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For almost a decade, Mohammed bin Salman, known as MBS, the crown prince and de facto leader of Saudi Arabia, has been shaking up all the pillars of this extraordinary kingdom. The cradle of Islam and the world's leading exporter of crude oil, this Gulf giant has embarked on an unprecedented transformation to meet the existential challenge of the post-oil era. Dreaming of becoming the leader of a stable and prosperous Arab world, MBS is undertaking to transform the austere and rigorous Saudi Arabia into a futuristic utopia. But the rise of tourism, entertainment and the excesses of construction sites are still struggling to make us forget authoritarianism and the repression of opponents. As for the silencing of the religious police, it has not put an end to the oppression of women.

What kind of world power is Iran becoming, and how will Western countries deal with it?

A guitarist and a drummer are playing an instrumental rock song, the audience sways to the beat of the music. In the crowd, a woman stands out. A climactic explosion of sound, movement, visuals, and the struggle to make it last forever.

Discovery of the land of Iceland, an island shaken by the manifestations of its volcanic activity (geysers, storms), characterized by a rich maritime activity and millennial traditions.

When Nénette watches "Nénette". Eight months after the theatrical release of "Nénette", the director, who had promised to show the film to his heroine, executes his project. For Nénette and her son Tübo, this is their first film screening.

Since the early days, Jerry Lewis—in the line of Chaplin, Keaton and Laurel—had the masses laughing with his visual gags, pantomime sketches and signature slapstick humor. Yet Lewis was far more than just a clown. He was also a groundbreaking filmmaker whose unquenchable curiosity led him to write, produce, stage and direct many of the films he appeared in, resulting in such adored classics as The Bellboy, The Ladies Man, The Errand Boy, and The Nutty Professor.

In 2003, actress Marie Trintignant died after being beaten by her partner Bertrand Cantat. The singer was sentenced to eight years in prison. Once released, Cantat attempted to return to the spotlight. It was an almost impossible comeback, especially since his first wife, Kristina Rady, committed suicide under mysterious circumstances. Who is Bertrand Cantat really? And how does he live today?

World War I (1914-18): French cities are reduced to rubble. World War II (1939-45): Allied bombardments turn most of the major German cities into a desolate wasteland. The political, social and aesthetic problems caused by the ruins, indisputable proof of the devastation of war.

Alice Diop returns to the council estate where she grew up, la Rose-des-Vents, to paint a portrait of the inhabitants of her old building. Outpourings in the intimacy of apartments, the stairwell where different cultures meet, and the outside areas, veritable playgrounds, together form the rich heritage of this neighbourhood. A counterpoint to the usual media coverage.

One year after Abbé Pierre's famous call for help on 1-2-1954 exposing the appalling conditions in which millions of French people barely survived, nothing had changed much. In 1955, the housing crisis was rife and entire families were forced to live cramped in dilapidated buildings or in slums. Jean Dewever, outraged like Abbé Pierre by such an infamous situation, took his camera and made this militant short in the hope of alerting not only the average viewer but also the competent authorities.

A peculiar personal journey along the shores of the Mediterranean Sea, the inland sea that bathes the beaches of three continents, passing through the port of Marseille, the Rock of Gibraltar, Algeria and Syria; an artistic and experimental collage made up of thoughts, memories and emotions.

In Iran’s remote nomadic landscape, a family navigates their traditional existence in a modern world. When their sheep vanish overnight, tensions rise between the three sons and their parents.

A documentary film that looks at the racing and private life of professional road and track bicycle racer Eddy Merckx and which is one of the pillars of films about cycling.

In a series of four documentaries, Marcel Ophuls pays tribute to his father Max, and in this last one discusses his role as an assistant director on "Lola Montès".

Documentary on Alain Robbe-Grillet, part of the TV series "Un Siècle d'écrivain"

Is it possible to have fun in Pyongyang? Can one be joyful in the Democratic People’s Republic of Korea? If so, who can? Everyone? Doing what? Why does Kim Jong-un bet on amusement parks, skis trails, and tourism? This film allows to go beyond mass parades and recurring missile crisis, to meet the people of North Korean “Hermit Kingdom”. The authors have been there dozen times, like amateur anthropologists, filming during eight years parties and harvests, factories and singing contests, Pyongyang and the countryside – and interviewing North Korean people.

