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Without a Net: The Digital Divide in America

Many of us assume that the world, or at least the country, is now fully connected, but throughout American classrooms there exists a digital divide. In a shockingly large number of schools, access to technology, connectivity, and teacher-training is nonexistent. Many of those underserved schools are located just a few miles from fully equipped schools with technologically adept teachers in better funded districts. This new film from Rory Kennedy, in which we see the situation through the eyes of students, educators, policy experts, and advocates across the country, clearly lays out the steps we must take a to bring our public education system into the 21st century.

Without a Net: The Digital Divide in America

NR 2017
Chanderinama

Chanderi is a town of historical importance situated between Malwa and Bundelkhand region of Madhya Pradesh. The town is worldwide famous for its exotic hand woven sarees (a female garment from the Indian subcontinent). The film depicts the journey of Chanderi Sarees through the centuries, from the time of the Sultans and Rulers to current era. The background Dhrupad recital “jhini bini chadariya” of Gundecha brother’s, works as a soul and bridge between the various junctures of Chanderi sarees. Getting patronized by royal families earlier, Chanderi sarees got her mainstream entry in the last quarter of 20th century.

Chanderinama

NR 2017
Molokanka

The film tells about the life of a small community of Russian Molokans. Representatives of this small religious group are scattered all over the world, but for several centuries they have maintained their authenticity and strong connection with the homeland that once rejected them. Being under strong pressure for a long time, they were unable to maintain their beliefs and reverent attitude to the world, to the people around them. How and why they did it-these are the questions that we will have to find answers to.

Molokanka

NR 2017
The Rover Story

From the Rover Safety Bicycle in 1885 to the last Rover cars in 2005, this documentary traces the turbulent history of this famous British motor manufacturer. Many ex-Rover engineers are interviewed to help tell the story and also to get those historic anecdotes that can only be revealed by the people who were present at the time. In addition to the Rover personnel, owners of significant Rover models relate the history, before Rover historian James Taylor, concludes to tell the final collapse of MG Rover.

The Rover Story

NR 2017
As Above, So Below

As Above, So Below is a two-channel HD video that uses everyday objects to depict parallels between the cosmic and subatomic realms. The piece draws from the notion of macrocosm/microcosm as originated by the 16th century theologian Robert Fludd. Macrocosm and microcosm are terms from religious esotericism that refer to a vision of the cosmos reflected within a smaller part of itself. As Above, So Below is made with everyday materials to draw parallels between micro and macro – the commonplace and the divine.

As Above, So Below

NR 2017
Skinnings

MUES is a film of many shadows and only few but glaring lights. It follows the transformation of an intimate place in the outskirts of Paris, home to immigrants and myths, into a prestigious real estate project. The journey of the building is mirrored in a hurtful switch from 16mm footage to a computer simulation. While mastering the risk to get lost in the jungle of voices passing the troubled spot that is a Parisian banlieue today, Daniel Nehm captures an “image juste” of contemporary transformation via the act of cleansing, ignoring and the destruction of dreams. (Patrick Holzapfel)

Skinnings

NR 2017
Behind the Altar

In the past decade, much has been said about the Catholic Church's sex abuse scandal. Yet with Pope Francis, we have all thought that the crisis was over, that the church had learned its lesson. What we have found out instead, is rather shocking. In the 3 years that he has sat on St Peter's throne, Pope Francis has done very little about the priests who abuse children and the bishops who cover up their abuses: 2 pedophile priests out of 3 are still in the clergy, the special tribunal he announced does not exist and bishops are still instructed to not report abuses to the authorities. In this film, historian John Dickie investigates the causes of the Pope's inaction.

Behind the Altar

8.0 2017
Vote off

Fayçal Hammoum recounts the 2014 presidential election through non-voting inhabitants of Algiers who, like him, are in their thirties. Be it Bilel, a grocer by default exposed to his customers’ political babbling, or the more politically-charged comments of Younes, a militant FM radio journalist opposed to President Bouteflika’s fourth term, the variety of conversational scenes in no way changes the determination not to vote for an old man who has been invisible for almost two years. The rappers Omar and Brahim are as bereft of hope and voter’s cards as the Tellek webradio DJ, since “the match is fixed”. Moving away from his focus on this subject to film their daily life, the filmmaker draws the portrait of a generation who, as Bilal says with poignant simplicity, “just wants to live

Vote off

NR 2017
Every Soul of my Body

After the passing of her mother, Lorena finds the diary that she kept all her life. The entries allow her to discover a different woman. Having grown up in the worship of her father who fought as a partisan during the war, Lorena realises that she must start digging in the secret story of her mother if she wants to understand aspects of her own life. The pages of the diary feel like a book from another time. Working as a nurse, her mother was covertly working for the partisans passing them intelligence that she astutely acquired from wounded German soldiers by administering more morphine than usually required to ease the pain.

