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What's Your Reaction to the Show?

Jewell's film gives us unique access to understanding a controversial work of art within its original context. In 1988, club legend Leigh Bowery installs himself behind a one-way mirror in a week-long residency at Anthony d'Offay Gallery in London. Each day he presents a look from his shocking repertoire, appropriating and revising styles and cultures. Jewell places his camera on the street to capture visitors exiting the gallery, inviting them to react to the show, in the moment. The range of interviewees is diverse, from students and gallery staff, to the cognoscenti from the worlds of art, clubs and fashion.

What's Your Reaction to the Show?

NR 1998
She Sat in a Glass House Throwing Stones

A portrait of the poet Jana Černá, daughter of Franz Kafka's lover Milena Jesenská. Behind the bright facade on contemporary Prague, with its travel agencies and McDonalds, there is a tunnel leading to the world behind the postcards. Here, Jana's friends, Prague freaks, poets and philosophers, tell of this exceptional, passionate woman. With the surreal humour of Prague and with a little nostalgia they recall Jana Černá's excesses, her inability to follow rules, and her magnificent lies...

She Sat in a Glass House Throwing Stones

10.0 1992
Trouble Behind

During World War I, African-Americans worked on the railroad near Corbin, Kentucky. When whites returned from the war, there was conflict. Whites sought their former jobs and positions in the community. In 1919, a race riot occurred. Whites put the African-Americans on railroad cars and ran them out of town. In Trouble Behind, members of the Corbin community speak out on the issue. The filmmakers also interview former members of the Corbin, which at the time of filming had only one black family. Some Corbin residents express confusion as to why African-Americans don't move back. Others openly use racial epithets. Some young adults seem troubled by the racism, past and present. Others don't.

Trouble Behind

7.0 1991
The Revolution

Plan B (1997). The fourth and final installment of the Plan B fourology, The Revolution gives a timely nod to the fundamental changes the team's diverse video productions- Questionable (1992), Virtual Reality (1993), Second Hand Smoke (1994)- made in the direction of modern skateboarding. While stomping a broad and progressive path into the sport's future, each and every incarnation of the Plan B team typified real to real skateboarding, period. Over three years in the making , and well worth the wait Revolution is far the most modern of the company's video offerings in both form and content, but by no means follows the standard format of the day, choosing instead to lead the world of skateboarding to the bitter end. In order of appearance: Pat Channita, Matt Hensley, Jeremy Wray, Rick McCrank, Brian Emmers, Pat Duffy, Colin McKay, and Danny Way.

The Revolution

NR 1997
A Taxi for Aouzou

In this wonderful hybrid of fiction and documentary, we become the close companions of Ali Baba Nour, a Chadian cab driver who explains his hopes and dreams, his challenges in a difficult and often violent society, and his optimism for the baby he and his wife are expecting. In this urban poem, we are treated to the color and movement of Ali Baba Nour's city. It is a generous postcard that one might send to a friend, telling of an unforgettable acquaintance and place.

A Taxi for Aouzou

8.0 1994
Breasts: A Documentary

Twenty-two women (ranging in age from 11 to 84), with 41 breasts, talk about their breasts; most are topless as they speak. They talk about adolescence, bras, commercial images of women's figures, having implants or, in one case, a breast reduction, health problems with silicone, doctors' exams ("I think you have a throat infection, let me examine your breasts"), breasts as power tools and as objects of pleasure, cancer, living with mastectomies, and the effects of time and gravity. Two mother-daughter teams and two strippers participate. The women (and the girls) are humorous, straightforward, reflective, and good-natured about their bodies and their selves

Breasts: A Documentary

5.2 1996
Crusty Demons of Dirt

In 1994 filmmakers Jon Freeman and Dana Nicholson had been accumulating footage to showcase a behind the scenes expose of the lifestyle of an American pro motocross rider in action, 145ft plus jumps, 45ft high in the air soaring over sand dunes, mountains, houses, buses and anything else secure and steep enough to hold the weight of bike and rider. The end result was Fleshwound Films and the first video Crusty Demons of Dirt. The launch of this video was to change the face of motocross and create Freestyle Motocross (FMX). For over a decade, they took their dirtbikes around the world in search of unique locations and ultimately experienced the most ridiculous adventures. Exotic locations in nineteen countries : the ruins of Machu Picchu, packed arenas in Australia, the mysterious Easter Island, wild deserts in Africa no matter where we go, nothing is ever left the same.

Crusty Demons of Dirt

5.5 1995
Predators of the Wild: Giant Tarantula

The secrets of the maligned and misunderstood tarantula are brought to light in the Discovery Channel's Predators of the Wild series portrait of the Giant Tarantula. The film presents an intimate look at the largest and most venomous spider species in the world. Shot on location, viewers observe the tarantula close-up as it waits in its 3-foot burrow until its prey of insects, frogs, snakes, birds and rodents come along. Footage also captures the tarantula's deadly mating ritual.