In response to the call of the Front de libération nationale (F.L.N., the National Liberation Front), thousands of Algerians from Paris and its surroundings march on October 17, 1961, to protest against the curfew imposed on them. This peaceful demonstration will be violently put down by the police. 50 years on, the filmmaker sheds light on this still taboo subject. Blending testimony and unseen archive footage, history and memory, past and present, the film relates the different stages in these events and reveals the strategy and methods applied at the highest level of the French state: manipulation of public opinion, the systematic challenge of every accusation, the censoring of information in order to prevent investigation.

This new documentary will look at how Hamas has used rape and sexual terror as weapons of war, inflicting physical, emotional and psychological trauma on women, children and men. The terrorist group’s attack on Israel on Oct. 7 resulted in approximately 1,200 deaths and 250 hostages. During and after the attack, countless cases of sexual violence, particularly against women and girls, were reported and documented at the Supernova Music Festival, as well as the kibbutzims and villages. The documentary will delve into these events though research and investigation, while following the victims’ journeys to recovery.

A week after the Dayton accords, Phillipe Grandrieux visits Sarajevo accompanied by Sada, a Bosnian who is returning home after four years of exile.

Fouad Elkoury's unique journey, between photojournalism and art photography, from his early days immersed in the complex and tragic history of Lebanon and the Israeli-Palestinian conflict, to his travels from the port of Marseille to Istanbul, from Turkey to Egypt, from the 1970s to the present day, punctuated by the photographs that made him famous. An intimate and privileged encounter with one of the greatest photographers in the Arab world, through his personal archives, his travel stories, and his life stories.

Short piece for the TV series Aujourd'hui en France [Today in France]. Reporting on a Joan Miró exhibition at the Maeght Foundation, Sarah Maldoror enjoys filming the Spanish painter and sculptor engaging with children during a theatre piece. The filmmaker's central themes are in full bloom here: the theatre, the interrelationship between the arts and the transformation of the childhood experience through art. The ensemble is like a work by Joan Miró translated into real life.

This documentary follows the French soccer team on their way to victory in the 1998 World Cup in France. Stéphane Meunier spent the whole time filming the players, the coach and some other important characters of this victory, giving us a very intimate and nice view of them, as if we were with them.

Following the behavioral problems and progressive confessions of her two children Marie and Pierre, a mother decides to file a complaint against her husband for incest and membership in a pedophile sect. The report proposes a chronology of the judicial investigation with the testimonies of Marie and her mother, but also of the representatives of justice involved in the investigation.

A synaesthetic portrait made between French Polynesia and Brittany, Color-blind follows the restless ghost of Gauguin in excavating the colonial legacy of a post-postcolonial present.

They’ve become the human face of inhuman barbarity. Leaders like Hitler, Idi Amin Dada, Stalin, Kim Jong Il, Saddam Hussein, Nicolae Ceausescu, Bokassa, Muammar Kadhafi, Khomeini, Mussolini and Franco governed their countries completely cut off from reality. These paranoid leaders were driven to abuse their power by the pathology of power itself. Dictators are driven by a relentless, thought-out determination to impose themselves as infallible, all-knowing and all-powerful beings. But they are also men ruled by their caprices, uncontrollable impulses, and reckless fits of frenzy, which paradoxically render them as human as anyone else. The abuses they committed were clearly atrocious, yet some of them were as outlandish as the characters portrayed in the film The Dictator. They sunk to depths worthy of Kafka: so incredibly absurd, they are outrageously funny.

For 12 years now, Mathieu Amalric has been filming the stupendous New York saxophonist and composer John Zorn. Whirligig films that Zorn likes to programme during his concerts, like a musical set. They are screened here for the first time out of a concert setting. Music in the making, constellations of energies, an ever-expanding universe of sound…

An impossible love story between the narrator from Paris and a young woman – Ekaterina Tretyakova, descendant of the Romanov dynasty. It takes place behind the Ural mountains. Navigating between poetic illustrations of passion and schizophrenic wanderings in a hostile environment, the film draws an intimate and heart-breaking portrait of Russia.