Every Soul of my Body

7.0 2017
Un Figuier Au Pied Du Terril

Filmed in Libercourt in the Pas-de-Calais, "Un figuier au pied du terril" orchestrates various testimonies, in particular those of Nanass and Hélène, two grandmothers of Algerian and Polish origin respectively, highlighting in turn the colonial management of the working-class population, male domination and the residential segregation to which Nanass's descendants are still subjected.
The dialectic of the film does not exclude moments of poetry, in Nanass's garden, where the fig tree, which is the same age as Nanass's stay in France, is still cherished even though the cold prevents it from bearing fruit. The humble tree from the South transplanted to the land of the North is seen as an allegory for the family of this amazing grandmother, forever uprooted but still standing, who continues to hope for the good days when her "family tree" can finally bear full fruit...

Un Figuier Au Pied Du Terril

NR 2017
India's Ladycops

After a young woman was publicly gang-raped on a bus in Delhi in 2012, Indian authorities set up a series of police stations across the country manned by women officers, with the intention of encouraging women to report domestic abuse and sex crimes committed against them--crimes that have a history of not being a top priority to male police officers. This show focuses on one particular female officer in the Sonipat station in Haryana state, and the problems she encounters in her everyday work.

India's Ladycops

NR 2017
Washi MM

A video documentation of a live performance at LUX in London, 2017. In 2003, I saw Drawings for Expanding Permutation (1969) by the UK artist Mary Martin at a gallery in London. Paul Martin, Mary Martin’s son, kindly gave me a book with pictures of her drawings that I constantly refer to for my Washi Series. This is a set of films and performances, made in response to Martin’s work, that uses the patterned colors of adhesive Japanese washi tape applied directly to clear 16mm film. These patterns are also responsible for the optical soundtracks of the films. In Washi MM three 16mm projectors are used as live instruments of performance to explore rhythmic patterns of color and sound created by the overlays of washi tape.

Washi MM

NR 2017
Fairport Convention: Folk Heroes

In the late 1960s, a group of North London musicians shook traditional English folk music to its roots by fusing it with rock - simultaneously outraging the purists and delighting a new and devoted audience. Through new interviews with the band including Richard Thompson, the film examines how the group survived tragedy when their drummer was killed in a car crash early in their career, followed by the tragic death of lead vocalist Sandy Denny; and how they overcame numerous line-up changes to continually reinvent themselves by discovering and recruiting some of the finest virtuosos in the country.

Fairport Convention: Folk Heroes

NR 2017
VI.SION

Vi.sion is the product of an encounter between an expanding ballet troupe and an abandoned school with a marvelous theater, which was to be demolished to make way for a parking lot. It is the home of a place, imbued with memories of a rich and proud past, by the footsteps of a young troop. The time is getting confused. The present and the past blend together and it is the old school that dances with the passion and passion of young dancers. Ghosts, shadows, specters ... They bewitch.

VI.SION

NR 2017
Lost Children. Thirty Thousand Minors Missing

There are thousands of them. Children. Aged between nine and sixteen. They come to Europe from the middle East and Africa, and now they are on the move across our continent – alone, with no adults to accompany them. A blot on European immigration policy. Of all people, minors whose young age should guarantee them special protection and speedy integration into the new society, slip effortlessly through the net of the inadequate security afforded by European asylum procedures, escape to wherever they can, and are easy prey for criminals both from their own home countries and from Europe. Since the beginning of 2014 at least two hundred thousand unaccompanied child migrants have managed to cross Europe's borders. But according to the authorities, at least ten thousand of them have simply vanished en route. These are children, and one estimate of unreported cases puts the figure at twice or even three times that. Who are these children, and how did they manage to make themselves invisible?

Lost Children. Thirty Thousand Minors Missing

8.0 2017