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The Colour of Ink

A feature film that follows Jason Logan, who creates unique inks for some of the world’s most celebrated artists by using highly unconventional materials, many of which he finds while foraging in locations ranging from the landfill beaches of Toronto’s Leslie Street Spit to the Mojave Desert. Among the more unusual materials he employs are weeds, rocks, and even rust. Logan’s fans range from the legendary Robert Crumb to New Yorker cartoonist Liana Finck and Japanese artist Koji Kakinuma.

The Colour of Ink

3.0 2022
Ode to Loneliness

A woman lives alone in a hotel room. Dreaming of the city, she gets lost in its intricacies, etching her skin silently, chiseling at the limit of her consciousness, reconstructing her image. Slowly she grows older. Slowly she films herself, the city, and her dreams for a month. With some objects, a routine, and a deep desire to feel, she escapes. The night comes silently, a door opens, and she walks away. The house is a body that flies. This is her journey from loneliness to aloneness.

Ode to Loneliness

NR 2023
Flemingdon Park: The Global Village

This documentary examines the history and current reality of Toronto’s Flemingdon Park. Now a subsidized housing project, it was built in 1961 as a trendy urban utopia. A decade later it was sold, and Flemingdon became home to refugees and new immigrants. Once a model of urban planning, Flemingdon Park's flip side is a history of violence and racism that residents have fought to overcome. Yet despite challenges, the community succeeds in making people from around the world feel at home in a different kind of utopia–one where differences are celebrated and new visions are possible.

Flemingdon Park: The Global Village

NR 2002
Fingal’s Cave

Filmed in Fingal’s Cave, a dramatic sea cave almost an hour’s journey by sea from the Island of Mull, over the course of seven separate visits. The towering sculpted columnar walls and roof were long held to be man-made, or created by giants, or held up as proof of a divine creator. One myth suggested that the cave was the abode of a nine-headed sea monster, another that the Devil himself were buried beneath the island. The last inhabitants of Staffa, around 1790, left the island after the pot on their stove shook so violently during a storm one night, that they believed “nothing but the devil could have shook it that way.” It can be a wild, moody and inhospitable place.

Fingal’s Cave

NR 2008
Sweet Marie: In Studio With Erin Costelo

This behind the scenes documentary witnesses the making of Erin Costelo’s new album “Sweet Marie”, set for release in October 2018. The story of this new work unfolds across a series of recording sessions filled with creative flourish and collaboration that both highlight Costelo’s musical achievements and show the painstaking efforts to reach new heights. It is an intimate look at an artist’s process, in a carefully chosen environment, and offers a sneak peek at what is sure to be Costelo’s most successful album to date.

Sweet Marie: In Studio With Erin Costelo

NR 2018
Measures of Distance

In this video, the artist tries to overcome the effects of distance, and reflects on geography represented in exile due to war, and on the psychological distance represented in each one’s approach to her womanhood. The video beautifully weaves personal images and audio recordings of a very intimate nature, binding the personal with the political. Reading aloud from letters sent by her mother in Beirut, Hatoum creates a visual montage reflecting her feelings of separation and isolation from her Palestinian family. The personal and political are inextricably bound in a narrative that explores personal and family identity against a backdrop of traumatic social rupture, exile and displacement.

Measures of Distance

6.7 1988
Eye on the Guy: Alan B. Stone & the Age of Beefcake

Alan B. Stone: astute businessman, quiet suburbanite - and master of the homoerotic pin-up. Eye on the Guy: Alan B. Stone & the Age of Beefcake explores the little-known world of Montreal's physique photography scene - a distinct gay subculture that emerged in the '50s and '60s - through the life and work of one of its most creative figures. Before the first wave of gay liberation, and long before Calvin Klein's poster boys marched into public view, Stone was taking hundreds of erotic photos of men and running an international mail-order business from his Montreal basement.

Eye on the Guy: Alan B. Stone & the Age of Beefcake

3.7 2006
Peter Sellars: A Portrait

An extraordinary foray into the many worlds of a renowned artist, opera and theatre director, activist, and professor. Art and Life: Finding the Thread offers a unique perspective on the human experience. Shot over the course of six years, Marina Goldovskaya's inquisitive lens moves effortlessly between the intimate and public worlds occupied by Peter Sellars, carrying on a thought-provoking dialogue which stays with the viewer long after the last images have faded from view.

Peter Sellars: A Portrait

10.0 2004
The Other Side

The Other Side is a twenty minute video examining the issues that people face when someone close to them has had a stroke. Five different caregivers talk about the issues and emotional decisions they had to make, their struggles and their triumphs. A short but intimate film which strikes a chord with anyone who has faced this challenge. This provocative piece reveals the highest of the highs and the lowest of the lows but the final compassionate message it delivers is one of hope.

The Other Side

NR 1999
Postcards

How to use this old technology of the postcard, with its marriage of image and text, its insistence that every exchange has two-sides which can never be considered at the same time, to write oneself back into the world? The traveller alights in Colombia, Bolivia, Brazil, even in Canada, finding words for the old wounds, sitting for a portrait in the middle of the city, out of doors, alone in a crowd. The military ghosts are never far, their costumes barely able to cover up the casual brutalities, even as the city’s citizens come together in unexpected formations, inventing new lives and conversations, like the plant life that flourishes around them, as resplendent as weeds. One of his most perfect and most personal reflections, a letter from the heart.

Postcards

NR 2021
Self Portrait Post Mortem

An unearthed time capsule consisting of footage of the maker's youthful self – an “exquisite corpse” with nature as collaborator. Bourque buried random out-takes from her first three films (all staged productions dealing with her family) in the backyard of her ancestral home (adjoining the grounds of a former cemetery) with the ambivalent intentions of both safe-keeping and unloading them (she was relocating). Upon examining the footage five years later she found that the material contained images of herself captured during the making of her first film. That discovery seemed handed over like a gift and prompted the making of this film, a metaphysical pas-de-deux in which decay undermines the image and in the process engenders a transmutation.

Self Portrait Post Mortem

5.0 2002
Finding Fidel: The Journey of Erik Durschmied

Finding Fidel tells the remarkable story of war cameraman Erik Durschmied, who in 1958 journeyed to Cuba's Sierra Maestra mountains to interview a little-known rebel leader named Fidel Castro. A month later, Castro's band of fighters rolled into Havana, and the world would never be the same. Finding Fidel follows Durschmied as he returns to Cuba on the 50th Anniversary of the Revolution, retracing his original route to the mountains after an ailing Fidel has handed power over to his brother Raul and the island is waiting for change.

Finding Fidel: The Journey of Erik Durschmied

NR 2010