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I used to like the sea

They come from Afghanistan, Iraq, Syria or Eritrea. Accompanied by their parents, they fled war and persecution. Thrown onto the roads, these children of exile had to face, despite their young age, many dangers to reach Europe. Others never made it to the end of this journey, engulfed in the waves of the Mediterranean, the cold of the mountains or the networks of slavery. But once in Europe, in Belgium, how can you rebuild yourself, create a place for yourself in a setting that is completely different from your city, your village, in the countryside, in a Red Cross reception center? There is also this long wait for recognition of refugee status. In this space-time filled with hope, the film reaches out to the children and takes their word for it.

I used to like the sea

NR 2018
But Now Is Perfect

God, or fate, has brought Becky Moses to Europe via Libya from her native country Nigeria, on the run for an arranged marriage with an elderly man. Never would she have thought she would end up in Riace, a mountain village in Calabria (southern Italy) that has become world famous by its open-door policy for immigrants by the flamboyant mayor Domenico Lucano. Through the eyes of Becky and her fellow villagers, we witness how the shrunken Italian community lives together with the new, mostly African, inhabitants.

But Now Is Perfect

NR 2018
L'enfant de tous les possibles

They are single or gay, or they have let the biological clock of fertility slip by, but they have made the choice to become parents. To obtain the desired child, they take side roads. Today, they recount their difficult journey, with or without the help of medicine, their way of starting a family, of conceiving of filiation, but also their feeling of illegality and the weight of the gaze of others. At a time when the laws governing medically assisted procreation are debating in France, this documentary offers an unprecedented look at these questions.

L'enfant de tous les possibles

6.0 2018
The Slave Circle

Pyramid scheme, scam, cult...all words used to describe the direct sales/marketing operation profiled in The Slave Circle - a film about a business where you are owned. From how the business seeks out the most vulnerable recruits, to the psychological pressures used to make recruits conform to a singular mindset, to the lies told through its pyramid-shaped business model, The Slave Circle paints a complete picture of a worldwide business operation you may have heard about, interviewed for, or purchased a product from - without even realizing it.

The Slave Circle

7.0 2018
Labor Safety in the Region of Dnipropetrovsk

A documentary collection of videos found by artists on social networks, something between a tragicomedy and a film about an environmental disaster. Workers of industrial enterprises of the Dnipropetrovsk region and residents of nearby areas filmed working days and emergencies on their gadgets. Heavy everyday life is complemented by flashes of non-triviality. However, such videos and their proliferation on the Internet are evidence of an ongoing class war (the use of recording devices at work is generally strictly prohibited). The directors have retained the original voice acting, which is distinguished by a bright emotional coloring, a mixture of surprise and delight. Scenes of (post)industrial hell alternate with unexpected situations of humor and humanity.

Labor Safety in the Region of Dnipropetrovsk

NR 2018
Evidence of the Evidence

The 1971 Attica prison uprising is a signature moment of radical resistance for the American Civil Rights movement. The subsequent retaking of the prison is an open wound. Evidence of the Evidence explores this tortured history through a granular interrogation of its archival materials. Utilizing rarely seen video recordings shot by a New York State Trooper, the film offers a visceral ground level account of the events at Attica, but also chronicles the contemporaneous mediation and narrativization of these events.

Evidence of the Evidence

NR 2018
Tá Tudo Bem, Vó

Luiza grew up communicating with her grandmother through film-letters. In the images, always filmed by her mother, she and Sister Cecilia showed how much they grew. Five years after his grandmother's death, the rehearsal film, It's alright, grandmother is drawn as a final letter. With a difference: now it is Luiza who narrates. The film interweaves sisters' daily records and archive footage to revisit childhood memories and outline the weight that distance has put on the family.

Tá Tudo Bem, Vó

NR 2018