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Countdown to Merger

With just six days remaining before Santa Fe was to be merged with the Burlington Northern, Pentrex set out to do something special to mark the occasion. It was decided to document these last few days of Santa Fe's independence by capturing the action along the Marceline Subdivision. Starting at Fort Madison, Iowa, we began a trek that took us across the isolated Missouri hills and river valleys toward Kansas City. Experiencing all types of weather, we had our share of both sunshine and rain as we relentlessly sought out photo locations along the double-tracked line. Step by step, and day by day, we made our way toward Kansas City, arriving there on the afternoon of Santa Fe's last full day, September 21, 1995.

Countdown to Merger

NR 1996
Dread

An East Coast community in Ruatōria, New Zealand attempts to live in autarchy according to the tenets of their movement. Bob Marley, a prophet of our electronic age, is the soundtrack to the everyday lives of these Māori who feel closer to their own roots by observing a blend of Afro-Carribean Rastafarianism and the Ringatū faith. Merata Mita's camera respectfully portrays this singular cultural dialogue. The outsider cultures of Jamaicans, Ethiopians and Māori have come together, vibrating to a common cosmic chord. They find an underground brotherhood, across continents and seas.

Dread

NR 1996
Death by Design: Where Parallel Worlds Meet

A guided tour into the invisible world of cells, told through a collage of metaphors. Discusses and portrays the invisible world of cells, how they communicate with each other, work together, reproduce, and die, all to benefit the larger organism of which they are a part. State-of-the-art micro-cinematography is playfully intercut with parallel images from life at the human scale: a hundred lighted violins, imploding skyscrapers, pieces of film on the cutting room floor.

Death by Design: Where Parallel Worlds Meet

9.5 1997
Impoverished Britain

The loss of minimum wage in Britain has resulted in the gap between the rich and the poor growing hugely. Newtown just outside Birmingham is looking dirty, rundown and old. 50 % of its citizens are unemployed, living in grey towerblocks overlooking the urban devastation. The flats are poorly equipped with basic furnishings. All people can do is watch television. As the rich people get richer, the poor get poorer. Chris Pond from the Low Pay Unit blames poverty and hardship on the Conservative Government's free market economy and their opt-out from the social chapter. Journeyman Pictures investigates the harsh reality of 1990s Britain.

Impoverished Britain

NR 1996
Vermont Is for Lovers

Vermont is for Lovers is an independently produced docudrama released in 1992, starring George Thrush and Marya Cohn and shot on location Tunbridge, Vermont. The film concerns a couple visiting Vermont in order to be married, and interviewing local residents on the subject of marriage. Largely improvised and using non-professional actors, the film was shown at various film festivals including the Melbourne International Film Festival and the Hawaii International Film Festival. The movie was not very well-received by the national press, with the New York Times calling it, “vaguely amiable.” While the Washington Post review commented that the film was an “all-too-easy target for ridicule,” it also mentioned one of the film’s high points: “In one scene, a typically droll Vermont resident (playing himself) sums up his state’s fabled coolness to strangers by suggesting that a sign be placed at the state line, reading ‘Welcome to Vermont. Now Leave.’”

Vermont Is for Lovers

7.2 1993
Robert Motherwell and the New York School: Storming the Citadel

Made shortly before Robert Motherwell’s death in 1991, is an exploration of the Abstract Expressionist movement and a portrait of one of its last survivors. Having come to New York in the early 1940s, Motherwell found himself on the battleground of American art. He and a group of painters set out to change the face of American painting. The film charts this epic battle led by Jackson Pollock, Willem de Kooning, Mark Rothko, Franz Kline, and Robert Motherwell, who endeavored to make American painting equal to painting elsewhere and, in the process, shifted the center of modern art from Paris to New York.

