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Sounds of Silence

In Los Angeles, photographer Peter Mitchell learns that he has inherited a palatial estate in Sweden from his unknown relative, Annie Holst. He, his girlfriend Sarah, and her deaf son Dennis, head overseas to decide whether to live in the property or to sell it. But when they arrive, they find the locals offer a chilly reception whenever Annie's name is mentioned. It turns out that Annie had lost her son some 50 years ago in a tragedy at the nearby orphanage where she had placed him temporarily, due to circumstances beyond her control. But she had continued to see her son even after his death. Now, young Dennis is drawn to the derelict orphanage, and to a new friend who only he can see. And Peter must solve a decades-old mystery of how the orphans died before his family faces a similar fate.

Sounds of Silence

4.3 1989
The Chinatown Mystery

Restored by the George Eastman House in 2001, this 1928 serial was considered a “last hurrah” for the silent-era serial, and brought together some of the biggest names of the era: director J.P. McGowan, actors Francis Ford and Joe Bonomo (a carnival strongman-turned-actor), producer Trem Carr (who would later help found Monogram Pictures), and a slew of silent-era supporting icons such as Ruth Hiatt, Grace Cunard, and more. Chapter names like “The Clutching Claw,” “The Devil’s Dice, “Galloping Fury,” and “The Invisible Hand” offer all one needs to know of the film’s concerns: to promise and deliver as much action and suspense as possible, and move our intrepid hero and heroine from one perilous situation to another. One of the biggest stars of the early silent era and a successful serials director in his own right, Francis Ford was the brother of director John Ford.

The Chinatown Mystery

9.0 1928
One True Love

Finally after three years of courtship, Migs, a medical intern, marries simple and unassuming Joy, a nurse in the hospital of Migs' residency. Several days before the wedding, his first love and childhood best friend Bela, a sophisticated woman, returns from Canada, still single and in love with Migs. The young couple meets an unfortunate incident turning their newly-found bliss into a tragic existence. Living with Migs turns out to be an agonizing experience as his new state of mind gets more complicated as days pass. A creature of serenity, Joy refuses to name her pains and secretly vows to make Migs remember their love that was inexplicably lost and waiting to be rekindled; faithful that along the way, his heart will remember what his mind forgets.

One True Love

7.0 2008
Other Side of the Game

Tony Cole knows that for the last ten years he's been caught in a downward spiral. Selling drugs was never a crime, but it was never meant to be his career. Now he's frustrated with his mundane daily routine and can no longer live with the constant threat of getting caught. But Tony doesn't realise that his middle class customers will never accept him as anything but a drug dealer and that the criminal underworld will brutally hold onto its own. His plans for a legitimate future go fatally wrong, framing him for both theft and murder. Manipulated by those he trusts and deserted by those he loves, Tony has only twelve hours to save his life. His only choice is to sink deeper into a sordid world in a desperate attempt to claw his way back out.

Other Side of the Game

3.0 2010
Apple Pie

Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.

Apple Pie

2.0 2016
The Giving Thief

What begins as a Christmas gathering slowly unravels into something deeply unsettling. Beneath the warmth of shared memories and holiday traditions lingers the quiet absence of Michael, a friend whose name carries an uncomfortable weight. As conversation drifts toward his fixation on artificial intelligence, Tim’s composure begins to crack. Strange, deeply personal gifts surface throughout the night, objects that feel less like gestures of friendship and more like intended reminders, turning the celebration into something tense and uneasy. As suspicion and discomfort quietly take hold, sirens cut through the night and Tim vanishes without explanation, leaving the group and the evening itself changed.

The Giving Thief

NR 2025