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False Gods of Our Time

This informative docudrama, featuring Dr. Norman Geisler, provides an antidote to the bombardment of erroneous and confusing philosophies which are presented convincingly as truth and undermining Biblical Christianity. Some of these philosophies include atheism, The New Age, humanism, the occult, evolution, and false signs and wonders. False Gods of Our Time provides biblical evidence to demonstrate there are sound intellectual reasons for a Christian worldview. Three years in the making and filmed on four continents.

False Gods of Our Time

NR 1982
Atlantis Expedition

In one of the most inspiring expeditions of the 20th century, Alfredo Barragan sets out to prove that primitive men could traveled from Africa to America long before Columbus' trip. He creates a raft with the same materials these primitive men could have arranged and together with four brave friends he sets out to sail the Atlantic Ocean - and the adventure begins. He didn't only want to prove this hypothesis but he also wanted to prove that a men, with determination and enough planning, can achieve what seems impossible. "Let men know that men can!". Don't miss this amazing and inspiring story that will make you believe again in yourself and in mankind.

Atlantis Expedition

8.3 1988
Pele's Appeal

In the swirling volcanic steam and misty rain forest of Kilauea volcano’s east rift zone on the island of Hawai’i, two forces meet head on. Geothermal development interests, seeking to clear the rain forest for drilling operations, are opposed by native Hawaiians seeking to stop the desecration of the fire goddess, Pele. Pele is a living deity fundamental to Hawaiian spiritual belief. She is the eruption, with its heat, lava and steam. Her family takes the form of forest plants, animals and other natural forces. But geothermal development interests see Pele as simply a source of electricity. When Hawaiians take the issue to court, they find that nature-based religions are not respected by U.S. law.

Pele's Appeal

7.0 1989
Hinter den Elbbrücken

As soon as the former truck driver has crossed the various bridges over the Elbe, he would preferably turn around immediately and return home, to the Steinburg district in Schleswig-Holstein. There he’s been converting an old farmhouse for himself and his small family for ten years now. In the end, he sees himself rewarded by the beauty of the living space. Yet he is not just content, but also discontent. With friends, he undertakes a boat ride on board the “Kehrwieder” into the rough Danish waters.

Hinter den Elbbrücken

10.0 1988
Debt Begins at 20

With music by The Cardboards, The Shakes, Hans Brinker and The Dykes. By combining semi-fictionalized and documentary material, this film is as definitive a record of the Pittsburgh punk scene during its nascent underground as anyone could hope for. Beroes' band footage is radical departure from the gimmickry of stereotyped rock band documentary in its use of pans and slow dollys, capturing small glimpses of the musicians at work that a 'PR' film would have avoided at all costs. The cinematography demands a reconsideration of the rock band documentary's hoary technical vocabulary. From the time this film was made changes have already taken place in Pittsburgh punk-dom as the bands have moved from an insular salon society to more 'legitimate' venues. Some say things are better than ever, others mourn the passing of Pittsburgh punk's innocence. Beroes in Debt Begins at 20 has produced not only entertainment, but also a small and very precious time capsule.

Debt Begins at 20

6.0 1980
The Ties That Bind

The Ties That Bind is an experimental documentary about the filmmaker's mother, who was born and lived in southern Germany from 1920-1950. Through a mixture of personal anecdote and social history, she describes the rise of Nazism, the war years, and the Allied occupation, during which she met her future husband, an American soldier. The Ties That Bind breaks with the usual format of war documentaries, thus allowing a different portrait of the individual to emerge, while it reflects on the current political situation in America and the filmmaker's activities in relation to those issues.

The Ties That Bind

6.8 1984
They Are Lost to Vision Altogether

They Are Lost to Vision Altogether acts as erotic retaliation on legislation such as the Supreme Court sodomy ruling — declaring the private bedroom as open target for the State — or the Helms Amendment — the U.S government's refusal to fund explicit AIDS prevention information for gay men, lesbians and IV drug users. An attempt to reclaim eroticism and to address the contradictions of sexuality and romance in the face of a monolithic and culturally compulsory heterosexuality, They Are Lost To Vision altogether finds queer history where it can and invents the rest.

They Are Lost to Vision Altogether

NR 1989