is diligent, determined not to disappoint those around her. As Myanmar’s civil war quietly encroaches on the city through rumours of conscription and parental worry, the girls push themselves to maintain discipline. As the exams approach, they wonder whether studying abroad truly leads to freedom, or to another kind of uncertainty.

Myanmar Girls

NR N/A
Dean-E Mei: A Pungent Patriot

My work is an attempt to combine the relationship between historicism, commodity totem worship and political semantics. I do not intend to respond to questions about political correctness, but also try to show the unsolved issues of art itself. What I care about is how they find enough channels between history, reality and the public. In short, my creation is the crystallization of personal complexity. As long as the perception that can be obtained through the idea, it can be regarded as a style in the development of my personality. All the warriors related to experience may become artistic associations. They are the result of profound meaning and endless reproduction. There is a mysterious place. ---Dean-E Mei's self-report

Dean-E Mei: A Pungent Patriot

NR 2012
The Accidental Politician

The Accidental Politician is a ten-year documentary journey following three young Taiwanese activists who emerged from the 2014 “Sunflower Movement” and stepped into the complex world of local politics. Fueled by ideals but confronted with entrenched power, political deals, and disillusionment, their stories unfold like real-life quests through Taiwan’s democratic landscape. As they struggle between hope and burnout, the film reveals not only the cost of participation, but the unfinished nature of democracy itself. With the 2024 “Bluebird Movement” weaving the past into the present, this is not just a portrait of three individuals—it’s a timely reflection on the fragile, ongoing experiment of democracy in Asia.

The Accidental Politician

7.0 2025
Sounds of Love and Sorrow

Sounds of Love and Sorrow lets the eerie sounds of the Paiwan flutes including the nose flute, which legend says imitates the call of the deadly hundred-pace snake, mix in with the recollections of tribal elders and traditional tales to present a rich background of Paiwan life in Taiwan. Tribal elders recall the days of the youth and their romances. They tell of the creation of the Paiwan people, and lament the end of tribal life, crushed by the irresistible and contradictory forces of government policies and alien cultural influences. Talking of love, both the charm and cruelty of a traditional society are revealed. For many of the Paiwan, love may be a high point of a young life – but it is also the gateway to sorrow. But in the end, it is the high spirits, the playful romances and the family spirit of the Paiwan which shine through.

Sounds of Love and Sorrow

NR 2000
Temporary

The factories which were abandoned, the temporaries who were employed on a temporary basis, and the words were painted on the edge of the wall of the city. They were dirty humble but very strong, it reflects the real situation of "workers" in the social class. These factories, workers, and wall were utterly discarded after being used up, without any responsibility and affection. They were "relics" of the modern industrial process, and now left behind in the edge of the city and barren. We try to record the imminent disappearance of these graffiti walls, abandoned factories, are the temporary workers in an atypical way. Because of these images usually remind us that the city hides a group of incomplete consciousness and the body, they are in the search for a possible survival, a possible aesthetic, a desolate before the disappearance.

Temporary

NR 2017
Chinhua's Blossom Unfolds

At the ripe age of 102, Chinhua Ho Chen, “Miss Golden Blossom”, takes center stage. In 1938, her voice graced the tracks of “Endless Spring” and “The Camellia Lady”, released by Victory Records, under the stage name “Yingying”. She also stands as the first among renowned female singers of Taiwan’s popular ditties. Through Miss Chinhua, we hear the echoes of the once renowned singer Yingying, preserving the distinct voices of Taiwan in popular music and songs.

Chinhua's Blossom Unfolds

NR 2023
The Silent Teacher

Lin Huizong often drives north to see his wife, Xu Yu'e, at the Medical College of Fuzhou University. Xu Yu'e is a "dissection teacher", that is, a deceased person who donated his body to be used as anatomy class teaching materials. In Asia, which attaches great importance to the burial of the deceased's body, doing so often requires facing the reluctance of relatives. And what changes will this dedication bring to the family, teachers and students of the medical school? What does "alive" mean? When the end of life is not physical destruction, but the impact left on future generations, how will people decide the color of their lives?

The Silent Teacher

NR 2017
Shall We Talk?

