True Inversions creates its own dialectic on lesbian erotica while focusing on the differences between passions performed on and off camera, legal, social and personal forms of censorship, the motion of emotion and the eroticization of safe sex.
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True Inversions creates its own dialectic on lesbian erotica while focusing on the differences between passions performed on and off camera, legal, social and personal forms of censorship, the motion of emotion and the eroticization of safe sex.
Visit various Nova Scotians at home, work and leisure while giving a panoramic view of the province’s coasts, farms and forests.
Transforming FAMILY jumps directly into an ongoing conversation among trans people about parenting. It's a beautiful snapshot of current issues, struggles and strengths of transexual, transgender and gender fluid parents (and parents-to-be) in North American society today.
A documentary dramatizing several urban legends about Winnipeg musician and entrepreneur Burton Cummings.
The Freemasons, a so-called secret fraternity, has a unique reputation throughout the world. Despite the stereotypes and theories that may circulate, Freemasonry is a much broader subject. From the historical aspect of the organization to the introduction of the society's members, this documentary explores the themes of this fabricated mystery.
It is about me, about you, about what is rooted in us, about what is not easy to get rid of. It is about what eats us from the inside and slows down our flowering. About what I would like to never have and love myself.
Utilizing engineering ingenuity that is centuries old, Atikamekw elders Agatha and Cézar Néwashish build a small-scale version of a birch-bark canoe. With their expert hands, a stunning work of art is created.
The first film produced in IMAX DOME 3D, this film shows how photosynthesis converts sunlight into stored energy in plants, which subsequently provide energy to animals and man
A tribute to German choreographer and dancer Pina Bausch and a nod to Chantal Akerman’s film, One Day Pina Asked, the short Still Pina evokes in its own way a well-known scene from a Pina Bausch choreography, incorporating sign language, and reveals the extent to which the body is a carrier of images and sounds. A film produced as part of a commission for works by IFCO.
A short walk in Sicily.
Originally shown as three separate films, I. / II. / III. is a triptych portrait of the most intimate proportions. Simple scenes within the domicile become completely entrancing as layer after layer of exposure unfurls onto itself. The movement of the leaves, the light, his father: all become hypnotic in this silent sonata.
A teenage girl fights for equal treatment and care for Indigenous kids who go missing.
The stump has long been the greatest obstacle faced by pioneers. The mechanization of clearing processes brought about a real revolution in the field of colonization. This film shows us how motorization has made grubbing and stoning easier and faster, while allowing the recovery of vast expanses hitherto uncultivated.
A documentary portrait of Masters student Cameron Brown featuring his co-advisor Dr Robert Hanner.
The nostalgic story of The Monteith Inn, in the Muskokas, run by Karen Shopsowitz’s grandparents, Harry and Jennie Shopsowitz, from 1935 to 1949. Originally seen as a haven for Canadian (and American) Jews who were kept out of restricted clubs, the hotel soon became a colourful part of the province’s Jewish history.
A disjointed process of the filmmaker’s mother making katanga (ka-tinn-yaa) in analog film. A simple dish which represents survival, kinship and resourcefulness.
A feature film that follows Jason Logan, who creates unique inks for some of the world’s most celebrated artists by using highly unconventional materials, many of which he finds while foraging in locations ranging from the landfill beaches of Toronto’s Leslie Street Spit to the Mojave Desert. Among the more unusual materials he employs are weeds, rocks, and even rust. Logan’s fans range from the legendary Robert Crumb to New Yorker cartoonist Liana Finck and Japanese artist Koji Kakinuma.
A woman lives alone in a hotel room. Dreaming of the city, she gets lost in its intricacies, etching her skin silently, chiseling at the limit of her consciousness, reconstructing her image. Slowly she grows older. Slowly she films herself, the city, and her dreams for a month. With some objects, a routine, and a deep desire to feel, she escapes. The night comes silently, a door opens, and she walks away. The house is a body that flies. This is her journey from loneliness to aloneness.
With over 2000 uploads, Frenchman Georges denounces the alienating and dehumanising reality of Chinese society. The most successful and political film by Canadian director Gagnon who for years has chronicled the coding of a new world order in the digital age.
As a small child, Nakuset was taken from her home in Thompson, Manitoba and adopted into a Jewish family in Montreal. The story of how she reclaimed her Indigenous identity, with help from her Bubby.
Death on A Comet is an inside look at a dedicated team of scientists and engineers and their ambitious dream to build a space mission that will chase, catch and land on a moving comet.
