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June 2019: four students lead the first-ever Pride March in Saint-Denis, working-class suburb of Paris. 50 years after the Stonewall uprising they pave the way for LGBT struggle in a territory no one had dared to think of, raising new issues such as intersectionality.

"These portraits are encounters I wanted to be kept from oblivion, even if it is only while you are watching them. They are women who work, who have children, and who, at the same time, keep their independence of mind. I shot 24 portraits of 13 minutes each. I have chosen this short running time for several reasons: not becoming a bother, escape tv adds cuts, shoot the movie quickly, in one pace and without too many scratches. I am not a documentaries maker. I am more like a faces, hands and things lover. To show reality is not my goal. “Reality” is just a word, just like its twin sister “fiction”, which I practice as well, but with a different delight." (Alain Cavalier)

Twenty-four people confide in the camera. What they all have in common is that they have been struck down by a disability, either through an accident or a disabling illness. Now integrated into society, they speak in turn about their lives. Through images and words, issues that affect us all emerge: hope, anxiety about the future, dependence, the attitude of others, their "gaze" and, above all, the sense of fear that the image of disability imposes on the able-bodied.

In the 1960s, the suburbs were meant to be modern havens for newcomers from rural France, Portugal, Spain, North Africa, and Africa, helping rebuild post-war France. Large housing complexes symbolized this ideal, offering comfort, heating, and electricity. But by the 1980s, disillusionment set in as economic crisis, unemployment, poverty, crime, racism, and police violence took hold. Mohamed Bouhafsi tells the story of a dream that didn’t last.

What makes a city healthy? How do we build greener and cleaner cities of tomorrow, reconnecting with nature and combining the benefits of the countryside with the advantages of the urban world? This inspiring documentary on how cities can be propelled into the 21st century links solutions such as revegetation, urban farming, and bio-waste recovery with greener and healthier cities for everyone.

Documentary that tells the story of some Venezuelan guerrilleros who, following the so-called Pacification of the 1970s, held official positions in various Venezuelan state entities. Venezuelan political figures share their perspectives on this recent event in Venezuelan history.

The fascinating and little-known story of the secretarial profession, which tells the story of the evolution of women's work, between emancipation, invisibility and the glass ceiling.

Mixing images of contemporary Romania, archive films and the fascinating files of the Romanian secret services compiled during the Cold War, Sophie Dascal draws a mixed portrait of her mysterious grandfather; sketching out a wider reflection on identity, memory and the transmission of the traumas originating out of a totalitarian political regime.

In France’s last presidential election, Marine Le Pen, a right-wing candidate, won over 30 per cent of the vote after an attempt to rebrand a party long associated with her controversial father, Jean-Marie Le Pen. See how three of her supporters faced similar obstacles in changing the narrative.

"I wanted to film me and my little brother, but we had a problem and we had to start over."

A film about a zookeeper and his renewed relationship with his estranged daughter is fragmented and interrupted by the filmmaker’s own voice, reading an email to his sister about the roots of this story in their own shared history with an absent father. Through memory, dreams, and fiction, (No Subject) probes the various ways of representing the past in order to process and break free of it.

Stephen Dwoskin was born in New York in 1939 and began making independent shorts there in 1961. In 1964 he followed his research work to London where he settled and participated in the founding of the London Filmmaker’s Co-op. His experimental films, for which he himself does the camera work, play with ideas of desire, sexual and mental solitude and the passage of time. In his films he also explores representation in cinema, performances, personal impressions and his own physical handicap which has been a source of inspiration for him throughout his career. His sensitive and emancipating works have been the subject of various international presentations.

Plural, complex and full of colors, Lalla Rami is a transgender artist with a busy past. A little boy born in Morocco, it is on the Parisian stages that she shines brightly, despite the difficulties of everyday life.

An investigation into the rise of Itamar Ben Gvir and Bezalel Smotrich, two ministers driving Israel’s government, as they push a controversial agenda to reshape the nation’s democracy and expand its borders under a biblical vision.

Between 1917 and 1924, 350 Americans landed in France to participate in the immense reconstruction effort. At their head, Anne Morgan, daughter of the famous banker John P. Morgan and founder of the American Committee for Devastated Regions. To encourage donations in the USA, she commissioned numerous films and photos, admirable testimonies of life at that time. Entirely made up of audiovisual and photographic archives, this documentary plunges us into an embodied and living post-war period as we have rarely seen it.

Casey, the new flatmate, was everything Alessandro was not. He was energetic, adventurous and charismatic. Alessandro started to document this strange creature with his video camera, so different from himself. They were in their early twenties and living in Rome...every experience together felt new and exciting. But when Casey moved to the Middle East to work as a TV journalist, Alessandro's world was opened up even more. Drawn from 15 years of footage, The Things We Keep is an intimate look at friendship, a celebration of people's common humanity and an invitation to break out of one’s comfort zone.

