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Anhedonia - Narzissmus als Narkose

It's the year 2020. Every day billions of people are victims of the digital, medial, narcissistic, hedonistic, careeristic and consumerist overstimulation and suggestion by the establishment. In a manner that remains unexplained to this day, hundreds of millions of citizens of the first world abruptly and epidemically fall ill with Anhedonia, an inability to feel pleasure and satisfaction. Two exemplary victims of these unspeakable circumstances are the dissimilar, but nevertheless inseparable, aristocrats' sons Franz and Fritz Freudenthal. Wholly bereft of meaning and tormented by their miserable, dull and joyless existence, they slowly waste away; until they become aware of the new and unique lust-stimulus therapy by the world-renowned and very trendy Prof. Dr. Immanuel Young, seeing in it the solution to all their problems.

Anhedonia - Narzissmus als Narkose

4.3 2016
Three minutes

"Three minutes" is a film in the fantasy genre. It is the love story between Alex, a journalist who, forced to speak very quickly in his newscast, must take this substance that accelerates his nervous system and Ana, a young piano student who in order to become a concert pianist, needs to gain speed in her piano playing. They both end up over accelerating and finding each other in a parallel world where everything around them seems to have stopped moving. In this motionless world, they will live their great romance.

Three minutes

7.5 2008
Thunderbirds 60th Anniversary Double Bill - Trapped in the Sky / Terror in New York City

Celebrating Thunderbirds 60th anniversary, this cinematic double-bill brings two of Thunderbirds’ best-loved adventures into an electrifying big screen experience – Trapped in the Sky and Terror in New York City, presented for the first time fully restored in 4K with a brand-new Dolby 5.1 surround mix. Trapped in the Sky - A criminal known only as the Hood places a bomb in the landing gear of a new supersonic airliner, Fireflash, hoping to draw out a newly created, privately funded emergency response team called International Rescue. Terror in New York City - After Thunderbird 2 is heavily damaged in a mistaken attack, it leaves the team seemingly without a swift means to transport any rescue gear to New York City to save a news crew trapped underneath the collapsed Empire State Building.

Thunderbirds 60th Anniversary Double Bill - Trapped in the Sky / Terror in New York City

10.0 2025
Welcome II the Terrordome

Spike and his sister Anjela live in the Terrordome, a huge ghetto that all the blacks have been forced to live in. Jodie, Spike's pregnant white girlfriend, ran away from an abusive white boyfriend who, after seeing her with Spike, sets up a trap for her. Spike's 11-year old nephew Hector dies as a result of this trap, and Anjela, finding the body of her son, goes on a police-killing rampage. Her apprehension sets off tension between Spike and his brother-in-law, as a race war broods inside the Terrordome.

Welcome II the Terrordome

5.9 1995
Doppelgänger

July 22nd 2017, at first light. Anna Persico awakes and find a red box near her bed. Inside, just a note with incomprehensible symbols. From that moment, her life totally changes. Few moments later Anna's phone rings: it's a friend asking help. Just few and upset words asking Anna reaching her in a forsaken mansion in the nearby before the phone line breaks. At the same time, on October 15th 1817, police commissioner Fosco Oleari investigates on suicide of Vittoria Clementi, a girl who looks just alike Anna. On the crime scene there are also a cane and a gown soiled of blood. Local doctor's wife is missing from the day before. What will the past set aside?

Doppelgänger

5.0 2015
Somnium

Joan Kepler is an intergalactic postal worker. She's top of her game, a senior deliverer in an industry that's been threatened by newer, faster technologies. Keeping Joan company on her endless missions is her ship, PAT 1. He's laconic, lazy and desperate to retire but remains deeply loyal. Together they've explored the outer edges of the galaxy, all the while preserving their 100% delivery record. But on this job, something's different. Three innocuous packages and a trip into uncharted space: it's nothing she hasn't handled before.

Somnium

9.0 2019
Apocalypse Baby, We Advertise the End of the World

A pop satire. A teleshopping show that uses the fear of climate apocalypse as a reason to convince the audience to consume more and more. A film about consumerism and climate crisis, about global warming and individualism, about hedonism and guilty conscience, about the contradictions inside of us. A reflexion about the way we look away and an exposure of the cynicism of a capitalistic system. “A great many of us engage in this kind of climate change denial. We look for a split second and then we look away. Or we look but then turn it into a joke (“more signs of the Apocalypse!”). Which is another way of looking away.”

Apocalypse Baby, We Advertise the End of the World

3.5 2021
A Martian in Paris

The title role in the French comedy-fantasy A Martian in Paris is filled by Darry Cowl. The higher-ups in Mars want to learn all about that strange commodity, peculiar to the planet Earth, known as "Love". Darry soon figures out what makes the world go 'round when he meets the gorgeous Nicole Mirel. A Martian in Paris was obviously inspired by the 1960 American comedy A Visit to a Small Planet, which starred Jerry Lewis. Darry Cowl's imitation of Lewis is passable, but it certainly didn't fool the "Le Roi Crazy Jerry" idolators at Cahiers du Cinema and Positif magazine.

A Martian in Paris

3.8 1961
Memory Room 451

The subject matter of Memory Room 451 is the cultural and historical significance of 20th-century hairstyles – the Afro, the conk, dreadlocks – in Black communities on both sides of the Atlantic. Akomfrah has disguised this exploration as a science fiction story – in the manner of the groundbreaking writers profiled in The Last Angel of History – while providing a bravura display of the aesthetics of video art in the 1990s. The tale of visitors from the future who gather dreams from unwitting subjects in order to construct a history of the Black diaspora both defamiliarizes Akomfrah’s ongoing project and points to the danger that extracting history from memory can be a kind of expropriation.

Memory Room 451

4.5 1996