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Everest the Hard Way

The classic expedition documentary of the 1975 British Expedition led by Chris Bonington up the South West Face of Everest. The summit was reached by Doug Scott and Dougal Haston followed by an epic bivouac just below the summit. Sadly mountaineer and cameraman Mick Burke died near the summit a day later. Peter Boardman and Pertemba summitted a few days later and made a harrowing descent, finding the top of the fixed ropes only by chance. In many ways, this films records both the end of an era the of big British national expeditions and is the harbinger of a the new alpine style in the Himalaya.

Everest the Hard Way

5.0 1975
Kollwitz and Her Children

Kollwitzplatz, Prenzlauer Berg: Children are playing and climbing all over the monument to Käthe Kollwitz, frowning adults are watching them. What would Gustav Seitz, the creator of the sculpture, say? Christa Mühl has asked him but reveals his answer only when the adults have finally disappeared. Until then, she constructs explosive matter as light as a feather, set to Belgian cembalo jazz and with the perky montage style that characterises her early documentary work. After Karl-Eduard von Schnitzler himself had the most controversial scene cut, the film could be broadcast on television and triggered a lively discussion about the practical value of art.

Kollwitz and Her Children

NR 1971
Una bomba a punto de estallar

Panama’s strategic geographic position has long been its greatest economic asset, with the Canal serving as the cornerstone of its development. Yet for decades, control of this vital waterway remained in the hands of a foreign power. Through interviews with residents of Panama City, Una bomba a punto de estallar (1977) captures the hopes, doubts and political sentiments surrounding the negotiation of the new treaties between Panama and the United States, offering a vivid portrait of a nation debating its sovereignty and future.

Una bomba a punto de estallar

NR 1977
Survival of Spaceship Earth

Earth's environmental crisis--brought about by uncontrolled technological progress--is endangering life on a global scale. At the core of the threats to the planet - wars, overpopulation, pollution, and the depletion of natural resources - is the inadequacy of the nation state to come to terms with the surmounting problems of twentieth century living. What is urgently needed is the kind of international cooperation where nation states relinquish part of their sovereignty to a world body entrusted with the management of mankind's future.

Survival of Spaceship Earth

10.0 1972
Puberty - Part 2

Elder Marie Leo recounts her experiences going through puberty. Growing up on the Líl̓wat Nation near Mount Currie, B.C., Marie details the important process of preparing for womanhood. The various tasks and duties she undertakes demonstrate a complex, beautiful journey a young Líl̓wat person undergoes as they welcome adulthood and increased responsibilities. This short is part of the L’il’wata series. In the early 1970s, at the outset of her documentary career, Alanis Obomsawin visited the Líl̓wat Nation, an Interior Salish First Nation in British Columbia, and created a series of shorts that provide personal narratives about Líl̓wat culture, histories and knowledge.

Puberty - Part 2

NR 1975
Quand les femmes ont pris la colère

The action takes place in a metallurgical factory which was part of the Pechiney-Ugine-Külhman trust in Couëron, Loire-Atlantique, in 1975. To show their solidarity with their husbands on strike, workers' wives invaded the director's office and obtained in two hours what was refused to them for months. But the management complained and sued. Twelve wives were charged with forcible confinement. The mobilization then widened. The women called on the Bretagne Cinema Production Unit (UPCB) to make a film about their struggle. Narrating the courageous action of solidarity of women with the strikers of the factory and the emergence of a collective awareness, both feminist and working-class, the film is also an echo chamber sensitive to the aspirations of the twelve women who were charged.

Quand les femmes ont pris la colère

8.0 1977
The Old New World

Die alte neue Welt (The Old New World) (1977) is an East German documentary directed by Annelie and Andrew Thorndike. The film explores the evolution of human history over millions of years, tracing the development of societal formations from primitive society to socialism and communism. Through a blend of archival footage, original graphics, and animation, it contextualizes the progress of human civilization within the broader timeline of Earth's history. The documentary argues that only in socialism or communism can a foundation for a dignified human life truly exist. The film features a musical score by Hans-Dieter Hosalla, performed by the Staatskapelle Berlin.

The Old New World

9.0 1977
Going Where I've Never Been: The Photography of Diane Arbus

The work of photographer Diane Arbus as explained by her daughter, friends, critics, and in her own words as recorded in her journals. Illustrated with many of her photographs. Mary Clare Costello, narrator Themes: Arbus' quirky go-it-alone approach. Her attraction to the bizarre, people on the fringes of society: sexual deviants, odd types, the extremes, styles in questionable taste, poses and situations that inspire irony or wonder. Where most people would look away she photographed.

Going Where I've Never Been: The Photography of Diane Arbus

6.0 1972