Aria, a film about queer parents, identity and family constructions. It is through a series of portraits, of people leaning their faces over her belly that the artist proposes a diversity of stories and reflections on motherhood, parenthood, the desire or not to have a child, descent, and childhood. Entirely shot using smartphones, the film proposes an intimate journey, told via sensitive, fun or moving words, a contemporary family album.

Part road movie, part spectacle, part drama, Monsoon is Sturla Gunnarsson's meditation on chaos, creation and faith, set in the land of believers. The subject is the monsoon, the incomparably vast weather system that permeates and unifies the varied culture of India, shaping the conditions of existence for its billion inhabitants.

A portrait of feuilleton author, Marcel Allain, creator of one of Franju’s favourite heroes: Fantômas.

Never before in Western history have our sex lives been so free. And yet one taboo remains: Abstinence, individuals who have no sex at all. Seven men and women talk about why they have no sexual relationships in frank and emotional accounts of their existence and deepest desires.

This documentary explores the complexities of Los Angeles. Blending a highly structured montage of shots exploring the city with interviews of students, the writer Henry Miller, and residents from all communities, this evocation of Angelenos' city paints a portrait of a living, constantly evolving entity.

A growing city, where nearly 7,800 people lived, will be destroyed by 50% in February 2016. How will the 4,000 migrants expelled from the South zone reborn from their ashes in the northern zone. Before the state decided to annihilate the entire territory in October 2016 and to disperse its 11,000 inhabitants, to the four corners of France.

Russian people are passing before us during an endless train journey in winter. We lose ourselves in their speeches, gestures, faces, eyes. Anecdotes turn into admissions. Memory invades the compartment and seizes the empty spaces of the present. The train continues through the snow, cold and grey fog… An infinite film existing somewhere between the ephemeral and the eternal.

Sugar is sweet, seductive, addictive - but built on human suffering. This feature-length reveals how an enticing luxury became the engine of a global system powered by slavery, exploitation and environmental destruction, a legacy still shaping the world today. From the 19th-century slave plantations to modern refineries in the Dominican Republic, Brazil, Reunion, India, South Africa and Europe, the series traces how sugar fuelled colonial empires, drove some of the worst aspects of international trade and commerce, and left deep social and ecological scars that are still present in labour abuses and exhausted landscapes today.

An exhaustive retrospective commented by Zidane, his greatest goals, soccer lessons where Zidane reveals his most precious secrets.

French film and WWII historian Sylvie Lindeperg analyzes Alain Resnais's seminal 1956 film, "Night and Fog", and attempts to place it in the context of the historical treatment of WWII, and specifically of the Holocaust, in the decade following those harrowing events. Oddly, she argues that the images of Resnais's famous film are "powerless", in her words.

Three decades after the shuttering of the mining town of Schefferville, the Innu people, who moved in after the non-natives abandoned the town, are facing a new challenge: the iron mines are about to be reopened. Land, identity and legitimacy are central to the dialogue between peoples locked in parallel struggles, the Québécois and the First Nations.

The first "filmed portrait" of Pasolini was created by French television in July 1966 as part of the prestigious series Cinéastes de notre temps, directed by Janine Bazin and André S. Labarthe. Interviewed on the streets of the Roman suburbs and in his studio, Pasolini analyzes his dramatic relationship with Italian society and retraces the trajectory of his works up to Hawks and Sparrows.

Utilizing a combination of professional actors and man-on-the-street interviews, French director Raymond Depardon has created a film about filmmaking that centers on a rather discriminating director's search for the perfect leading lady. The main problem is that the helmer (Luc Delahaye) doesn't really know what his next film will be about, let alone what kind of woman should be his star. Looking for inspiration, the director and his casting agent (Sylvie Peyre) visit the Saint Lazare train station in Paris and shoot some footage of passengers entering and exiting the trains. Later he encounters a few actresses, but rather than asking about their professional experiences, the director focuses on their personal lives. After several fruitless interviews, the director confesses to the casting agent that he really wants to utilize a non-professional actress.