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Documentary about Los Angeles.

There are more than 100 million lakes in the world and their diversity is as large as this number. Lakes provide drinking water for millions of people and are considered a hotspot of life: almost half of all fish species live in fresh water. Some lakes have extreme conditions: they are saltier than the sea, toxic or hot.

Jews were called "the main secret of the Soviet Union." For seventy years they existed in the zone of silence, but this silence attracted a burning and constant interest. Some were sure that the Jews had penetrated everywhere, up to the top of the Soviet power, and ruled the entire USSR. Others looked for Jewish allusions in popular books, songs, films. Still others saw Jewish secret signs everywhere and everywhere. Where are the real facts, and where is the fruit of a sick imagination?

The filmmaker tells the story of her own grandmother, who died in a home, full of longing for her granddaughter. Being forgotten by sons and daughters, by the young, the beautiful and the successful is the fate of the elderly in this era.

Documentary produced by ORF and NDR in 1985 about the German author and soldier Ernst Jünger

A documentary about the police tactics during the G-8 summit in Genoa in 2002 which lead to the death of one person and left many people wounded.

In her documentary, director Eva Wolf accompanies police officers at a Münster police station for many months at work. The filmmaker asked herself what the officers' day-to-day work is like away from scandals during operations or right-wing extremist group chats. She not only documents their work assignments, which can be exciting and dangerous as well as boring and quite funny at times. The officers themselves also take viewers to the places where the first cracks appear in society. Eva Wolf wants to find out what the challenging work does to the officers and why they chose to work for the police.

Stories of 12 gay and lesbian survivors of Nazism and the Holocaust.

A long time ago, years before Elon Musk reached for the stars with his Space X project, a young man had his own childhood dream about a journey into space. This documentary tells the fantastic story of German astrophysicist Lutz Kayser who developed the world's first private space company. He did this under the curious and concerned eyes of secret services around the world.

idfa: The filmmakers are interested in the daily lives of psychiatric patients in the Dobbertin Clinic in Germany. This institution is housed in an old monastery, beautifully situated near a lake in Mecklenburg. The filmmaker follows a number of patients in their daily activities and asks them about their ideas and longings.

Fall 2018: The Hambach Forest becomes a chaotic scene of the climate conflict. In the midst of this chaos, film student Steffen Meyn has a fatal accident. Based on footage he collected over two years, we follow Steffen’s path up the trees and into an activism full of contradictions.

World explorer Willi Weitzel embarks on an adventurous journey through Egypt, Bolivia and Panama to research the habitats of frogs. He is inspired by his 11-year-old neighbor Luna, who is fighting for the frog pond in her village.

It has been nearly 15 years since Do Sanh returned to Vietnam. He is now 29 years old. In the documentary, Sanh talks about his current life, the experiences he has had, and the tough times he had to go through since the filming for director Hans-Dieter Grabe's documentary "Sanh und seine Freunde - Beobachtung einer Rückkehr nach Vietnam" ended in 1974.

ADRENALIN brings the exciting and successful BMW touring car story to the big screen. 50 years of a spectacular sport played out at race circuits around the world. Charismatic drivers and evocative racing cars from five decades plot the growth of the sport and the technology. From the drifting touring cars of the 60's to the first victory of the BMW M4 in the highly sophisticated new DTM. The legends behind the wheel tell their exciting stories and bring the golden era of touring car racing alive again.

Gardi Deppe’s film follows women completing a six-week course of treatment in a health clinic (unique in West Germany at the time) for ‘working girls and women between the ages of 15 and 21.’ The film shows striking differences between the perception of the patients and the approach of the clinic and its exclusively male doctors. The women attribute their health problems to social and labour policies. The health clinic responds with medication, sports programs and occupational therapy. The film underlines the need for self-organization and ends with the realization that these women must develop their own strategies.

It is the summer holidays. Deep in the woods and among some sheep pastures a bloc of flats stands on a former military base of the Soviet army. Surrounded by ruinous barracks, an overgrown soccer field and a brand new wire mesh fence. This is where Aya, Momo and Mustafa grow up. They spend the holidays at home at the asylum seeker's camp. Born and raised in Germany, they do not really understand this "asylum seeking thing", but rather want to be quite normal. They chase away the boredom by playing football, make a trip to the nearby lake and dabble in copper scrap trading. A story of childhood, home and the search for identity.

