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Lindenberg! Mach dein Ding

Long before his big stage breakthrough in 1973 in Hamburg, and 4.4 million records sold, the rock musician Udo Lindenberg from the Westphalian province, the man with the long hair and the hat, had many adventures. Before it all started, he moved from the remoteness of Gronau to Hamburg, where he met Paula, who was not his great love, but was quite a hottie. When the team of three was complete with Steffi Stephan, the idea of founding a band developed. But the road to get there was a long one: he drummed as a jazz drummer in bands, had a highly dangerous performance in a US military base in the middle of the Libyan desert and always believed in making it to the very top.

Lindenberg! Mach dein Ding

6.4 2020
Console Wars

In 1990, SEGA, a fledgling arcade company assembled a team of misfits to take on the greatest video game company in the world, Nintendo. It was a once-in-a-lifetime, no-holds-barred conflict that pit brother against brother, kids against grownups, Sonic against Mario, and uniquely American capitalism against centuries-old Japanese tradition. For the first time ever, the men and women who fought on the front lines for Sega and Nintendo discuss this battle that defined a generation.

Console Wars

7.1 2020
AÏT ATTA: Nomads of the High Atlas

The Aït Atta tribe of the High Atlas mountain range in Morocco preserves their ancestral right of access to the agdal, a communal land management system that dates back hundreds of years. The film follows Ben Youssef family’s arduous transhumance journey from the desert-like landscape of Nkob to the green pastures of Agdal Igourdane, throughout uneven terrain of steep climbs and descents of these High Atlas mountains. They migrate each summer with their 800 goats, donkeys, mules, camels and dogs, as they embark on this formidable journey on foot.

AÏT ATTA: Nomads of the High Atlas

8.0 2020
The Legend of Siegfried

The film is about the long-term relationship between the director and the character of her first film, the French indie artist, musician and director Siegfried, known as Sig. The story is dedicated to the experience of growing up, emancipation and finding their own identity in life and in art. The film raises questions about the nature of the student-teacher relationship, which inevitably involves submission and conflict, and the nature of the director and hero relationship, which is based on love and a little manipulation.

The Legend of Siegfried

4.0 2020
Komandas mūzika

The story of the Latvian women's basketball team in the 2019 season – about the 12 team members and coach Mārtiņš Zībartu, the difficult and inspiring time spent together on the team, and the team relationships that significantly influence each athlete's future personal and athletic destiny. We followed the Latvian women's basketball team's progress in the European Championship, reflecting the tension and emotional situations in the fight for the opportunity to play in the Tokyo Olympics, which this time proved unsuccessful. We also sought answers to the question of the ability to strive for victory and endure defeat, which is so important in sports. The film shows contemporary Latvian women's basketball as a continuation of pre-war basketball and the legendary TTT team through tradition and family ties. A special feature of the film is the specially composed music by Rihards Zaļupe, which was inspired by the composer's observations of sporting events and emotional moments.

Komandas mūzika

NR 2020
The Booksellers

What once seemed like an esoteric world now seems essential to our culture: the community of rare book dealers and collectors who, in their love of the delicacy and tactility of books, are helping to keep the printed word alive. D.W. Young’s elegant and entertaining documentary, executive produced by Parker Posey, is a lively tour of New York’s book world, past and present, from the Park Avenue Armory’s annual Antiquarian Book Fair, where original editions can fetch hundreds of thousands of dollars; to the Strand and Argosy book stores, still standing against all odds; to the beautifully crammed apartments of collectors and buyers. The film features a litany of special guests, including Fran Lebowitz, Susan Orlean, Gay Talese, and a community of dedicated book dealers who strongly believe in the wonder of the object and the everlasting importance of what’s inside.

The Booksellers

7.0 2020
Manufacturing Ignorance

Tobacco, climate change, pesticides,... Never has scientific knowledge seemed so vast, detailed and shared. And yet it appears to be increasingly challenged. It is no longer surprising to see private corporations put strategies in place to confuse the public debate and paralyze political decision-making. Overwhelmed by excess of information, how can we, as citizens, sort out fact from fiction? One by one, this film dismantles the workings of this clever manoeuvre that aims to turn science against itself. Thanks to declassified archives, graphic animations and testimonies from experts, lobbyists and politicians, this investigation plunges us into the science of doubt. Along with a team of experts (philosophers, economists, cognitive scientists, political men, or even agnotologists), we explore concrete examples of doubt making and try to understand the whole process and the issues behind it.

Manufacturing Ignorance

7.7 2020
Other, Like Me

Hull, England, 1970. In a run-down commune in a tough port city, a group of social misfits - mostly working class, mostly self-educated - adopted new identities and began making simple street theater under the name COUM Transmissions. Their playful performances gradually gave way to work that dealt openly with sex, pornography, and violence. COUM lived on the edges of society, surviving on meager resources, finding fellowship with others marginalized by the mainstream. At the core of the group were two artists, Genesis P-Orridge and Cosey Fanni Tutti. As their work evolved, Cosey embarked on a career modeling for pornographic magazines, which she claimed for herself as a conceptual artwork, using it to forge a specific position in relationship to 1970s feminism. In performances, Genesis pushed himself to extremes, testing the limits of the human body.

Other, Like Me

4.7 2020