Meet Montreal's Mambo Drag Kings, a dapper group of lip synching lesbians who entertain in style. This part documentary, part performance tape apes family value sitcoms by inserting black and white parodies of television shows starring the Kings.
This documentary examines the history and current reality of Toronto’s Flemingdon Park. Now a subsidized housing project, it was built in 1961 as a trendy urban utopia. A decade later it was sold, and Flemingdon became home to refugees and new immigrants. Once a model of urban planning, Flemingdon Park's flip side is a history of violence and racism that residents have fought to overcome. Yet despite challenges, the community succeeds in making people from around the world feel at home in a different kind of utopia–one where differences are celebrated and new visions are possible.
A film presenting the evolution of a child who likes to eat and the way family and friends speak to her over the years. Mancacioasa is a very personal found footage student film that explores the psychological effects of "Fat Shaming".
Nursing sisters were the first women to be fully accepted into the military during the First and Second World Wars. In this moving and emotional, Gemini winning documentary we tell the story of these brave women, and pay homage to their selfless actions as they paved the way for women's equality.
From dancing in the hallways at her high school to winning battles across the globe, Nigerian immigrant Kosi Eze’s story of growth is a glowing example of how the power of Hiphop can inspire, uplift and support everyone.
Filmed in Fingal’s Cave, a dramatic sea cave almost an hour’s journey by sea from the Island of Mull, over the course of seven separate visits. The towering sculpted columnar walls and roof were long held to be man-made, or created by giants, or held up as proof of a divine creator. One myth suggested that the cave was the abode of a nine-headed sea monster, another that the Devil himself were buried beneath the island. The last inhabitants of Staffa, around 1790, left the island after the pot on their stove shook so violently during a storm one night, that they believed “nothing but the devil could have shook it that way.” It can be a wild, moody and inhospitable place.
This behind the scenes documentary witnesses the making of Erin Costelo’s new album “Sweet Marie”, set for release in October 2018. The story of this new work unfolds across a series of recording sessions filled with creative flourish and collaboration that both highlight Costelo’s musical achievements and show the painstaking efforts to reach new heights. It is an intimate look at an artist’s process, in a carefully chosen environment, and offers a sneak peek at what is sure to be Costelo’s most successful album to date.
The new film from celebrated documentarian Alanis Obomsawin (Kanehsatake: 270 Years of Resistance) chronicles the events following the filing of a human-rights complaint by a group of activists, which charged that the federal government's woefully inadequate funding of services for Indigenous children constituted a discriminatory practice.
Documentary about a collaboration between avant garde filmmaker David Rimmer and choreographer Paulo Ross.
In this video, the artist tries to overcome the effects of distance, and reflects on geography represented in exile due to war, and on the psychological distance represented in each one’s approach to her womanhood. The video beautifully weaves personal images and audio recordings of a very intimate nature, binding the personal with the political. Reading aloud from letters sent by her mother in Beirut, Hatoum creates a visual montage reflecting her feelings of separation and isolation from her Palestinian family. The personal and political are inextricably bound in a narrative that explores personal and family identity against a backdrop of traumatic social rupture, exile and displacement.
Alan B. Stone: astute businessman, quiet suburbanite - and master of the homoerotic pin-up. Eye on the Guy: Alan B. Stone & the Age of Beefcake explores the little-known world of Montreal's physique photography scene - a distinct gay subculture that emerged in the '50s and '60s - through the life and work of one of its most creative figures. Before the first wave of gay liberation, and long before Calvin Klein's poster boys marched into public view, Stone was taking hundreds of erotic photos of men and running an international mail-order business from his Montreal basement.
An extraordinary foray into the many worlds of a renowned artist, opera and theatre director, activist, and professor. Art and Life: Finding the Thread offers a unique perspective on the human experience. Shot over the course of six years, Marina Goldovskaya's inquisitive lens moves effortlessly between the intimate and public worlds occupied by Peter Sellars, carrying on a thought-provoking dialogue which stays with the viewer long after the last images have faded from view.
The Lacosse family goes on a roadtrip to Rockglen, SK.
Home movies shot on Nauru in 1973.
Activities and competitions of a Guide's meet held at Lake William, Lunenburg County. Includes shots of bear, deer and moose being fed by games keeper; a group fishing and sunset over Lake William.
A time capsule with the Parasidi Brothers exploring their massive collection of goodies from the universe of "Un homme et son péché", novel written by Claude-Henri Grignon in 1934.
