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Ich, Georg Baselitz

For more than thirty years, film director Heinz Peter Schwerfel has been observing the German-born painter and sculptor Georg Baselitz in interviews and studio visits. This film was his first television appearance, where the nonconformist artist gives a well-prepared performance with provocative statements and surprising explanations of his work: the rejection of the abstract painting of the 1950s, the reversal of his portraits, which are painted upside down, and his sculptures, which are influenced by the primitivism of African art. Today, Baselitz has become one of the most famous and praised contemporary artists.

Ich, Georg Baselitz

NR 1987
People of Rokkasho

At the beginning of the 1970s, in the village of Rokkasho situated at the base of the Shimokita peninsula, the prospect of sudden development and industrialization was raised. 10 years later it was decided that a giant petrochemical complex would be built, so the local people sold their land and left. Yet even now people continue to live in this "island on the mainland;" they continue to battle the forces of nature in this inhospitable climate that always leaves them with an insufficient harvest. In actuality, many of the old people who continue to work in agriculture or the fishing industry only settled here after World War II. The occurrence of both the "dollar shock" and the "oil shock" abruptly cut back the national development plans, ... Then, in 1984, almost as if it had been planned from the beginning, it was decided that a nuclear reprocessing facility would be built at Rokkasho. In consequence, the opposition movement quietly began to reform.

People of Rokkasho

NR 1985
Meine Mutter wird sichtbar

My mother lights 80 candles and becomes visible. When I set to work, it turned into an intense confrontation between mother and son. I finally learned the unvarnished story of my mother's life and began to understand why we both became who we are. I interwove the film image with two layers of sound: the Suite in C minor for violoncello, Bach, and dialogical texts spoken by mother and son, based on our conversations and describing how she gave birth to her seven children during the years of Hitler's fascism. I will continue to work on my mother's biography.

Meine Mutter wird sichtbar

NR 1986
Time Clock Piece (One Year Performance 1980–1981)

For one year, Tehching Hsieh punched a worker’s time clock located in his studio, on the hour, every hour. Marking the occasion by taking a self-portrait on a single frame of 16mm film, the resulting reel documents a year in his life at approximately one second per day – a pace that is polar opposite of the enduring length of the original performance. The punch cards, witnessed by a third party for authenticity, and other ephemera, document Hsieh’s life restructured around this highly repetitive task.

Time Clock Piece (One Year Performance 1980–1981)

10.0 1981
Egyptian

A film about an amazing artist, Mikhail Mikhailovich Potapov from Solikamsk, who paints portraits of Egyptian pharaohs and considers himself the eldest daughter of Pharaoh Akhenaten, who lived more than two thousand years ago and incarnated again... This soft, light film is about how you can survive and not lose yourself in the most difficult circumstances. And behind the figure of elderly artist one can see the fate of many Russian intellectuals, and not only of his generation.

Egyptian

NR 1989
Taraz

The documentary "Taraz" is about a group of nomads in Bakhtiari alley who live in two provinces of Khuzestan (tropical region) and Chaharmahal and Bakhtiari (cold region) every year according to the hot and cold seasons. The group, which spends seven months of the year in an area north of Masjid Suleiman (Andika), migrates from this area to their summer territory on the southern slopes of Zardkuh in late April. As the weather cools in their cold territory and before rain and snow fall, they return to their winter territory in Khuzestan province in September. (A group of nomads about whom the film Taraz has been made is a few families from the "Bamdi" tribe of the "Haft Lang" Bakhtiari tribe.)

Taraz

NR 1988
Two Sides of the Street

A real life soap opera is unfolding in Cardross Street, west London. A Royal Ballet star, a man who owns a share in a race horse, and a peer's daughter now live side by side with old folk who have rented their houses all their lives. Once the street was filled with families. Now it's being taken over and tarted up by the young rich with no children. 'Funeral today - skip tomorrow' is how the locals describe what's happening. Had they been able to afford it, the old timers could have bought their homes for £200. Now unmodemised two-up two-downs with outside loos are snapped up at £150,000.

Two Sides of the Street

NR 1989
Jack Levine: Feast of Pure Reason

This bold and unconventional film portrait reveals America's foremost Social Realist painter doing what he does best: skewering corrupt politicians and police, raging over social injustices, and satirizing the petty foibles of humankind. Jack Levine got his professional start during the Federal Art Projects of the WPA, and quickly became world famous for his brilliantly painted, brutally ironic vision of America and the world. He is the only American artist who never stopped painting as a Social Realist, even when it went out of vogue in the 1950's and 1960's. "I'm alone at the old stand. . . I feel I still have something to say. . . Let the avant garde go hang-the human condition is what interests me." A self-imposed 'outsider', Levine has deliberately cut himself off from the mainstream: "I'm like the little dog at the circus who runs the wrong way under the hoop."

Jack Levine: Feast of Pure Reason

9.0 1986