Robert Motherwell and the New York School: Storming the Citadel

NR 1991
Never Be A Victim

POLICE OFFICER JIM BYRNE, Canada's most honoured Safety Education Specialist brings you his famous TEN RULES, with which he has personally tested more than 25,000 students. Learn key strategies now taught in many schools and used by police working with the full NEVER BE A VICTIM Institutional Study Program. Develop your own personal streetproofing skills so you can train and test your family. Robert Gordon, who created this remarkable program in partnership with Metropolitan Police introduces this family video library against a backdrop of today's troubled society. TEACHING LIFE SKILLS FOR A SAFER COMMUNITY OFFICER JIM'S TEN RULES FOR STREETPROOFING • STRANGER MYTHS • ABDUCTION • BEING FOLLOWED • DANGEROUS PLACES • AVOIDING CARS AND VANS • GOOD TOUCHING-BAD TOUCHING

Never Be A Victim

NR 1996
David Hockney: Pleasures of the Eye

Pleasures of the eye, David Hockney’s work has shown him to be one of the most versatile and influential artists of our time. The British artist invites the observer to take a visual stroll through his paintings and explore the dimensions of time and space. In communicating a new sense of the spacetime continuum, he injects the medium of photography with entirely new and living components. His sensuous theatre sets make us hear music with our eyes and see colours with our ears. The documentary filmmaker Gero von Böhm paints a memorable portrait of a fascinating artist, whose work allows all of us to see the magic in the small and seemingly insignificant details of everyday life.

David Hockney: Pleasures of the Eye

NR 1997
Null Sonne No Point

The musicians of the ‚Art Ensemble of Chicago’ have been performing their portrayal of jazz from past and present since 1967, not unlike a journey backwards in time aroused by an ancestral call to the myths of Africa. But what happens before their concerts? NULL SONNE NO POINT is the magnificent chronicle of the preparation for a concert and invites us into the very heart of the music, following the musicians backstage, at their rehearsals and moments of privacy and concentration, seeking the fluctuating emotions before the music begins.

Null Sonne No Point

10.0 1997
ガードレール

A sound only she can hear, a girl only I can see. One night, Maki, a psychology major at university, meets a girl crouched by a guardrail. One night, Maki, a psychology student at university, meets a girl crouched beside a guardrail who tells him she hears the sound of the guardrail. However, when her friend comes to check on her after hearing Maki's story, he does not see the girl. When the girl regains her memory, Maki begins to understand who she really is... By interweaving a sound story and an episode of psychoanalysis, the film succeeds in turning a love story with a ghost into a serious psychic fantasy. The fragility of Kyoko Akiyama as the ghost makes the film even more compelling.

ガードレール

NR 1993
Corpus Camera

An older couple, Sigga and Runni, reveal funeral photos of their long-dead son who died tragically young. After thirty years, the photos still elicit painful differences between a grieving mother and her stoic husband; Rúna a housewife living in the harsh and isolated west fjords keeps funeral photos of a terrible family tragedy. For Rúna, they mark a profound event which forever changed her and which belong side by side with photos of weddings, confirmations and baptisms; Erlendur and his stepdaughter Úlfhildur, after nursing his wife through a long battle with cancer, use photography to record her on her deathbed, in peace at last. And Sigrún, morbidly fascinated with funerals and wakes, compulsively videotapes acquaintances' family funerals as a bulwark against her own fear of death. When she experiences death first hand however, her attitudes change.

Corpus Camera

NR 1999
Miami Wild

Capturing escaped pythons, confiscating pet cougars or wrestling with exotic crocodiles - it's all in a day's work for Miami specialist police officer Lieutenant Kat Kelley. The locals are crazy about owning flamboyant pets and many of these exotic animals have escaped and multiplied over the years, threatening both people and native wildlife. Kelley is on call 24 hours a day and never knows what she will have to face. "We're fighting a losing battle here. Basically, nature is out of control."

Miami Wild

NR 1992
War By Other Means

War By Other Means is a 1992 television documentary by John Pilger and David Munro concerning loans to developing countries from the World Bank which cause them to pay more interest then they ever receive in international aid ("debt as a weapon"). It also analyses Structural Adjustment Programs, which are proclaimed to enable countries to compete in the global economy, but have the effect of lowering wages which results in the transfer of wealth from poor to rich. It features Dr. Susan George, author of The Debt Boomerang.

War By Other Means

NR 1992
YesYears

A film largely from the backstage of Yes' Union tour. The concert footage is interspersed with a narrative of Yes' history, told in the words of various band members. (Everyone but Banks, Moraz, Horn and Downes are present). As a reunion show, it's a strange affair, as you get to see the different configurations of Yes (Kaye and Wakeman, Rabin and Howe, White and Bruford) interacting with each other. Still, the emphasis is on the individuals themselves, and there are plenty of good stories here.

YesYears

NR 1991