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Hungry for Profit

Is our food bought at the price of famine in the developing world? Is agribusiness more interested in producing profits than producing food? This PBS independent documentary investigates U.S. and European agribusiness in the Third World. Filmed on five continents, it takes a close look at agribusiness, which is turning the world's food supply into a global supermarket, buying food at the lowest prices-regardless of small farmers and local populations-and selling it at the highest price and the greatest profit whenever possible.

Hungry for Profit

NR 1985
The Democratic National Funeral of the Lee Han-yeol

This is 8mm film footage documenting the Democratic National Funeral held for the late Lee Han-yeol on July 9, 1987. It was shot by Kim Si-cheon, a member of Dolbit, the Korea University Film Study Group, as part of the club’s activities. The material was never screened—even within the club—after it was filmed. It includes, among other scenes, a speech in front of Seoul City Hall by Lee In-young, who at the time served as chair of the Seoul Area College Student Representatives Council and president of the Korea University Student Union. A primary historical record of the funeral, captured from the perspective of a student participant.

The Democratic National Funeral of the Lee Han-yeol

NR 1987
Of the Tree, the River and the People's Cry

The last part of the triptych is dedicated to the struggle of the peasant communities of northeastern Brazil; on the banks of the São Francisco River, the indigenous residents of the village of Caiçara fight to keep their Island of São Pedro, enclosed in a farm; all that remains is an abandoned chapel to which they go in procession. Tyrannized by their powerful neighbors, they talk about their lawsuits and sing about their two-century struggle, filmed in the village, during a procession to San Pedro and an expedition to the court where a delegation will file a complaint.

Of the Tree, the River and the People's Cry

NR 1980
The Stolen Sea

Umitori takes place in Shimokita Peninsula on the northern edge of the mainland, which was becoming a “nuclear energy peninsula”, undergoing tremendous development and serving as the home port for Mutsu, a nuclear­-powered ship. Focusing on the fishermen and their stories, Tsuchimoto and his crew made their subject matter the “theft of the sea” perpetrated by giant business conglomerates. While the fishermen of Minamata were obvious victims of the mercury­-poisoning tragedy, the fishermen in Shimokita were inadvertently becoming the permanent victims of another announced trag­edy. Tsuchimoto interviews the fishermen, especially focusing on a stage play actor and his boat­-owner family, establishing, as it became his practice, a complex reflection about the threat brought to small communities by the forces of “progress”.

The Stolen Sea

NR 1984
Stronger Than Before: A Video About Women's Resistance

This documentary examines the meanings of peace movements, from a socialist-feminist perspective. Beginning with civil disobedience actions at Litton Systems Canada in Toronto, supplier of parts for cruise missiles, and expanding into just wars in Latin America, major feminist organizers in Toronto like Mariana Valverde and Carmencita Hernandez ponder the rise in militarism in the Mulroney-Reagan era. The film tries to make connections between Canadian and U.S. participation in the arms race, and liberation struggles in the global south.

Stronger Than Before: A Video About Women's Resistance

NR 1984
Les territoires de la défonce

This routine documentary on drug addiction among Belgian youth also looks at famous people who were addicted to one drug or another, such as Baudelaire and Freud, and the narrative skims through eras in history in which drug use was common. Among the periods and places mentioned are the English opium trade in China, drugs in the renaissance, and in ancient Rome. Many of the addicts in Belgium come from middle-class families or better and it is implied that they turned to drugs out of a sense of alienation or because they had nothing better to do. Drug users tended to start with casual substances but quickly turn to the more seriously addictive heroin or cocaine.

Les territoires de la défonce

6.5 1986
The Human Face of the Pacific. A Place of Power in French Polynesia

A Tahiti is a rugged, forest-clad South Pacific island, surrounded by coral reefs. Its traditional Polynesian way of life has been swamped over the years by foreign influences, particularly that of France. However, the long-awaited re-emergence of traditional culture is the focus of this documentary. We look at some of the people responsible for the cultural revival and their arts including the building of a double hulled canoe, the art of full body tattooing and the fierce dance competitions at the high point of celebration of Polynesian culture, the Tiurai Festival.