I grew up in a broken family, which was fragmented due to my father's emotional violence. Communication conflicts between my parents affected me and my brother under the same roof. During my upbringing, the four of us in the family became more distant and were unable to communicate properly with each other. As I grew older, I explored my gender identity, but found it difficult to balance my identification with my original family, so I decided to face why my family became like this. With the help of a camera, I opened up my own heart and the hearts of my family members, and found a way for each of us to express ourselves.

Shall We Talk?

1.0 2023
My Dear Art

In the past fifteen years, the Asian art market has exploded. Chinese collectors now spend more money in auction than Americans and Brits, while a new generation of Asian artists are reshaping the world’s artistic palate. My Dear Art depicts the wonders and absurdities of the Asian art market. From China, to Singapore to London, it profiles the artists, collectors, gallerists and experts who are changing the face of the art business forever and asks fundamental questions about the value and role of art in modern society.

My Dear Art

NR 2017
The Way Home

Dremedrema is the chief heir of her tribe. Being the eldest, she therefore, must accept her inheritance of the position and status according to the tradition.Though her mother and children hope that she would disavow the obligation. Even Dremedrema had run away from her tribe once, her ancestral spirits has never given up on her. She is a tribal chief who doesn’t speak the native tongue. At the same time she is a devoted single mother of three. She is a chief without her traditional tribal family house, unable to live within the tribe. She misses home. But despite ten years’ effort, it is a home that she cannot easily return to.

The Way Home

NR 2020
Sounds of Taiwan: A Symphony by Bao Yuankai

In the 1990s, Chinese composer and educator Bao Yuankai began composing Western-style symphonic pieces rooted in traditional folk music. One of his acclaimed pieces is Sketches of Taiwan, which Bao was inspired to write after falling in love with Taiwan’s people and culture. Tsui Yung-Hui follows as he retraces his musical journey, decades-long love affair with Taiwanese culture and how he came up with brilliant, groundbreaking work that artfully bridges East and West.

Sounds of Taiwan: A Symphony by Bao Yuankai

NR 2021
Jade Miners

A fascinating documentary, shot in the mountainous north of Burma. No filmmaker is welcome there, because, against the background of a civil war, the jade miners enter the deserted mines illegally. With the aid of filming locals, however, Midi Z was able to compile this portrait. Getting rich quick turns out to be hard and risky work Jade has always been a valuable commodity in Asia. In the mountains in the north of Burma there are valuable deposits of jade. The area forms part of Kachin State, inhabited by many ethnic groups which found themselves embroiled in the Civil War in 2010 with the Burmese government. Jade mining was halted because of the conflict. Thousands of workers, however, went to the war zone in order to dig for illegal jade. It turned the region into a no-go area and the filmmaker Midi Z, who had so far made feature films in Burma, saw no opportunity to go and film there. It was far too dangerous. © iffr.com

Jade Miners

5.0 2015
On the Way Up Yushan

On the way up Yushan takes the journeys of Mr. Wu Rong-Fu and Mr. Lin Chang-An as the axes of narrative. The two individuals had some "modifying" on the top of Yushan. Their lives are intimately tied with Yushan. The personal narratives branched out along the way, the unexpected events on the halfway, and the anonymous landscapes, the mountain of memories via hands and materials as well as imaginations and recollections. Though they never meet, through the film, they'd have a chance to walk aside.

On the Way Up Yushan

NR 2021
Café Togo

CAFÉ TOGO looks at the efforts to change street names with colonial connotations in the so-called Afrikanisches Viertel (African Quarter) in Berlin-Wedding. According to Berlin’s street law, every street named after a person honors that person. Petersallee, Lüderitzstraße, and Nachtigalplatz bear the names of persons whose biographies are tainted by the blood of the victims of German colonialism. According to the law, streets that do not correspond to today’s understanding of democracy and human rights should be renamed.

Café Togo

NR 2017
This Shore: A Family Story

An experimental documentary which opens with a story of my family: my American aunt found a painting of my grandmother by chance, in a random Chinese restaurant in the middle of nowhere - she said she cried. By tracing this story and reproducing its meaning, the film wonders through different topics: the construction of the Cold War, USA and Taiwan relations, different generations of Chinese diaspora since the 1950s, contemporary immigration and cross-nation fluidity, family romances, religion, and ancestors...

This Shore: A Family Story

NR 2020