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In The Name of the Emperor

A matter-of-fact documentary of the massacre of over 300,000 Chinese civilians by the Japanese in the so-called 'Rape of Nanjing' in 1937. In the name of the Japanese emperor Hirohito, the desperate soldiers, enraged by intense Chinese resistance, stormed the then capitol of China and over a six week period systematically raped, tortured, and killed many of the inhabitants of that city. This is a matter-of-fact although polemical documentary, with many of the horrifyingly intense images taken from home movies made by an American missionary who was there.

In The Name of the Emperor

9.5 1998
Hands of History

This documentary follows four female First Nations artists—Doreen Jensen, Rena Point Bolton, Jane Ash Poitras and Joane Cardinal-Schubert are First Nations artists who seek to find a continuum from traditional to contemporary forms of expression. These exceptional artists reveal their philosophies as artists, their techniques and creative styles, and the exaltation they feel when they create. A moving testimony to the role that Indigenous women artists have played in maintaining the voice of their culture.

Hands of History

8.0 1994
The Last of the Nomads

Like an antipodean version of Romeo and Juliet, it emerges that Warri and Yatungka became the last nomads because they had married outside their tribal laws and eloped to the most inaccessible of regions. In 1977 the land was stricken by a severe drought and their tribal elders mounted a search for them with the help of a party of white men led by Dr Bill Peasley and one of their own number, a childhood friend named Mudjon. The film takes Dr Peasley back into the desert to relive his momentous journey with Mudjon and culminates with poignant archival footage of the elderly couple found naked and starving.

The Last of the Nomads

NR 1997
A Champion and a Gentleman: The Official Review Of The 1996 FIA Formula One World Championship

Right from the opening round of the 1996 FIA Formula One World Championship in Melbourne, the potential for an extraordinary season was plainly evident. In particular, two Williams-Renault team-mates were quick to display the sort of skill and determination that would keep this contest on the brink to the very end. The rest as they say, is history. As Williams-Renault celebrate their fouth Constructors' Championship, Damon Hill is justly rewarded as the first son of a Formula One World champion to emulate his father's achievement.

A Champion and a Gentleman: The Official Review Of The 1996 FIA Formula One World Championship

NR 1998
National Geographic: The Filmmakers

National Geographic Wildlife Filmmakers Go Eye-to-Eye with Danger! They swim with sharks, confront venomous snakes, and stalk hungry lions. They're National Geographic filmmakers, and for these remarkable adventurers, capturing unforgettable footage in the wild is not just a job, it's a way of life. Join a cinematographer in the rain forest canopy as he goes to incredible lengths - and heights - to film the world's most powerful bird of prey. Witness the frustration of a filmmaker who just misses the scene-stealing shot of jackal pups greeting their mother in the Serengeti, and feel the exhilaration when he finally captures the event to perfection. Meet the talented professionals who go behind the camera every day and sometimes risk their lives to bring us extraordinary images of nature's most amazing creatures.

National Geographic: The Filmmakers

NR 1999
Retrato em Preto e Branco

The documentary is structured as a video letter from a black man denouncing the persistence of racism in Brazilian society and media, a century after the official end of slavery. Thus, it presents the contradictions between two images of racial relations in Brazil: the image disseminated abroad, which spreads the myth of racial democracy, and the internal image, presented in textbooks and on television, in which negative stereotypes are perpetuated against the black population.

Retrato em Preto e Branco

8.0 1992
Stepping

Stepping is a dance form that can be found across the country at virtually every college with a substantial African American enrollment. Stepping is performed informally during parties as well as more formally during organized step shows. This film explores this tradition, its historical roots as well as its contemporary forms, styles and uses, to understand how students construct various levels of identity through this dance form…African American identity, fraternity or sorority identity, gendered identity and personal identity. The film goes behind the scenes with the Alpha Phi Alphas as they prepare for a step show that is only a few hours away. Cutting between this show and interviews with current and past steppers as well as footage from previous shows, the film provides a broad picture of this vibrant and dynamic dance form.

Stepping

NR 1998
Maurice and Katia Krafft: To the rhythm of the Earth

Maurice and Katia Krafft are a couple of scientists, filmmakers, researchers and photographers who have made vulcanology the reason for their existence. Together, they completed more than 800 hours of filming 128 volcanic eruptions and developed more than 450,000 films of great aesthetic and scientific value. A journey in stages around the world, the film pays tribute to the two protagonists, from the first ascent accomplished by Maurice, then aged 7, at Stromboli, to their tragic disappearance in 1991 on Mount Unzen in Japan.

Maurice and Katia Krafft: To the rhythm of the Earth

10.0 1995
Pyongyang Diaries

This documentary records Hoaas' personal encounter with the closed society of North Korea. As with her earlier work, Hoaas approaches her film as a cumulation of fragments encompassing different perspectives that together offer a point of entry into a complex society. Her diary-style narration signals her limited personal perspective into this culture, especially given the brief filming period and her difficulty in breaking through the facade of the showcase version of Korea insisted upon by her official guides. Hoaas' restricted visual access, and her reluctance to present over-familiar images of the hardship and depravation informed her decision to use this narrative device to frame her film within the context of the famine crisis that began in 1997 following the failure of crops caused by two consecutive years of heavy flooding.

Pyongyang Diaries

1.0 1998