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Os Trapalhões na Guerra dos Planetas

Coming from outer space, Prince Flick asks the Trapalhões to help him free his planet from the domain of evil Zuco and free Princess Myrna, who has been taken prisoner. He offers a reward, the four friends accept the mission and embark in a spaceship driven by a hairy monster called Bonzo. Once on the planet, they they defeat Zuco, but they fail to save Princess Myrna's life. Her place on the throne is then taken by Loya, the girlfriend Didi met on that planet. Back on Earth, os Trapalhões think their adventure was but a dream, but they are convinced otherwise when they find their reward.

Os Trapalhões na Guerra dos Planetas

5.3 1978
Hideous Creatures

Dr. Rottenberg, the greatest Martian scientist, comes to Planet Earth to make preparations for a wild invasion involving re-animated Earth bodies, Martian zombies and teenagers playing in the woods. Criaturas Hediondas is one of the first Brazilian Shot On Video (SOV) to have national distribution via VHS tapes that were marketed in stands at grindcore, death metal and punks shows, becoming a reference (at the time) in the national underground. The video was filmed with a VHS camera and mounted from video to video, in an analog way.

Hideous Creatures

5.0 1993
48°52'6S 123°23'6W - Experimental Version

A political film about the lack of connectivity between people, mainly due to the self-destructive speed of capitalism/liberalism/fascism. The short film is narrated in Morse code (ideally, you should study Morse code to watch it in a dark room for better immersion in the experience and greater discomfort followed by strangeness) with slogans against capitalism and bosses/billionaires. The choice of title is sexual, it dialogues with the main character (a man) who, with paid sex, has never been able to, nor has he bothered to find his partners' point of pleasure.

48°52'6S 123°23'6W - Experimental Version

NR 2025
The Fifth Power

Foreign agents from an unidentified nation clandestinely install radio and TV antennas in Rio de Janeiro devices that emit subliminal waves that alter the perception of the population. They aim to transform the people into an aggressive and imbecile mass, leading the country to chaos, allowing the government to be taken to usurp Brazil's natural wealth. A journalist, Carlos, accompanied by chemist Laura Leal, begins to investigate a series of facts and discovers those responsible for the disturbances.

The Fifth Power

6.6 1962
He Who Saw the Abyss

The gun pointed at the head is a delirium that expands into disorderly controlled chaos. “He Who Saw the Abyss” by Gregorio Gananian and Negro Leo, is like a car that enters the curve at 300km/h, but slowly. In an experimental whirlwind, moving between a noisy sound and an almost idyllic musicality, the film is structured out of a pile of images that seem as intimate as they are delirious, accelerating into a trance that is fragmented by a montage, signed by João Dumans and Gregorio Gananian, who strive to articulate an intense experience on the big screen.

He Who Saw the Abyss

NR 2026