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The Third Way to Reach Remote Tribes

Communication is a reality of the 21st Century, even for the most isolated people. Remote tribes around the world struggle to adapt to the intrusions of the Western civilization. This film brings forward tribes scattered on 5 continents: the San of the Kalahari Desert, the native tribes from the Amazonian forest, the Inuit from the Arctic polar circle, the Pygmies of the Congo rain forest, the indigenous of the Vanuatu archipelago and the Hmong tribes from Northern Vietnam. Their contact with the white civilization throughout history followed the way of violence and the way of abandonment. 16 years ago, someone found another way: A Third Way to reach tribes. This is the story of a new approach and communication between civilizations.

The Third Way to Reach Remote Tribes

NR 2011
Mi'kmaq Family (Migmaoei Otjiosog)

This documentary takes you on a reflective journey into the extended family of Nova Scotia’s Mi'kmaq community. Revisiting her own roots, Mi'kmaq filmmaker and mother Catherine Anne Martin explores how the community is recovering its First Nations values, particularly through the teachings of elders and a collective approach to children-rearing. Mi'kmaq Family is an inspiring resource for both Indigenous and non-Indigenous audiences who are looking for ways to strengthen and explore their own families and traditions. We hear the Mi'kmaq language spoken and a lullaby is sung by a Mi'kmaq grandmother featured in the film.

Mi'kmaq Family (Migmaoei Otjiosog)

NR 1994
Memory Is Our Homeland

What happens to history’s forgotten people? How did a young Polish woman manage to spend years living in a Tanzanian village in the 1940s? Through this ambitious, highly personal film, Jonathan Durand exposes the tragic fate of nearly 1,000,000 Poles who were deported to Siberian labour camps during the Second World War, and the thousands of them who wound up in Africa after periods of exile in Iran and India. Featuring the unforgettable recollections of his own grandmother, meticulous historical research and a gripping personal quest, the film exposes a deliberately erased chapter of history, and questions the nature of identities rooted in exile.

Memory Is Our Homeland

NR 2019
Broken Courage

Broken Courage is a film about memory, history and reconciliation. It's about how trauma has touched us all, the interconnectivity of stories and their power to heal. Meet Suon Rottana, a teenage Khmer Rouge rebel, a soldier with the Cambodian army, a prisoner of war and a landmine amputee. Suon is now a wounded man looking for redemption and reconciliation. His journey of reflection led him to share his story as a tour guide at several memorial war museums just outside the majestic temples of Angkor Wat in Siem Reap, Cambodia.

Broken Courage

NR 2025
Identity in Isolation

Through a unique combination of visual images the video plays with a certain vision of reality and illusion - histories and culture(s) and the ambiguities of a cultural or a national identity. The artist combines the work created - video and computer techno-applications to explore her aesthetics ... Each set of geographical, political and sociological circumstances prescribe different labels. We come to believe in labels and to limit ourselves within the parameter of that imposed identity. We have to struggle to mediate between what we know to be the self and the outward deluge of imposed descriptors.

Identity in Isolation

NR 1995
My Village in Nunavik

Shot during three seasons, Kenuajuak's documentary tenderly portrays village life and the elements that forge the character of his people: their history, the great open spaces and their unflagging humour. Though Kenuajuak appreciates the amenities of southern civilization that have made their way north, he remains attached to the traditional way of life and the land: its vast tundra, the sea teeming with Arctic char, the sky full of Canada geese. My Village in Nunavik is an unsentimental film by a young Inuk who is open to the outside world but clearly loves his village. With subtitles.

My Village in Nunavik

NR 1999
Migration

"Whereas SQUARE INCH FIELD was composed largely in the camera, Rimmer's next film, MIGRATION, made full use of rear-projection rephotography, stop-framing, and slow motion. The migration of the title is interpreted as the flight of a ghost bird through aeons of space/time, through the micro-macro universe, through a myriad of complex realities. A seagull is seen flying gracefully in slow motion against a grainy green sky; suddenly the frame stops, warps and burns, as though caught in the gate of the projector. Now begins an alternation of fast and slow sequences in which the bird flies through time-lapse clouds and fog and, in a stroboscopic crescendo, hurtles into the sun's corona. Successive movements of the film develop rhythmic, organic counterpoints in which cosmic transformations send jelly fish into the sky and ocean waves into the sun." - Gene Youngblood. Preserved by the Academy Film Archive in 2014.

Migration

6.0 1969
Death in the Garden of Paradise

Death in the Garden of Paradise is an intensely personal meditation on the murder of the filmmaker's father and sister in Lahore by an unknown intruder. The disassociation caused by traumatic loss and the impossibility of knowing the identity of the killer flow seamlessly into the film's aesthetics so that familiar sights become strange, shopkeepers and passing pedestrians become suspects, and sound is fragmented and distorted. Architecture and haunted spaces, deserted gardens, photographs and paintings are both metaphors and physical locations in this elegant elegy to mortality

Death in the Garden of Paradise

NR 2004
Minyan on the Mira: the Jewish People of Glace Bay

The dying Jewish community of Glace Bay, Nova Scotia, so small it can't always raise a minyan (the required quorum of ten men for prayer services) is profiled, warts and all, in this fascinating time capsule. Their children have left for Montreal, Toronto and Halifax and now only the older people remain keeping the spark of Jewishness alive. Their attitudes, including not allowing women into the minyan, and their feelings about the imminent demise of their community, contribute to a poignant portrait of a Jewish world that will soon exist only in memory.

Minyan on the Mira: the Jewish People of Glace Bay

NR 1995
Confessions of a Str8 Drag King

“Confessions of a Str8 Drag King” is a one-hour documentary that explores the exotic world of femme identity and drag performance. “Confessions” chronicles the experience of “hetero-queer” straight girl Jessica Barrett as she develops her alter-egos, Lulu LeMoan and Lawrence Orlando. Under the tutelage of “drag daddy” Edward Malaprop and with the support of Stilettos and Strap-Ons Burlesque troupe Jessica learns to morph from hyper-feminine to ultra-masculine at the drop of a hat.

Confessions of a Str8 Drag King

NR 2008