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Composed of short films within the framework of a bedroom story, which, among other things, pleads for partner swapping as therapy against "contact difficulties in industrial society. Communards of the 1970s and the chairman of the then existing Sex Party, the former theology student Joachim Driessen, appear as key witnesses of the "new society.

The filmmaker, Simon Brückner, goes in search of his long-deceased father, one of the central figures of the German students' movement. A picture of a multi-faceted character emerges and a piece of German history is retold.

No one in nature has mastered the art of deception like mantises. These seemingly innocent creatures are among the most feared predators in the insect world. Find out how they live, how they breed and who their biggest enemies are... They're killers. They kill their prey with incredible precision. They fight kung-fu style and are considered a symbol of vigilance in Japan. Who are they? Mantises, of course. They have an unmistakable, uniquely bendable head in the shape of a triangle. Two large eyes unerringly measure their prey. The thoracic part of their body is greatly elongated and studded with sharp protrusions that can stab an unfortunate victim with the speed of a switchblade. Mantises have a reputation for being stealthy creatures, especially as they are rarely seen. They are perfectly adapted to their environment, whether moving among leaves, flowers, tree bark, sandy soil or even flowering orchids.

A short documentary about Fritz Lang's film 'Frau im Mond', and its relation to the science and history of real space travel.

The film shows the colorful life and hustle and bustle at the Viktualienmarkt in the heart of Munich. The day begins with the ringing of the city's many bell towers. The market is still quiet, but quickly becomes busy. The deliveries arrive and the traders begin to put away their goods. The rich offer ranges from baked goods, fruit, vegetables, fish and meat to flowers, handicrafts and delicatessen - the colorful market bustle begins. Individual small events and, above all, the people are observed. At 6 o'clock in the evening, it's time for the big clean-up before it starts all over again the next day.

Documentary about a northern German farming family who want to make their farm fit for the future.

Thomas Bernhard rarely engaged in on-camera interviews and conversations. However, he was extremely taken with the television films created by Krista Fleischmann and recognized – both confidently and with foresight – their lasting value for posterity: “I feel this portrait is an entirely successful document whose usefulness will grow.”

Is the city of Zurich suffering from ‘density stress’? What is it like to live in mega cities such as São Paulo, Mexico City and Tiflis? Filmmaker Thomas Haemmerli broaches the topics of city development, architecture, density, housing market, xenophobia and gentrification from an autobiographical perspective. The path of his life has led him from a childhood in the villa district of Zürichberg, through his teenage years as squatter to flat shares, yuppie apartments and finally second homes in various cities. Only recently having become a dad, he plans to further enhance Zurich’s price appreciation by purchasing a huge, extended city apartment… This multifaceted essay not only humorously questions the filmmaker’s decisions, but also those of the right-wing conservatives, who are afraid of losing their space to immigrants, and the political left, who fail to embrace modern-age architecture.

Portrait of Greek director Theo Angelopoulos.

In the 18th century, the Barbary threat became serious. In July 1785, two American boats were returned to Algiers; In the winter of 1793, eleven American ships, their crews in chains, were in the hands of the dey of Algiers. To ensure the freedom of movement of its commercial fleet, the United States was obliged to conclude treaties with the main Barbary states, paying considerable sums of money as a guarantee of non-aggression. With Morocco, treaty of 1786, 30,000 dollars; Tripoli, November 4, 1796, $56,000; Tunis, August 1797, 107,000 dollars. But the most expensive and the most humiliating was with the dey of Algiers, on September 5, 1795, “treaty of peace and friendship” which cost nearly a million dollars (including 525,000 in ransom for freed American slaves). , with an obligation to pay 20,000 dollars upon the arrival of each new consul and 17,000 dollars in annual gifts to senior Algerian officials...

In 1937, art and power collide in a rare clash that will change the face of Europe for decades to come. At the beginning of the year, the Spanish town of Guernica was bombed by the German air force. On June 30, Goebbels issued his decree "to segregate German folk art", the campaign against modern art. On July 18, Hitler inaugurated the "House of German Art" in Munich, one day later the exhibition "Degenerate Art" was opened. Erwin Leiser interviews art historians, dealers and contemporary witnesses such as Willy Brandt, tracks down lost paintings and shows the "Degenerate Art" exhibition reconstructed in Los Angeles - without propagandistic slogans.

A nurse, a Nazi and a fish: this is the incredible tale of a young Czech woman who, in the face of Nazi occupation, trumps the invaders with her unique form of resistance.

Edda Chiemnyjewski, a freelance press photographer and single mother living in 1970s West Berlin, is confronted with the fact that "a cook has no time for affairs of state". She also fails to find a market for the project she has been working on with her women′s photography group that seeks to document the city. While from today′s perspective the city, which becomes one of the film′s protagonists, looks like post-war Berlin, little has actually changed as regards the precarious existence of free-lancers. With a heavy dose of self-irony Helke Sander, who also plays the leading role, tells of a divided life in a divided city.

A film about two apocalyptic sissies between Bogota, Berlin and Cartagena. One is a dancer, the other a Filmmaker. What starts as a documentary about a dancer, transforms slowly into a performance for film. The performances they create play with the in-between, male female, and the appropriation of spaces and expectations projected onto them.