This documentary takes us from the 1850s to 1863. We see several historical episodes from this period interwoven in a unique fashion. The film reveals the complex relationship between Great Britain, Canada, the North and the South—before, during, and after the American Civil War. Part 6 of the series Struggle for a Border: Canada's Relations with the United States.
The Deluxe car wash is much more than just a workplace for Sylvain, Buck, Denis, Pierre, and Jeanne, who have been meeting there to socialize since 1992.
Gugging offers us a glimpse into the day-to-day lives of the residents of the Gugging House of Artists in Klosterneuburg, Austria, founded by Dr. Leo Navratil. Dr. Navratil’s objective in establishing it was not to socially rehabilitate his patients but rather, to empower them as artists. The Gugging artists’ works are now exhibited at galleries in Europe and the United States and are included in the world’s most important collections of outsider art.
The Other Side is a twenty minute video examining the issues that people face when someone close to them has had a stroke. Five different caregivers talk about the issues and emotional decisions they had to make, their struggles and their triumphs. A short but intimate film which strikes a chord with anyone who has faced this challenge. This provocative piece reveals the highest of the highs and the lowest of the lows but the final compassionate message it delivers is one of hope.
How to use this old technology of the postcard, with its marriage of image and text, its insistence that every exchange has two-sides which can never be considered at the same time, to write oneself back into the world? The traveller alights in Colombia, Bolivia, Brazil, even in Canada, finding words for the old wounds, sitting for a portrait in the middle of the city, out of doors, alone in a crowd. The military ghosts are never far, their costumes barely able to cover up the casual brutalities, even as the city’s citizens come together in unexpected formations, inventing new lives and conversations, like the plant life that flourishes around them, as resplendent as weeds. One of his most perfect and most personal reflections, a letter from the heart.
Bonnie Sherr-Klein recalls the early days of Studio D, the women's studio, and the birth of the seminal film Not a Love Story which she co-directed.
Finding the courage to leave the fold is only the beginning for most of these young people. Those who have decided to take this step become pariahs, often completely cut off from the emotional and financial support of their families. To make matters worse, judged by our secular standards, they have no marketable skills. Many only speak Yiddish— or some Hebrew that is stilted and archaic because it is restricted to use only for prayer.
Interactive short documentary film from the NFB. The mining town of Pine Point in Canada's northwest territories has been flattened, leaving its former residents with only their memories. Michael Simons and Paul Shoebridge explore what memories mean to us in this creative web story which attracted 100,000 viewers in its first two months and has been nominated for a Webby.
An unearthed time capsule consisting of footage of the maker's youthful self – an “exquisite corpse” with nature as collaborator. Bourque buried random out-takes from her first three films (all staged productions dealing with her family) in the backyard of her ancestral home (adjoining the grounds of a former cemetery) with the ambivalent intentions of both safe-keeping and unloading them (she was relocating). Upon examining the footage five years later she found that the material contained images of herself captured during the making of her first film. That discovery seemed handed over like a gift and prompted the making of this film, a metaphysical pas-de-deux in which decay undermines the image and in the process engenders a transmutation.
In this thrilling doc, two world champion women boxers and former friends must face each other in the ring for a chance to win gold at the 2012 Olympics.
For the past three years, a young Mexican asylum seeker has been forced to put his academic career and his dream of becoming a police officer on hold due to his immigration status. Socially isolated, he clings to the daily life he shares with his family and tries, as best he can, to occupy his time while waiting for the life he dreams of.
At Camp fYrefly in rural Alberta, queer, non-binary, and trans teens get to just be kids in a supportive space, surrounded by counsellors who can relate to their experience ― and help them toast the perfect marshmallow.
Do You Accept the Charges? focuses on Quebec filmmaker Robert Morin. We are presented with extracts of Morin's work and personal interviews given over a two-year period. We gain insight into his ability to tell a story, his irony and his approach to documentary. A fascinating look at the artist's philosophy, both on and off the set.
Finding Fidel tells the remarkable story of war cameraman Erik Durschmied, who in 1958 journeyed to Cuba's Sierra Maestra mountains to interview a little-known rebel leader named Fidel Castro. A month later, Castro's band of fighters rolled into Havana, and the world would never be the same. Finding Fidel follows Durschmied as he returns to Cuba on the 50th Anniversary of the Revolution, retracing his original route to the mountains after an ailing Fidel has handed power over to his brother Raul and the island is waiting for change.
The director traces her family tree across the globe.