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Anime en femenino

The growing popularity of Japanese animation has a large female component, with filmmakers such as Mari Okada and Naoko Yamada and cartoonists such as Lolita Aldea (Virtual Hero, the El Rubius series). There is a proliferation of Spanish singers who are successful in Japan (idols) and the "otakus" have "come out of the closet." Experts, YouTubers and professionals from the world of manga and anime such as Diana Calleja (RamenParaDos), Manu Guerrero (Selecta Visión), Lolita Aldea, Marc Bernabé (translator) and Isabel Espada (Norma Editorial) talk about this.

Anime en femenino

6.0 2018
Omega Wants to Dance

"Omega Wants to Dance" is a visually striking documentary filmed across Europe, North America, Asia, and Latin America. It explores how dance, in all its forms, reflects both personal expression and collective identity - shaping how we connect, communicate, and grow as human beings. At the center of the film is a unique question: What makes us human? This perspective opens a broader reflection on how we define ourselves physically, emotionally, and spiritually and where our shared potential as a species might lead.

Omega Wants to Dance

NR 2024
La memoria homosexual

A documentary that uncovers a forgotten chapter of recent Spanish history, giving voice to those persecuted for their LGTBIQ+ identities under the Franco regime. Through personal testimonies, it reveals how individuals were criminalized, labeled as “deviant” or “ill,” and subjected to imprisonment, psychiatric internment, and exile. Filmed across cities like Seville, Málaga, Huelva, Torremolinos, Madrid, and Barcelona—including the notorious Modelo prison—the film traces the resilience and courage of those who resisted repression, highlighting the struggle for visibility, dignity, and the right to love freely.

La memoria homosexual

NR 2020
Hoy como ayer

A day from the life of Juan Carlos Godoy, singer. In drawn out shots, always from fixed camera angles, the aged entertainer is followed from the moment he prepares for a performance in a restaurant. The camera points towards the hallway, where we see ‘Juanca’ leaving the bathroom and carefully getting dressed. During the long drive to the city of his youth, only showing his face and part of the surroundings dashing past, the first words are spoken, after more than nine minutes. ‘You’re shooting a quite silent film, right?’ The old man sings, sometimes outside the fixed frame, his tango songs - shown in their entirety - makes a few sly remarks, and laboriously eats his uncooked ham sandwiches. The audience adores the tawny performer with his unwavering voice. ‘You are eternal, Juanca’, people praise him. Next Tuesday, he will be back.

Hoy como ayer

NR 2011