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Madrid, April 2020. Covid-19. A girl, at home, is bored. A boy feels lonely in his room. They don’t know each other, but imagine each other on a chat. And while they do so, they start a journey in space and time trying that will take them away from their enforced lockdown.

On Puerto Rican poet Julia de Burgos and her poem with the same name.

Campo Del Cielo, in Argentina, experienced a meteor shower thousands of years ago. Since then all kinds of people have come to the area in search of a part of the booty. Among them, the largest meteorite collector in the world, and at the same time smuggler, Robert Haag. A film that speaks of plunder and human folly.

A journey through seven Latin American countries that want to return a voice their continent.'Mi Norte es el Sur' reveals diverse sociopolitical visions from the authentic and critical look of its inhabitants, showcasing social situations that hide behind the veil of media paradigms.

A lot of witness are talking about trues and lies about ANARCHISM ( And how afraid are the states about anarchism )Since early days in Spain and adding reflections about the future of this way of life. There are also actors performing historic chapters.

After one of the worst floods in Spanish history, a group of people are concerned about something seemingly secondary: family photographs. This documentary addresses the importance of family memory. How it contributes to shaping historical memory, and how the traces of mud left behind by the DANA storm have helped to unite the memories of thousands of families in L'Horta Sud, Valencia.

Spain, 1970. The groups Tábano and Las Madres del Cordero emerge from semi-clandestine and underground to bring to the stages of Madrid a show that revolutionized the theater scene of the time: Castañuela 70.

A colorful, poetic and lush journey in this beautiful Colombian village Jericó through the eyes of eight women of all ages and social conditions.

This is the story of my father, my mother, my grandfather and my grandmother ... it is the story of all the saharaui people ... but I do not want it to be the story of my life.

From Cairo to the desert, a sensory journey through hustle and bustle, dust and mystery.

A visually immersive short documentary that blurs the line between reality and the synthetic, exploring our perception of reality through the impact of AI on art and cinema.

Short documentary on the furniture and decoration of Guell Palace.

The photographer and filmmaker Guillermo Cantón premiered “Dos Gringos”, a one-hour documentary on the history of the last 100% Argentine automaker: Industrias Eduardo Sal-Lari (IES). Based on Citroën products, IES manufactured low-cost vehicles in the Buenos Aires town of Mercedes, between 1983 and 1990.

The documentary was born from the censorship trial against the documentary Awka Liwen, initiated by the grandchildren of the civil chief of the last dictatorship in Argentina, José Alfredo Martínez de Hoz. To try to explain this legal aberration, the work narrates and analyzes the economic history of the country through the counterpoint between what the Martínez de Hoz brothers tell in the censorship trial and the true historical facts.

Alberto Van den Eynde's work investigates two conceptions of the image: as a capturer or rescuer of past moments and as a cause of the anguish implied by its recovery. The author's approach to his twelve-year-old self is articulated through a mosaic of vacation videos found in an old family camera. These memories form a touching, nostalgic, self-parody warp, the digital remnants of a new generational sensibility.

A documentary film about the experience of 9 trans persons of Barcelona

The Sight is a compact, artistic documentary in which an audience discovers that their own lives are as magical as what’s unfolding before their eyes.

Wenceslao, a fisherman from San Mateo del Mar, is forced to work in lagoons where fish are scarce and hardships are plenty. This is the result of a conflict within his community, sparked by the construction of wind farms in the Isthmus of Tehuantepec, Oaxaca.

Several young and cheerful children share at Cavancha Beach, while a couple begins to dance a cueca.

The island of Socotra lies in the Indian Ocean between Arabia and Somalia. It was known in antiquity times for its Phoenix and Rukh birds. Frankincense and myrrh trees grow freely, as well as the dragon's blood tree proved by Egyptians, greeks and romans. The first commercial flights, at the start of this century marked, for almost a couple of decades, the end of Socotra's century of isolation. The current situation of civil war in Yemen has isolated again the remote island. In the film, a group of camel drivers heads to the secret interior of Socotra before the rainy season and they explain by the fire ancient stories of djinns and giant snakes.

For more than 60 years the United States Navy used the island of Vieques to test weapons and train soldiers. Ever since the Navy occupied the island, the inhabitants opposed their presence. Finally, after decades of resistance and struggle, the United States Armed Forces were forced to leave the island and cease all military practices on its surroundings. Now, more than a decade after the Navy’s questionable departure, the islanders are demanding the US Government to fully decontaminate and give back the terrains exploited. Unsatisfied with the little commitment from Federal Agencies to assume responsibilities, the Viequenses face a new struggle to demand justice within their lands.