Predators of the Wild: Giant Tarantula

NR 1993
Holy Light

The melody of the hymn echoes in the old streets and alleys of the city. This is strange in a country that regards religion as a spiritual opium. The small, messy street was full of old people, and they began to pray with the sound of the room on the street. On the roof, a simple cross gleamed in the sun. During the Cultural Revolution, Christianity was completely eradicated. In China's political environment, Christianity has always been regarded as an extremely reactionary and evil thing, and openly believing in God would bring prison sentences. After the reform and opening up, Christianity also resumed activities. Although the Three-Self Church under official control is orthodox, house churches that are not under official control have also emerged in various cities. This film documents the activities of a house church in Nanjing.

Holy Light

NR 1998
Escape

Is being in a foreign land, separated from one’s familiar daily life and human relationships, another form of escape? Four seemingly unrelated footages from CHUNG Mong-hong's overseas studies represent a contemplation of the foreign land and self-identity. Fleeting images of the city, surrealist compositions, the multifarious landscapes and imageries presage CHUNG’s early experimental features. The monologue at the end narrates the absence of the father and the resulting solitude and regret, reflecting CHUNG’s delicate sensibilities towards family and human relationship. The local religious chants serve as a stark cultural contrast against the life overseas, highlighting the cultural barriers and loneliness brought about by estrangement.

Escape

NR 1993
Thinking Twice

Thinking Twice features the pianist Katharina Wolpe playing music composed by her father Stefan Wolpe. Stefan Wolpe’s work is renowned for its originality and rigour, its sense of space and surprise. The unique and vital contribution of this important avant-garde composer continues to influence many young composers of today. The title is taken from a series of lectures given by Stefan Wolpe. In its lucid editing of piano keys in motion, and especially in close up shots of the pianist's hands and face, Jayne Parker "attempts to reflect the rigour of the music" (in her own words).

Thinking Twice

NR 1997
Up to the South

Up to the South is ostensibly a documentary on the south of Lebanon exploring the conditions of the time it was shot, the issues behind those conditions and their representation both in the West and in Lebanon itself. Within this we were trying to tackle two other concerns. One being the terms (and positions) inherent in the discourse surrounding the issues, i.e. terrorism, colonialism, occupation, resistance, collaboration, experts, spokespeople, leadership, the land, etc., and the other being the history and structure of the documentary genre specifically in regards to the representation of other cultures by the West in documentary, ethnography and anthropological practise and the problems/agenda involved from the perspective of the subjects viewed and the practitioners practising. Up to the South challenges traditional documentary formats by positing representation itself as a politicized practice.

Up to the South

NR 1993
Sex, Drugs and Democracy

The Dutch idea of a free society includes a legalized sex industry, the open sale of marijuana and hashish, total equality for gays, distribution of clean syringes and methadone to addicts, and government financed abortion, euthanasia and sex education for schoolchildren. Has this unconventional approach changed Holland from a land of tulips, windmills and wooden shoes into a modern day Sodom and Gomorrah? Apparently not. In Holland rates of drug use, addiction and AIDS transmission are extremely low, and the Dutch have the lowest rates of abortion, teenage pregnancy and imprisonment in the world. Filmed over the course of many months spent in Holland by writer/director Jonathan Blank, the provocative documentary has revealing interviews with everyone from government officials, police, clergy and scientists to club owners, drug dealers and prostitutes and outrageous scenes from hash bars, brothels, nightclubs, prisons and rallies.

Sex, Drugs and Democracy

8.5 1994
Ryoko, 21 Years Old

The filmmaker looks into problems of personal communication by focusing on the letters of a woman who has done enjokosai, that is, a young woman who agrees to talk with or meet or go to a hotel with (usually older) men for money. The director himself met Ryoko, the film's subject, via her telephone messaging system. Discarding the flood of sensational images found in the mass media, this film illustrates the thoughts of Ryoko and others from the perspective of those actually involved.

Ryoko, 21 Years Old

NR 1998
Human Remains

Human Remains is a haunting documentary which illustrates the banality of evil by creating intimate portraits of five of the 20th century's most reviled dictators. The film unveils the personal lives of Adolf Hitler, Benito Mussolini, Joseph Stalin, Francisco Franco and Mao Tse Tung. We learn the private and mundane details of their everyday lives -- their favorite foods, films, habits and sexual preferences. There is no mention of their public lives or of their place in history. The intentional omission of the horrors for which these men were responsible hovers over the film.

Human Remains

7.3 1998