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Tomorrow Has Come

Nothing nor anyone can escape the impacts of climate change. People from all corners of Brazil, our cities and forests, our economy, our health and our dreams for the future. Six Brazilians, from five different states, tell how climate change has affected their lives. A young indigenous woman who became the leader of a volunteer fire brigade after an unprecedented forest fire; a small farmer who faced six years of drought; a centenarian caiçara community forced to move due to the advance of the sea; a retailer who saw his shop destroyed by rains and landslides that claimed hundreds of lives in Rio de Janeiro; an oyster farmer who suffered harsh losses due to rising sea temperatures; a woman from a coastal city who lost two cars to storm tides which are happening more and more often along the Brazilian coast.

Tomorrow Has Come

NR 2024
Unearth

In the pristine Bristol Bay area of Alaska, two sets of siblings are alarmed when they learn of plans for the proposed Pebble Mine in the vicinity of their homes. The Salmon sisters, Native Alaskans, work on the regulatory front – pushing the federal EPA to block the project, and remaining hyper-vigilant to political pressures that could shift at any moment. The Strickland brothers, independent fishermen who know they could be just one mine accident away from losing their livelihood, probe closed-door meetings to expose the truth behind what the developer tells the public. Together, the Salmons and the Stricklands remind us never to quit until Goliath has fallen.

Unearth

NR 2024
É o Boi

"É o Boi" is a documentary that narrates the origins, portrays the present and discusses the perspectives of carnival in the city of Porto Ferreira/SP. Celebrating a tradition that already is already 90 years old, the film is mainly made up of images taken during the Porto Ferreira's carnival and interviews with people who fight daily to keep this unique and at the same time typically Brazilian cultural manifestation alive. Made over almost a decade, "É o Boi" also portrays critical moments of this carnival in the countryside of São Paulo, including disagreements with public authorities that almost led to the carnival being banned and the impacts of the Covid-19 pandemic on the organization of celebrations.

É o Boi

NR 2024
Die große Angst – Zukunft in Ostdeutschland?

In the 2024 elections in the eastern German states of Saxony and Thuringia, the right-wing extremist party AfD and the socio-culturally right-wing but socio-economically left-wing party BSW performed strongly. A similar result is predicted for Brandenburg. What will the enormous voter support for AfD and BSW mean for the economy, society, culture and local politics in eastern Germany in the future? Will the east of the country become increasingly ungovernable due to the decline of the established parties and the electoral successes of AfD and BSW, will the social mood change or can new compromises be found? In search of answers, the filmmakers accompanied people from Saxony, Thuringia and Brandenburg for several months, who presented their personal perspectives and life situations and gave insight into their worries, fears, wishes and expectations.

Die große Angst – Zukunft in Ostdeutschland?

NR 2024
Children’s Game #46: Conkers

First recorded in the Isle of Wight in 1848, conkers was commonly played in the UK until it was banned from most schools in the early 2000s. Players alternate after three goes at exploding the opponent’s horse chestnut with their own. Points are assigned not to the handler but to the individual conker, as if it were a talented champion, like a racehorse; high scorers are often taken home and cared for. From the player, unerring aim rather than force is expected – we feel the frustration every time the target swings mockingly away. The fun part is when both strings get entangled, and the first player to shout “snag!” wins an extra turn.

Children’s Game #46: Conkers

NR 2024
Topsy-Turvy

As Cyclone Remal approached, we arrived in Debpur village of Dhankhali Upazila, Bangladesh. What struck us immediately was the stark contrast between the official warnings of impending devastation and the villagers' apparent lack of preparedness. Over the following days, amidst the unfolding chaos, we documented the lives of individuals as they grappled with the imminent threat of destruction. The film captures the overbearing anxiety that grips entire communities in the face of an approaching cyclone. Through intimate encounters, and candid interviews, we witness firsthand the resilience and fear of those directly in Remal's path. Their voices echo the overwhelming power of nature and the human spirit in adversity.

Topsy-Turvy

10.0 2024
Hougang: The Documentary

The film showcases the voices of past and present Hougang residents, alongside commentary by historians, public intellectuals, politicians, and volunteers. Charting Hougang’s history from the mid-eighteenth century, the film features personal recollections of growing up in Hougang, residents’ sentiments towards state-led redevelopment and relocation, and the political journey of the community in the context of the Workers’ Party having won the Hougang Parliamentary seat a little over 30 years ago.

Hougang: The Documentary

NR 2024
WATERSHED

WATERSHED chronicles the story of Mallory Weggemann, who was paralyzed at the age of 18 and found refuge in the pool as a swimmer. Having won five Paralympic medals, Weggemann is now not only looking to reclaim her spot on the podium, but she’s trying to become a mother as well. In WATERSHED, which was self-documented by Weggemann and her husband Jay Snyder, Weggemann trains for the Tokyo Paralympics during COVID-19 and battles an additional injury to her arm, putting her career in question. Against the backdrop of these crossroads, the couple bravely share their struggles with infertility, the importance of IVF, and their journey to start a family. In this deeply personal and inspiring film, Weggemann reminds us that trauma and tragedy not only change how we are perceived by society, but how we perceive ourselves. And that if we’re brave enough, we too can write our own ending.

WATERSHED

NR 2024
Africa's River Titans

Africa is a land of giants. Its mighty rivers sculpt the earth and form impressive valleys and waterways home to many imposing and powerful inhabitants. These are the rivers where massive elephants and hippos live, feed and drink and where ancient crocodiles hunt and breed. They share the rivers with other creatures of their kind, such as porcupines - the giant rodents in Africa, the martial eagle - the biggest of its kind on the continent, and the leopard - a giant among the spotted cats

Africa's River Titans

NR 2024
Don't Let the Sun Catch You Crying

Don’t Let the Sun Catch You Crying is a short meditation on love, grief, and imagination. The hand-drawn animated documentary was created through a collaboration between mother, elder and narrator Edith Almadi and filmmakers Natalie Baird and Toby Gillies. This poetic piece celebrates life and the transformative ability of art to elevate and transcend us. Through vivid drawings and Edith’s simple yet magical words, the film explores our enduring bond with loved ones who have passed. In honouring her son’s life within the cosmos, Edith’s artworks embody colours, shapes and metaphors that remind us of the timeless power of love, gravity, and grace until our final breaths.

Don't Let the Sun Catch You Crying

NR 2024
The Story of Estonian Skateboarding

Skateboarding, with its all-encompassing lifestyle, personal expression, creativity, and rebellious spirit has grown into something more than just doing tricks in Estonia. Skaters repeat in unison, “Skateboarding has given me everything.” Skateboarding is their life. Skateboarding is freedom. This is the story of a scene spanning five decades in Estonia, from the boards made with clay wheels in the 1980s to today’s youth, for whom the whole world is open.

The Story of Estonian Skateboarding

NR 2024
Midwood Movie

An exploration of the site of the first purpose-built modern film studio in the US (American Vitagraph Company) which operated from 1907 through the silent era, was repurposed into a yeshiva school for girls in the early 1980s, and rebuilt in 2000s for residential use with the original 70-foot smokestack still intact. The film includes interviews with film historians and descendants of the studio founders; re-photographed nitrate fragments of films that were produced at the Brooklyn studios over 100 years ago; and original footage shot inside the yeshiva school and of the building during and after demolition. The film explores both profound resistances and persistent echoes of national and local cultural histories, the archeology of the American film industry, local neighborhood demographics, gentrification, and politics.

Midwood Movie

NR 2024