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If You Only Understood

Si me Comprendieras refers to the tradition of Bolero, as the original intention of the director was to make a musical film. This proved to be difficult for a Cuban living in Spain, as the search for appropriate dancers revealed the grim realities these black women lived each day -- oppressive family relationships, unemployment which forces them into prostitution, the general hopelessness of young Cubans and the subtle racism which is officially denied. In this docu-drama, a Cuban director and scriptwriter embarks upon a journey to search for a black or half-caste dancer and singer to play the central role in his latest film, a musical comedy. The audience witnesses the experiences of the film crew from their point of view, behind the camera. Through the questions they pose to the auditioning actresses and their responses, the reality of Cuba is revealed.

If You Only Understood

8.0 1999
Eye of the Soul - Cristina García Rodero

Fiercely independent, self-taught and critically acclaimed, Spanish photographer Cristina García Rodero, winner of the National Photography Award, was the first to capture her country’s festivals – religious and pagan – and it took her 15 years to complete them. Today, half a century later, this warm, strong-willed and tireless 74-year-old artist continues to document how life, love, beauty and death are celebrated in the world. Cristina García Rodero: Eyes of the Soul, delves into her creative process, offering a privileged look at the artist.

Eye of the Soul - Cristina García Rodero

7.6 2024
Walkers of time

María is an Amorúa girl; an indigenous group that traveled the savannas of Orinoquía as nomads. She lives with her grandmother Matilde, her sister diana and her cousins in Puerto Carreño, in the Colombia-Venezuela border. The amorúa are considered wild and are not literate. Matilde wants her granddaughters to learn to write and read to live better in this town of "rational whites" as they call us. The director follows María's life for 8 years from her childhood to her adolescence and invites her to travel the places her grandma did as a nomad.

Walkers of time

7.0 2017
(IKB) - Body Print Into Landscape

The piece is a reference to Yves Klein’s work Anthropometry, in which the artist used naked women as ‘human paintbrushes’, creating paintings that were results of elaborate performances in front of an audience. To Klein, the female figure was the canon of human proportion, an anthropometric symbol that he described as “the most concentrated expression of vital energy imaginable”. The same blue colour used by him (International Klein Blue IKB) is used by Marcy Petit as she becomes a human paintbrush too.

(IKB) - Body Print Into Landscape

NR 2019
Ventana en Carrer de Badajoz

Sara and Alberto spend their days at home. They look out the window and watch: spring is approaching and the sun is setting later and later. Alberto entertains himself by playing with the light, the shadows and the nooks and crannies they leave on the living room. Sara goes out on the balcony in the evenings and examines the neighborhood with her camera. When they are in bed, they talk about what worries them. About job expectations. About being creative and why keep trying, if someone else has done it before you. About living in confinement, but at the same time, realizing that things haven't changed as much as they seem.

Ventana en Carrer de Badajoz

NR 2021
Tarajal: Desmontando la impunidad en la frontera sur

The events that took place at the beach of El Tarajal in Ceuta (Spain) in February 2014 - the killing by the border police of 15 people who were trying to reach the Spanish coast - are an example of how the police force can violate the laws of its own country and international conventions with total impunity. The worst part is that this violation of human rights is protected by the Spanish Ministry of Interior itself, which hinders any effective action by the prosecution. For this reason, the civil society plays a fundamental role in revealing the facts. This is where the figure of collective complaints (DESC Observatory and the association Coordinadora de Barrios) steps in.

Tarajal: Desmontando la impunidad en la frontera sur

NR 2017
Heiresses

Two planes take off at the same time headed in opposite directions. Fatimetu and Ejehla. Two distinct lives destined to follow similar paths. One past desired, but fuzzy, and a future. One inheritance, becoming more and more fragile. “Heirs” gathers the testimony of different generations of women who live within and outside of the camps and paints a profile of the present situation in which these Sahrawi women live and the future they've inherited, living in an orphan-like territory separated from their homeland for more than 33 years…

Heiresses

NR 2009
Vicente García Riestra, guardián de la memoria

Biography of Vicente García Riestra, an Asturian survivor of the Buchenwald concentration camp. The documentary covers the flight to France together with thousands of Spaniards, their entry into the Resistance, their arrest and deportation to Bunchenwald, the Resistance inside the camp and the solidarity networks woven by the prisoners, until they regain their freedom. After the liberation of Europe, Vicente's life did not stop: he dedicated himself to visiting schools to warn young people about the dangers of intolerance.

Vicente García Riestra, guardián de la memoria

NR 2020
This Is Not an Olive Tree

A theoretical exercise can stem from a physical one: using the camera as if it was the vibrating device placed on the olive trees for the harvest of its fruit, the final result is a series of original and intriguing images. The camera shakes, gets in and out of focus, and we don’t exactly know what is happening. At first this is a strange disorientation, but then you get used to it through the cyclical mechanical noise that joins the images. The words of a peaceful female voice allows you to frame the film: a visual exercise after all can also be free.

This Is Not an Olive Tree

NR 2017