The Human Face of the Pacific. A Place of Power in French Polynesia

NR 1983
The Minamata Mural

After a handful of groundbreaking films detailing the tragedy and suffering of the mercury-poisoned Japanese town of Minamata, documentary master Noriaki Tsuchimoto revisits the subject of Minamata through the eyes of the celebrated husband-and-wife painting duo Iri and Toshi Maruki. Tsuchimoto follows the Marukis from their quaint homestead studio, where they paint slews of ghastly, psychotropic mural panels depicting the effects of Minamata disease, to the streets of Minamata, where they meet and paint portraits of several victims of mercury poisoning.

The Minamata Mural

NR 1981
Dragoljub and Bogdan

A vast power plant is being built on the Drina River. This river has been famous for hundreds of years old tradition of rafting. In this way timber is transported downstream to Belgrade. This is a very dangerous profession where only qualified and experienced workers survive. Work on constructing the dam connects two heroes in this story – Bogdan, one of the last rafting masters on the Drina and Dragoljub, one of the oldest explosive experts who has been building dams all over the world. This is a film story about their long lives, happy days and disappointments, about the friendship that is born in the shadow of an enormous dam.

Dragoljub and Bogdan

NR 1982
Mother Ireland

This film explores the development and use of images and music which personify Ireland as a woman in Irish culture and nationalism. The film highlights how these cultural and stereotypical images of Ireland as a woman influence the idealised model of woman demanded by Irish society. It uses historical film, photographs, political drawings, cartoons and music to explore the largely unrecorded role of women in Irish history and presents realistic images of Irish women at work today.

Mother Ireland

10.0 1988
Horror Rock

"Horror Rock" combines terrifying, heart stopping scenes from the most spine-tingling horror films ever made with some of the hottest classic indie rock music performed by the absolutely wickedest bands! This sizzling collection explodes with searing renditions from such cult classic bands like Del-Lords, Judas Kiss, Hurricane, Over The Edge, Wrath, Children Of The Wicked, Pandoras, Run Down Love Battery, Dickies, Booby Trap, Elvis Hitler and Hot Rod To Hell. If you like your music from beyond the edge, "Horror Rock" will deliver devilish pleasure to your ears as highlights from your favorite horror films make your blood run cold! Get ready for the rock & roll ride of your life as "Horror Rock" burns a hole in your soul!

Horror Rock

1.0 1989
Akiko: Portrait of a Dancer

“I have three tasks in my life: to dance, to teach dance, and to create dance,” says the pioneering Japanese performer Akiko Kanda in this intimate portrait of creativity and individuality, After seeing a Martha Graham performance in college, Kanda left her family behind in Japan and arrived in New York City, where she studied under the legendary Graham and became a principal dancer with the troupe. Following the wiry artist as she moves from practice floor to performance hall, and from the cramped single-room apartment she lives in to a trip home to see her aging mother, director Sumiko Haneda reveals a woman who has rebelled against traditional ideals of marriage and motherhood, and who nearly single-handedly brought modern dance to Japan-and kept it alive. “When I die,” Kanda tells the director, “I will be content if I can just say, ‘I danced.'”

Akiko: Portrait of a Dancer

NR 1985
Chasing a Rainbow: The Life of Josephine Baker

The story of Josephine Baker takes us on a fascinating tour of 20th-century race relations on both sides of the Atlantic, yet it leads to no conclusion, and black girls in search of a role-model tend to look elsewhere. Part of her appeal is her startlingly unique appearance. Simply nobody has ever looked or acted like her. She fits no black stereotype. Nor does she look like any recognizable strain of Afro-American. I'd always heard she was half-white, but it seems that her paternity is unknown, and her contradictory claims on the subject don't do much to enlighten us. (We are tempted to imagine quite an exotic mix.) Her origins in sharply-segregated St. Louis, where she is said to have witnessed a lynching, do not seem to have left her embittered. Perhaps she had too much to give. There is a special innocence about that smile, and when she performs her cross-eyed gag, we are lifted into a strange pixie-world, all its own.

Chasing a Rainbow: The Life of Josephine Baker

7.0 1987