Around the world, young boys and girls take up a challenge: to live their dream and their passion by undertaking a challenge that will change their lives forever. Together, they will live a unique day, a day where anything is possible.

"Les Habitants des Flammes de Pierre" is the making-of documentary for the film "The Pillar of Solitude," which recounts Walter Bonatti's historic 1955 ascent of the southwest pillar of the Drus (the Bonatti Pillar) in the Mont Blanc massif, an 800-meter-high vertical face, climbed solo in six days, despite having only three. In the film, the renowned Swiss mountaineer Michel Vaucher portrays Bonatti. Unlike the film "The Pillar of Solitude," which was shot in black and white, the making-of documentary was filmed in color.

Observing in close up the students of the Opéra National de Paris' dance school, who day after day build their future as dancers, Clémence Poésy offers a novel gaze that leaves the bodies at work off screen. By capturing the intimacy of faces, she reveals some of the mystery of the quest to which this apprenticeship is devoted.

Europe is seeing a clandestine emergence of illegal underground "No Rules" fight clubs: no rules, no rounds, no gloves. Young men are risking life and limb at these hidden events, which allow everything from biting and head-butting to eye-gouging and neck stamping. This world is one of unfiltered ultraviolence and raw instinct. Away Days got special access into this scene. We spent three years attending hidden brawls all over Europe to document what is one of the most authentic new countercultures on earth.

Between 1967 and 1976, Italian writer Goliarda Sapienza (1924-76) wrote The Art of Joy, a subversive novel about the dazzling social ascent of a rebellious heroine; too scandalous to be published at that contradictory time.

Please note that the film you are about to see is taken from real film history material, namely the disclaimers and warnings that frame the existence of films. Any allusion to the moralism affecting the life of images would be purely unintentional.

Kellou, in her forties, lives in Bol, the capital of Sahel’s province. She’s a fisher, profession transmitted from mother to daughter. She learned it from her mother. But since a few years, Lake Tchad has been shrinking, and fish has become rare. Kellou’s job is threatened. One day, after an un- successful catch, her 12 year old daughter Mouna gives her an idea: pick up plastic bags invading the lake and make ropes out of it to sell them on the market. By this simple gesture, Kellou gets to, in her own way, fight against plastic pollution and adapt to the new conditions brought about by climate change.

A Wen, 38, a businessman and family man in Barcelona, is also the filmmaker's brother. Just like in the gangster movies they watched on VHS as kids, he becomes involved with the Chinese mafia in Spain.

Documentary on the young voters supporting French politician Jean-Luc Mélenchon.

An unexpected love story between a trans former sex worker and a FARC rebel begins in a Colombian prison and leads to an alliance in solidarity between trans activists and FARC militants who have laid down their arms.

This documentary by Amos Gitai is a personal look at the aftermath of the Rabin assassination.

The destiny of Sergio Leone from his poor childhood in a neighborhood under fascism in Rome until his last film in America. This guided the filmmaker's personal life and career to create his epic antiheroes and spaghetti westerns.

Filmed throughout the cities of Berlin, Prague, Budapest and Vienna.

In the heart of the Ariege Pyrenees, Patrick Chêne, a farmer and osteopath, cares for humans and animals with his hands and diphonic song. The vibrations of his singing radiates through the body and acts like an acoustic probe, showing a sensitive world full of invisible energies that make and form life, building our link with Earth and our environment.

Manon, 15, meets Greg, 17, while on vacation. He lives in Claviers, a little village in France’s Haut-Var region, while she lives in Paris. Greg and Manon are in love. This is a portrait of a young man who comes alive when his girlfriend is with him, for it’s their story that counts. He must deal with the geography that separates them and come to terms with the past.

What if, before rushing headfront into technology progress, we think twice about it ? As our societies bet on technology outbids, some chose to invest on sobriety : the "low tech".

As a portrait of a housing project with astonishing shapes (La Maladrerie near Paris), SONGS NEXT DOOR by Flavie Pinatel is a documentary of a different kind, since the protagonists express themselves through songs and not through speech. Implicitly, Flavie describes poetically how people live together in France in 2016.

Every year since 1980, I have filmed the Good Friday ceremony reconstructing the Passion of Christ in Burzet, a remote village in the Ardèche area, where for seven hundred years, the local people have dressed up to celebrate and perpetuate this religious rite. (Gérard Courant)

In the largest slaughterhouse in Algiers, men live and work in closed to the throbbing rhythms of their tasks and their dreams. Hope, bitterness, love, paradise and hell, the football stories as of the Chaabi and Rai melodies that set their lives and their world.

Since its release in 1968, Planet of the Apes, the masterful film directed by Franklin J. Schaffner and starring Charlton Heston, and its subsequent sequels have asked its viewers challenging questions about contemporary society under the guise of a bold science fiction saga: a fascinating look at a hugely successful pop culture phenomenon.

John Neumeier, of the Hamburg Opera, and Patrick Dupond, principal dancer at the Paris Opera, rehearse of Stravinsky's ballet 'Petrushka'.