On December 23, 2013, former Federal Chancellor Helmut Schmidt will be 95 years old. As the second Social Democratic head of government in the Federal Republic of Germany, he shaped the country like few other chancellors. Even 30 years after the end of his time in government, he is still a highly esteemed expert whose advice and opinions are in demand. He is one of the most popular chancellors among the population and is held in the highest esteem by his party; even his political opponents at the time pay him the greatest respect.

The small village of Jamel in the northwest of Mecklenburg-Western Pomerania is considered a right-wing extremist stronghold. In the past, neo-Nazis have deliberately moved here. Using right-wing slogans and symbols, they openly claim dominance over the village. In the middle of it all: the artist couple Birgit and Horst Lohmeyer. In search of a rural idyll, the Lohmeyers moved to the village in 2004, underestimating the situation there, where they encountered right-wing extremist thinking and rejection, even threats. Instead of allowing themselves to be driven away, they make a statement against it every year with the "Jamel Rocks the Forester" music festival. After their barn was set on fire, they and their festival received prominent support from the German music scene. The documentary shows that the conditions in the village are not an isolated case and that folkish landgrabs by right-wing extremists are a widespread problem, but also how music can help fight for democracy.

Two high school seniors who are bored with school and decide to skip class one day to go to the train station cinema, which causes some trouble. They are happy that they will soon be leaving school and have illusions about working. One of them is seen at the beginning of an automotive apprenticeship.

A documentary about Peter Lindbergh.

A documentary about the two German families whose paths cross in the 1930s.

This documentary gives a voice to organizers, DJs and party guests. Through their memories and confessions as well as unpublished videos and photos 20 years of history come back to life.

Sprout. In the vacant lots against the hammering of buildings always under construction, between walls of granite, cement and sheet metal with rust, moss and cats; on the hillside between the train and the river, next to the traffic on the highway, facing the subway, vegetable gardens sprout. In this city, the choreography of ancient gestures of cultivating the land is repeated day after day, without fail. Sowing, digging, harvesting, watering, eating, talking, resting and returning the next day. The longest day of the year brings S. João and nobody goes to bed, but when the sun rises, the discreet gestures of resistance will restart.

Photographer Anja Niedringhaus was 26 when she came to Sarajevo in 1992 to report on the war. It's bitterly cold there, there's no electricity, hardly any food, and everyone's lives are constantly in danger. Spanish photographer Sergio takes her under his wing and shows her how to survive in a war zone. Anja reported on the scene with interruptions for almost three years, later she worked in Kosovo and Afghanistan, among other places. In 2001 she switched to the most renowned photo agency in the world, the Associated Press . Her photos end up on the front pages of the major international newspapers, and in 2005 she received the Pulitzer Prize for her reporting from Iraq. In Kabul, she meets the AP's chief correspondent, Kathy Gannon, and the two soon become an inseparable team. But then a devastating attack took place during the Afghan presidential elections in 2014.

Pierre Crom reports. In 2014, the photojournalist traveled to Ukraine to document the imminent conflict on the eastern border. Juri Rechinsky shows Crom in an extensive interview, which together with his haunting photos and an unnerving score quickly develops an extremely grim pull.

Just how far is it acceptable to push actors in the name of cinema? And at what point do you cross the boundary where acting becomes sexual assault? These are the questions raised by the testimony of six young women who were manipulated and sexually abused during an audition.

Kein Zickenfox! Is about the biggest women's orchestra in the world and how 66 "normal" women manage to put something great together on the stage! Once a week they all meet in Berlin-Kreuzberg: These 66 women between the early 20s and the mid-70s, their 21 instruments and with them the most varied female biographies and life plans.

Made with an eye to the autumn of 1980 when the German parliamentary elections took place, The Candidate examines Germany’s history past and present and Franz Josef Strauß, the man who, as the CDU/CSU candidate, aspires to be elected to the most important political office in the land.

A portrait of ex-S.S. officer Paul Hafner, who moved to Madrid under Franco in 1945 and has no moral qualms about his past.

Elisabeth Wilms(1905-1981), the baker's wife from Dortmund-Asseln, made more than 150 films from the early 1940s until her death in August 1981. She not only recorded the everyday life of her immediate surroundings, but also life in the bomb-destroyed city of Dortmund and the later reconstruction after 1945 with the camera and thus captured it for posterity. But there are also industrial, commercial and travel films as well as reports in her work.

