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Five in Millions

Captures the work of the British Rail Parcel Service, illustrating the story of five different consignments over a twenty-four hour period. These are: a schoolboy in Cheshire being sent a new bicycle; a housewife in Rhondda Valley awaiting the arrival of a new vacuum cleaner; a man in Lincoln expecting an insurance cheque; a tourist in Cornwall waiting for his daily newspaper to arrive at his hotel; and a research scientist who urgently needs some equipment in Manchester.

Five in Millions

NR 1978
Wet Earth and Warm People

This documentary by Michael Rubbo (Waiting for Fidel) offers candid glimpses of Indonesia and its people. Filming in and around the capital of Jakarta, the cameras follow where chance leads, capturing the flavour of life in this fertile crescent of tropical islands. Throughout the film, the focus is on a society caught between the past and the conflicting options for the future - to change or not to change from long-established patterns of life to ones more influenced by western technology.

Wet Earth and Warm People

10.0 1971
Beats of the Heart: Konkombe: The Nigerian Pop Music Scene

Konkombe is an extraordinary journey into the musical kaleidoscope of juju, Afrobeat, highlife, Afro-pop, and Lagos street music that makes up the Nigerian pop music scene. From traditional minstrels wandering the streets of Lagos to the talking drums of the Saharan north, from recording session with stars of juju and highlife to an intimate visit with Fela surrounded by his exotic wives, Konkombe looks at the entire spectrum of Nigerian music from its primitive roots to the most exciting stars of Afro-pop. Features performances, intimate interviews and recording sessions with some of the biggest stars of African music including King Sunny Ade, Fela Anikulapo-Kuti, Sonny Okosun, I.K. Dairo and more.

Beats of the Heart: Konkombe: The Nigerian Pop Music Scene

NR 1979
An Unjustifiable Risk

The potential dangers of nuclear weapons and the planned new breed of plutonium-fuelled reactors are the subject of An Unjustifiable Risk, made in 1977. John Pilger begins by explaining that just a speck of plutonium, the main component of an atomic bomb, can cause cancer, but there is no absolutely safe way of storing, protecting or transporting it. Although the government is planning to build the first commercial nuclear power station fuelled by plutonium – a so-called fast-breeder reactor intended to solve the country’s energy problems – an independent royal commission has declared the process dangerous.

An Unjustifiable Risk

NR 1977
The Marshes

The Marshes area is a cultural extension of the Sumerian civilization by more than seven thousand years. It is the largest ecosystem of its kind in the Middle East and West Asia and constitute two-thirds of southern Iraq. In the year 1975, director Kassem Hawal decided to make a film about the Iraqi Marshes. He then wrote the script, shot the film and completed a 45 minutes documentary. But in 1985 the Iraqi regime had begun to dry it, resulting in humanitarian, cultural, environmental and natural disasters in the area with the disappearance of tens of thousands of residents, air, water and soil pollution and the extinction of countless species of birds, plants and animals. The Government have also burned the original film material, luckily, Kassem kept a copy to share it with the world.

The Marshes

NR 1976
Madarrpa Funeral at Gurka’wuy

In 1976, Ian Dunlop was invited by Dundiwuy Wanambi, a leader of the Marrakulu clan, to Gurka’wuy on Trial Bay in the Gulf of Carpentaria. He wanted Film Australia to record the first major Marrakulu ceremony to be held at Gurka’wuy since its recent establishment as a clan settlement. While they were there, a baby boy died. The Madarrpa men, including the child’s father and Dundiwuy, asked for the funeral to be filmed.Mortuary rites of the Yolngu are extremely complex. Despite some practical modifications to traditional ceremonies as a result of life on mission stations, ritual remains extremely strong.

Madarrpa Funeral at Gurka’wuy

NR 1979
Que Ninguém, Nunca Mais, Ouse Duvidar da Capacidade de Luta dos Trabalhadores

The documentary covers the first phase of the brazilian metalworkers' strike in 1979. It was made to be shown to the workers during the truce between the two phases of the strike, with the aim of mobilizing them for the second phase. The film shows the large assemblies, with more than 100 thousand metalworkers, in the Vila Euclides field, in São Bernardo do Campo; the mobilization for a vigil at the Union; the resulting street conflicts and the triumphant return of the board, headed by Lula, in the great assembly in which the truce was proposed.

Que Ninguém, Nunca Mais, Ouse Duvidar da Capacidade de Luta dos Trabalhadores

NR 1979
60 Unit; Bruise

Wong's first colour videotape bears the influence of several artistic genres popular in the 1970s, including performance and body art. We see Kenneth Fletcher draw several millilitres of blood from his arm and inject the contents of the syringe into Paul Wong's back, just under the skin. The camera closes in on this, observing the slow response of the immune system as the skin turns red and purple. What was originally intended as a sort of ritual uniting the young men as blood brothers, with implicit reference to drug use, has become a disturbing and dangerous act, when AIDS evokes our deepest fears and anxieties.

60 Unit; Bruise

NR 1976