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Masters of Modern Sculpture Part II: Beyond Cubism

Centered around the emergence of Constructivism, Futurism, Surrealism and Dada, Beyond Cubism takes a closer look at the artists who ignited the new movements and the alterations of artistic culture brought forth by World War II. Creating out of their philosophy and ideology, artists such as Vladimir Tatlin, Barbara Hepworth and Henry Moore pushed sculpture to new limits of abstraction and possibility, feverently building on their predecessors.

Masters of Modern Sculpture Part II: Beyond Cubism

NR 1978
Street Film Part IV

"STREET FILM PART IV is an odyssey. In its search for the greater meaning of things, the camera portrays (rather than reports) essential human handiwork. Corn is pressed from the cob by worn thumbs, practiced hands spin twine. Doors open. Cattle are branded. A small sparkling plane takes us through the clouds and into the mountains. Everything and nothing is within our grasp. Simple acts are either full of meaning or devoid of meaning. The longest scene in this rarefied look at simple pastimes is of a native woman patting and baking tortillas." - Barbara Kossy

Street Film Part IV

NR 1977
Ife / 3ème Festival des Arts

Newsreel of the third Festival of the Arts in the Nigerian city of Ife, launched in the city’s university. A celebration of the arts (traditional music, photography, sculpture, handicrafts, cinema) confronting the continent’s anglophone and francophone hemispheres. Among others, the report features the Nigerian Nobel Prize-winning playwright, poet, writer and essayist Wole Soyinka, the Senegalese filmmaker Ousmane Sembène and the Martinique playwright Aimé Césaire, who premiered the English version of The Tragedy of King Christophe in Ife for the occasion.

Ife / 3ème Festival des Arts

NR 1971
Glow of Memories

This film focuses on an old Palestinian man who is the subject of artist Ismail Shammout’s painting Memories and Fire. The film unravels his memories using archival photographs and Shammout’s own paintings to tell the story of Palestinian experience and resistance. By simply using a montage of visuals and sounds and avoiding narration, Shammout adopts a style that was used by early Soviet filmmakers who wished to communicate across language boundaries, creating a film that offered an non-verbal narrative of the Palestinian cause. The film was screened at a variety of festivals in the former Soviet Union and won a prize at the International Leipzig Documentary and Short Film Week for Cinema and Television in 1973. Recently restored and digitized.

Glow of Memories

NR 1972
The Buffalo Creek Flood: An Act of Man

In 1972 a coal-waste dam owned by the Pittston Company collapsed at the head of a crowded hollow in southern West Virginia. A wall of sludge, debris, and water tore through the valley below, leaving in its wake 125 dead and 4,000 homeless. Interviews with survivors, representatives of union and citizen’s groups, and officials of the Pittston Company are juxtaposed with actual footage of the flood and scenes of the ensuing devastation. As reasons for the disaster are sought out and examined, evidence mounts that company officials knew of the hazard in advance of the flood, and that the dam was in violation of state and federal regulations. The Pittston Company, however, continued to deny any wrongdoing, maintaining that the disaster was an “act of God.”

The Buffalo Creek Flood: An Act of Man

5.6 1975
Acquaintance Rape Prevention

Presents a four-part series of trigger films designed to raise the consciousness of young adult audiences in an effort to reduce rape among acquaintances. Pt. 1: The party game- How ineffective communication can contribute to sexual assault. Pt. 2: The date- How sex role stereotypes contribute to sexual assault. Pt. 3: Just one of the boys- How peer pressure labeling contributes to sexual assault. Pt. 4: End of the road- How assertiveness can prevent acquaintance rape. Resource person advised.

Acquaintance Rape Prevention

NR 1978
Palestina, de prijs van de vrede

From 1974 to 1977, Lucas Vereertbrugghen and his crew filmed anonymously under the name 'The Present as History' in Nazareth, Acre, and Galilee, where Palestinians lived in bleak conditions. They also filmed in the occupied territories of Jerusalem and Ramallah and, with the help of a friendly Palestinian couple, in several destroyed villages in the Golan Heights and Gaza. Everything was shot on Super 8, both for financial reasons and to preserve secrecy. The film was later converted to 16 mm and won a bronze medal at the Baghdad Festival in 1978.

Palestina, de prijs van de vrede

NR 1978
Flora: Scenes from a Leadership Convention

This feature documentary offers an incisive look at Canadian politics at the 1976 Progressive Conservative Party leadership convention. Cape Bretoner Flora MacDonald is campaigning for the Party’s leadership, the first woman to do so. We follow MacDonald behind the scenes as she works with her staff to prepare policy, speeches, and strategies to win the race. We also get a glimpse of MacDonald’s sprightly and upbeat attitude as she puts her best foot forward in front of voters, media, and the Party’s elite.

Flora: Scenes from a Leadership Convention

NR 1977
Mozart: Recordings of a Youth

Made for German television, the "script" of this semi-documentary account of Wolfgang Amadeus Mozart's life consists of the actual letters written to and by composer, while performers act out the events onscreen. The film covers Mozart's creative output from ages seven to 20. Compositions written after the film's time frame are also heard on the omnipresent soundtrack. As a bonus to music purists, the original orchestrations -- and original instruments -- are utilized.

Mozart: Recordings of a Youth

8.0 1976
The Unanswered Question I : Musical Phonology

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Phonology is the linguistic study of sounds, or phonemes. Bernstein's application of this term to music results in what he calls "musical phonology".

The Unanswered Question I : Musical Phonology

9.0 1976