Documentary about the political and social reality of Uruguay during the period of 1968-1970. This short is incomplete and composed of a series of fragments. The complete film was taken by the military dictatorship in Uruguay (1973-1985) and is now lost.

The visual essay presented here, which has been produced in Morocco, offer a interdisciplinary reflection on the role that the system of visuality acquires within colonial and neo-colonial proces ses, which are understood to mean not only forms of political and economic exploitation but also a ceaseless abyssal thinking that dorninates the global system.

Drops of fire that create a universe of magmatic asteroids. Liquid and gravitational reality. Cosmic energy. Atomized Rhythm. Neurons of a liberated unconscious. Elimination of the idea of "soul" as "everything", reducing it to the condition of units of energy in perpetual process, elementary particles, without duration, that arise in perfect dependence. The "I" as a stream of units of force in ceaseless becoming that procures the illusion of an entity. Karmic chain. The idea that eternity resides in the transitory, the eternal belongs to it instantly. Eternity not as infinite duration but as absence of temporality. Universe of a mobile, procedural, relational and interactive nature of everything that exists. Here the "object" is conceived as something that is constituted, completed, lost and recovered with the vibrating rhythm of a universe in constant production.

A pilgrimage of fishermen ply the Gulf of Mexico under the sky of historic patina. Ruins your realm is a dual journey -land and sea, men and women, language and metalanguage- through hetero-topic spaces.

A documentary about the life of anarchist Felipe Sandoval.

The victory of the fascist army in the Spanish civil war caused a mass exodus of republicans who had to take refuge wherever they could. Mexico, led by its president, Lázaro Cárdenas, was the only country that openly supported the republican cause and opened its doors to thousands of Catalans who found their second homeland in that land. This documentary aims to be a tribute to all the exiles and the people who welcomed them. "Mexico, you have opened your doors and your hands to the wanderer, the wounded, the exiled, the hero..." Pablo Neruda.

n his struggle to continue living in a city he hates, Anibal, a student of geology, fights the depression caused by the pace of urban life by exercising and escaping to the countryside. The lack of concentration in his studies and his own will, will make him doubt his decision to stay or leave the career at the end of the semester, and with it, Santiago.

Camera in hand, Lalo walks and talks, as in his literary texts and in his visual art, about the city that looks at us and the city we look at, emphasizing the invisible places, the deterioration, and details of the urban environment that serve as a metaphor for narrating our Caribbean reality.

Pedro has become a quadriplegic after a lifetime of work, all because of a silly fall he could have avoided. Gloria, his wife, raised four children but now resists being his caregiver. Their daughter, in shock, buys a camera. After seven years of recording their family's private life, the result is a collective portrait that reveals uncomfortable truths, touches our hearts, and also makes us laugh until we cry.

A transformative journey through African and Afro-descendant history, culture, and identity.

In March of 2003, a young Basque poet and four friends-three musicians and an artist-came to New York City almost by chance, to do a half dozen bilingual poetry evenings, with music. "The six or seven hundred thousand Basque speakers in the world today "can fit into a New York neighborhood," the poet, Kirmen Uribe, says in AGIAN / MAYBE. "So what does a community that fits into a neighborhood have to offer the world? Or in that city that's the center of the world, what can it offer?" What the five discovered there surprised them. AGIAN / MAYBE shows how something that seemed to begin in New York in 2003 in fact had its origins long before. AGIAN / MAYBE is a ping-pong contemplation, with music, of the five histories behind the whole, and makes a guess of its own at possible outcomes.

Markos, Chafas, Wako and Grillo form a band named Los Cadenas Chow, where they combine music and theater in a unique blend of rhythm and personality.

It portrays the meeting between a young filmmaker and Charly García on a summer night in 1994 at the studio of Fitz Roy and Córdoba, where the musician performed extensive night rehearsals without interruption, wrote the lyrics at the time, practiced them for hours and recorded them on tape with the analog equipment of the time. This film brings together chamber confessions, details of the composition and sacred respect among talented musicians, as well as acrobatic exercises in the pool. A unique and unforgettable night about the creative processes of a legend.

Juana Sapire returns to the city from which she had to go into exile in 1976 to testify in a historic trial over the disappearance of her husband, revolutionary militant and filmmaker Raymundo Gleyzer.

The particular reality experienced by Panama for almost a century due to the military presence of United States in the former Canal Zone is narrated through unpublished materials and revealing interviews with many of the social and cultural personalities who left their imprints in this story. The life in "the zone", the identity of the "zonians", the events that led to the handover of the military bases and the administration to the Panamanians are part of a plot as complex as the story itself.