Discover Movies

8,380 Matches Found

The Sakuddei

The Sakuddei are a small and ethnically separate community living on the island of Siberut off the west coast of Sumatra in Indonesia. Their distinctive way of life and elaborate religious ceremonies, centred on the umah (ceremonial house) are under threat from the Indonesian government which wishes to ‘civilise’ the Sakuddei. These people are also threatened by a timber company from the Philippines which has been granted a logging concession in the Sakuddei’s territory.

The Sakuddei

NR 1974
The Kirghiz of Afghanistan

The Kirghiz of Afghanistan are a group of some 2,000 pastoralists living on a bleak mountain plateau in a narrow isthmus of land between the borders of the Soviet Union and China. For nine months of the year heavy snows cover the ground, which was formerly used only by the Kirghiz for their summer pastures before the borders were closed, virtually terminating the contact of this group with other Kirghiz communities. Although the film shows dramatically the ten-day journey which lowland traders must make to reach this remote people, as well as scenes of a Kirghiz wedding and the traditional Central Asian sport of ‘buzkashi’ – demonstrating the horse-riding skills of the people – there is very little about the pastoral economy and society of the ordinary Kirghiz.

The Kirghiz of Afghanistan

NR 1975
The Clift Hotel

The Clift Hotel was made by positioning the camera vis-à-vis a hotel entrance; Hafif hoped to capture guests entering or leaving the building. As it happened, no one came or went during the window of time she had set for the shoot. Lively car traffic instead dominates the static shot. The passing vehicles lend the pictorial space a horizontal structure. The hotel’s architecture looks timeless and anonymous. The car models, by contrast, unmistakably date the film to the 1970s. Several drivers notice the camera as they slow down and gaze into it with an expression of bewilderment.

The Clift Hotel

NR 1970
Hackney Marshes – November 4th 1977

An improvisation recorded over the course of one day, starting at dawn and finishing after dusk. The film was edited in camera and shot from one camera position in the middle of one of the 112 football pitches that cover Hackney Marsh, a location chosen because of the similarities between the surrounding buildings and objects (identical blocks of flats, goalposts etc.). By cutting between precisely matched framings of similar objects, illusions of movement were produced, disrupting representational readings of the landscape. Unforeseen events occurring in the vicinity were also recorded, determining to some extent the subsequent filming. Through selection of shots and changes in cutting pace and speed of camera movement, the film fluctuates between record and abstraction.

Hackney Marshes – November 4th 1977

6.0 1977
Harvesting the Shadows of Grass

Having received a good response to Impressions of the Sunset, he continued to develop his filmmaking expressed from an everyday perspective, and carried his camera everywhere to shoot whatever was around him. Composing the work in four parts, he reflects on his mental states in a narration that resembles audio commentary. As he films the filmmaker loses motivation to film, and realizing that he is deadlocked in his own life decides to quit his job. The act of filming changes both the filmmaker’s understanding and the practical aspects of his life.

Harvesting the Shadows of Grass

NR 1977
The Last Lighthouse

An inside view of life on the Bishop Rock Lighthouse. Perched on a tiny outcrop of rock at the edge of the Atlantic, ' the Bishop ' has something special about it for the Trinity House officers who man Britain's light-houses. It's the last lighthouse for westward-bound ships, and the last still operating almost as it did under Queen Victoria's patronage. Soon, it may be replaced by an unmanned light, but in this ruggedly beautiful documentary, Tony Parker talks with the men who still maintain their lonely vigil in the ' Ships' Graveyard,' off the Isles of Scilly.

The Last Lighthouse

9.0 1973
Reproduction Cycle Among Unicellular Life Forms Under the Rocks of Mars

A classroom biological science documentary from the future which shows what the Spirit and Opportunity landers are filming on the planet Mars RIGHT NOW with their electron microscope-cameras, but not sharing with us. Some monster nudity, simulated stop-motion sex. Animated in claymation (in 1976) by Douglass Smith, aka Rev. Ivan Stang, devotee of Slack master and Sex God J. R. "Bob" Dobbs, who discovered the Conspiracy and an invasion by UFOs, and founded The Church of the SubGenius, an adults-only religion for mutants, misfits, weirdos.

Reproduction Cycle Among Unicellular Life Forms Under the Rocks of Mars

9.0 1979
Jean Epstein or Cinema by Itself

From the French television series Encyclopédie audiovisuelle du cinéma, the episode uploaded here, Jean Epstein ou le Cinéma pour lui-même, was produced and (I'm pretty certain) directed by Claude-Jean Philippe. There isn't much info out there-- especially not in English-- regarding the series in general (though there is an imdb link for the series as a whole) or the episode devoted to Epstein. Running around 25 minutes, the episode combines lengthy excerpts from Epstein's cinematic canon with the ideas contained in his theoretical texts to uncover the personal and conceptual underpinnings running beneath the work of this most exquisite filmmaker. I treasure this documentary in particular as it contains extensive footage from L'Auberge rouge.

Jean Epstein or Cinema by Itself

6.0 1978