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Valerian and the City of a Thousand Planets

In the 28th century, Valerian and Laureline are special operatives charged with keeping order throughout the human territories. On assignment from the Minister of Defense, the two undertake a mission to Alpha, an ever-expanding metropolis where species from across the universe have converged over centuries to share knowledge, intelligence, and cultures. At the center of Alpha is a mysterious dark force which threatens the peaceful existence of the City of a Thousand Planets, and Valerian and Laureline must race to identify the menace and safeguard not just Alpha, but the future of the universe.

Valerian and the City of a Thousand Planets

6.6 2017
Fluidø

It is the year 2060 and AIDS has been eradicated. However, in some, the HIV virus has now mutated into a gene from which a drug can be produced that has become the white powder of the twenty-first century. With a virtually supported scanning system, secret police are trying to identify anyone who carries this gene. Filmed in Berlin, Taiwan-born multimedia artist and filmmaker Shu Lea Cheang’s science fiction dystopia revolves around a struggle to gain control over the production and exploitation of bodily fluids. Her film is like an orgiastic opera; a breathless round of bodies, secretions, performances and sexual acts often performed in the service of an overriding economy. An unusual, largely experimental and deliberately parapornographic drama in which the borders between the sexes as well as homo-, hetero-, bi-, trans- or intersexual are constantly blurred.

Fluidø

4.1 2017
Buğday

The global corporations have established cities and agricultural zones in areas where the climate is relatively good. These cities are populated by the elites, while the immigrant masses struggle with hunger and epidemics. For unknown reasons, the city’s agricultural plantations have been hit by a genetic crisis - and, as a result, by massive crop failure. Professor Erol Erin, a seed genetics specialist learns of Cemil Akman, a fellow scientist. Apparently, Cemil wrote a thesis about the recurrent crisis affecting genetically modified seeds - but the work was banned by the corporation..

Buğday

5.8 2017
Hinter Glas

Coma patient Maya has her mind uploaded to a camera through neurotransmitters. This way she is still capable to communicate with the world from behind the glass. Her husband Leon puts up a lot of effort to keep her alive and make her virtual existence more or less tolerable, but Maya does not want to be a virtual wife and demands Leon to shut the system down and let her go. Tension between the couple rises. Will Leon dare to end the life of his loved one he has struggled to keep with him for so long?

Hinter Glas

NR 2017
Djinn Tonic

The short's main characters are Simone - a young and ambition-less unemployed man, and the titular Djinn - an ancient and powerful genie that is reduced to grant wishes in a small suburban office. The first of the two wishes for a job, whereas the second only wishes to steal as many wishes as possible to his "customer", to obtain as many years of life for himself. Both characters are running from a crisis: Simone from the economic depression, and the Djinn from a crisis of the imagination that is perhaps a direct consequence of the first.

Djinn Tonic

NR 2017
Relic 0

The first film in the series, 'Relic 0' forms part of Larry Achiampong's Relic Traveller: Phase 1, a multi-disciplinary project manifesting in performance, audio, moving image and prose. Taking place across various landscapes and locations, the project builds upon a postcolonial perspective informed by technology, agency and the body, and narratives of migration. Relic 0, which is the prelude to the series, is a short film that moves between African and Western based vistas and focuses on specific architectures of colonialism as delivered by an anonymous narrator. These discoveries deliver poetic moments of the sublime met with increasingly harrowing tales of trauma - speaking to the sinister way that states of anxiety, fear and displacement are both generated and policed in postcolonial society. The throb of the electronic score and ringing clarity of the narrator's testimony usher in a new landscape and temporality, born from cracks in a traumatised, apocalyptic present.

Relic 0

NR 2017