This Nazi propaganda film covers the 1936 Winter Olympics that were held in Germany.

Constantly online, never at home: A film about the crew of a cargo ship, their loneliness, and their attempt to escape it. For months at a time, far from home and family, they live in cramped quarters. An allegory for the homelessness of modern humanity, caught in the monotony between machine, sea, work, and sleep.

For more than thirty years, film director Heinz Peter Schwerfel has been observing the German-born painter and sculptor Georg Baselitz in interviews and studio visits. This film was his first television appearance, where the nonconformist artist gives a well-prepared performance with provocative statements and surprising explanations of his work: the rejection of the abstract painting of the 1950s, the reversal of his portraits, which are painted upside down, and his sculptures, which are influenced by the primitivism of African art. Today, Baselitz has become one of the most famous and praised contemporary artists.

Flanked by her phlegmatic sidekick, Dariko is the only outside broadcast journalist at a local Georgian television channel. With derisory resources, she races from one report to another to give an honest, if not objective, image of the current events that shape her environment.

Art is merely a label of no relevance according to the artist Christian Eisenberger. At the age of 40 he has created over 45,000 works. He deposited thousands of them on streets and squares, where anyone could gather them up. He defies galleries, art fairs and museums with his unrestrained production. His art runs rampant, eluding all control. In a milieu that desperately struggles for attention and recognition, Eisenberger again and again asks, "What really constitutes artistic freedom? And does it require artists at all?”

An analysis of The Magic Mountain, a novel by the German writer Thomas Mann (1875-1955), published in November 1924.

With the help of Hollywood, top Nazi Albert Speer tried to unscrupulously whitewash himself of his crimes in the 1970s. Speer gave long interviews to Hollywood author Jack Neuman and mimed the "good Nazi". After his release from 20 years in prison in Spandau, Hitler's former architect and armaments minister earned a lot of money with books about his time at the side of the dictator and his years in prison. However, a Hollywood feature film about his life was still missing. Speer received Neuman at his villa in Heidelberg.

One of the best concert halls in the world is to be built. The development process of the Elbphilharmonie. Over a period of eleven and a half years, the largest construction site in Hamburg is documented by all its ups and downs.

A man suffers a minor car accident, and a week later constructs a new identity, claiming he can't "remember" being a father. Nearly twenty years later, his amnesia persists, yet no brain damage or physical cause are ever found. Enthralling and thought-provoking, "Forgetting Dad" offers an award-winning case study of dissociation, parental abandonment, and family enmenshment in mental illness.

Lebanon has experienced an economic crisis, political instability, the Beirut explosion and the war between Israel and Hezbollah. How can Lebanese people overcome these traumas? Three young artists from Beirut tell photographer and filmmaker Omar Gabriel their experiences.

In her search for individual freedom and self-determination, Uschi Obermaier became a symbol of cultural and social upheaval in the post-war period. The documentary sheds light on the life of the famous model.

TV-documentary by Ulf von Mechow

The Senegal River forms the national border between Mauritania and Senegal. In 1989, war broke out between these countries, along and around the river. Both sides committed atrocities. Senegalese filmmaker Alassane Diago was just a young child at the time. Now he brings together his “Senegalese and Mauritanian family,” all victims or witnesses of the bloodbath, so they can talk in detail about their traumatic experiences. He wants to find the truth, and to bring about reconciliation. Why did they slaughter each other, and why were so many people “deported”? Was there systemic racism involved, under the white and Arab elite? Was it a case of ethnic cleansing?

Paris is a monstrously inhuman cityscape, in which cars, buses, crowds, and unceasing noise combine to smother any decent and delicate human activity. People and flowers attempt to survive in a city that seems ready to explode from an over-heated mixture of traffic and noise.

Masao Adachi, the author and director of experimental works and pinku-eiga in the 1960s, was a member of the Japanese New Left that shifted from being a filmmaker to a guerrilla fighter. In 1974, he joined the Japanese Red Army in Lebanon, which worked closely with the Popular Front for the Liberation of Palestine. Filmmaker Lutz Dammbeck met Adachi in Tokyo in 2018 and talked with him about a wide range of topics, including art, revolution, the influence of western avant-garde art and American underground; the Japanese Red Army; collaboration with secret services; the role of the Left after 1968; and the reasons for failures of leftist ideas and strategies.