In five different countries, the filmmakers explore the question of why so many development aid projects have been so unsuccessful to date and how the so-called Third World could free itself from the grip of the First World. By undertaking a long journey through several continents, this committed documentary film impressively shows many facets of the problem, which it links together, puts its finger on wounds and reveals some frightening mechanisms. He is not concerned with "images of hunger", but with the connections between poverty and (European) prosperity, with justice in a globalized world.

History and art in Berlin's new center. Like a fossil, the Marx-Engels-Forum, a large, ambitious monument project of the GDR, adorns a central historical spot in the middle of Berlin. Boettcher's experimental documentary transforms footage he shot of the creation of this monument in the 1980s into new material. A story about the loss of a monument's meaning.

Stuttgart in the mid-1930s: What did it look like in the past, what does it look like now and what will await the city in the future?

Documentary about Canada's sea wolves.

Documentary about former German chancellor Angela Merkel’s political ascent and mental strength, featuring interviews with her and a variety of notable politicians.

Pregnant Maria and her husband Josef are a Turkish guest worker couple in West Berlin who offer their labor to the S. company. In Turkey, like many others, they were unable to find work. In Germany, they exchange their slave-like dependence on large landowners for the hustle and bustle of work in a large German company.

Climate justice! OHNE KEROSIN NACH BERLIN is a campaign by the Students for Future, which is part of the Fridays for Future movement. In 2020, 60 people loudly carried the climate protest by bicycle from Cologne to Berlin. This film emerged from the movement and shows the activists' experiences up close.

An account of the reign of Herod the Great, king of Judea under the rule of the Roman Empire, remembered for having ordered, according to the Gospel of Matthew, the murder of all male infants born in Bethlehem at the time of the birth of Jesus, an unproven event that is not mentioned by Titus Flavius Josephus, the main historian of that period.

A portrait of Japan's culture and landscape, highlighting the country's contrasts.

I’tikaaf (Arabic: اعتكاف) – “a practice of isolating oneself for a certain number of days, in order to reflect and stay away from worldly affairs” For six months Ahmad and Bilal have been living with Pastor Klaus Wening, unable to leave the house. The film accompanies their time in church asylum, waiting for news about their asylum process in Germany. I’tikaaf tells a story of exile and community, by documenting one station on the long journey of refugees, leaving their home.

Documentary short by Laura Laabs.

Taking the form of language exercises, Sous le soleil exactement is a tribute to the city symphonies of Berlin - a city whose inhabitants, streets and movements inspire the traveler's observations. Noa Blanche Beschorner returns to her native Germany and, through editing, creates a dialogue between spaces - sometimes populated, then deserted. A meditative film, where time and space set the tone.

Documentary about the late-era German Democratic Republic

On the one hand, the beyond-Tropicália surreal, wild, ecstatic universe of Khavn de la Cruz, the Philippines’ internationally most venerated underground filmmaker. On the other, the Frankfurt School dialectics of Alexander Kluge, self-proclaimed arrière-guard eternal of 1960s modernist moviedom, Gandalf of all essay cinema. For Happy Lamento, Kluge mixed some of his weirder TV skits on electricity, the circus, revolution and early cinema (featuring Fassbinder-regular Peter Berling, theatre genius Heiner Müller, and DaDaism’s last man standing, Helge Schneider, among others) with some of the more outrageous scenes from Khavn’s 2016 Ang Napakaigsing Buhay Ng Alipato. Some 2017 G20 shots of Merkel and Trump et al inject the already heady brew with current affairs urgency.

Growing up alongside her non-verbal brother with a developmental disability, Jinhyun has always sensed the invisible boundaries society draws between them. Her film journeys through the institutions marked by abuse, tracing the shape of a world built on exclusion.

Steppenwolf is one of the most legendary and at the same time most enigmatic bands in the history of rock music. On the border between mainstream and psychedelic underground, their song "Born to Be Wild" became the anthem of an entire generation. The new, hard sound of Steppenwolf was a stab in the heart of the "Summer of Love" and put an end to the hippie era. It is no coincidence that they were the very first band to use the word "heavy metal" in their lyrics.

The film follows the career of detective inspector Marianne Atzeroth-Freier through the Hamburg police force of the 80s and 90s. At the end of the 70s, Marianne is 30 years old and a single parent; she becomes one of Hamburg's first female police officers. Marianne is one of the first women ever to be promoted to the Hamburg homicide squad. The opposing forces in this male-dominated world are strong, she is not really taken seriously and is even bullied along the way, until she comes to the attention of the furrier Lutz R.. Against the considerable resistance of her superior, Marianne investigates in her spare time and makes a significant contribution to solving the case of the "acid barrel murderer".

Documentary about the dark side of Los Angeles.

Gabriele Haring and Josef Broukal guide you through cyberspace in a virtual studio, where they meet numerous Austrian experts and internet pioneers.

Bern, 1980: A caleidoscopic portrait of Swiss urban life in the early 1980s.

Images from old Aleppo.

They leave their home country with the intention of working in Germany for a year or two, hoping that this time will be enough to bring them the prosperity they long for. Then they realize that the time was not enough and they set a new deadline. This is how most ‘guest workers’ begin to experience the rupture of a life whose planning overwhelms them. One of them: Mehmet Turan.

This film is at once a self-portrait and an homage to Jean-Marie Straub, Farocki's role model and former teacher at the Film Academy.