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Star Trek Voyager - Future's End

A timeship from the future who tries to stop Voyager gets thrown with Voyager into the twentieth century. His timeship is found in 1967 and Voyager discovers that a company that has benefited from its technology exists in 1996. The Star Trek: Voyager – Movies were a short series of VHS releases from Paramount Home Entertainment, released in the UK in 2000 and 2001. Four volumes were produced, each one taking two two-part episodes, and making them feature-length. Future's End appeared on Volume 1.

Star Trek Voyager - Future's End

NR 2000
The Bay

Two million fish washed ashore. One thousand blackbirds dropped from the sky. On July 4, 2009 a deadly menace swept through the quaint seaside town of Claridge, Maryland, but the harrowing story of what happened that Independence Day has never been told—until now. The authorities believed they had buried the truth about the tragedy that claimed over 700 human lives. Now, three years later, a reporter has emerged with footage revealing the cover-up and an unimaginable killer: a mysterious parasitic outbreak. Told from the perspective of those who were there and saw what happened, The Bay unfolds over 24 hours through people's iPhones, Androids, 911 calls, webcams, and whatever else could be used to document the nightmare in Claridge. What follows is a nerve-shredding tale of a small town plunged into absolute terror.

The Bay

5.8 2012
Wonder Woman: Bloodlines

Witness the legendary origin of renowned Justice League member Wonder Woman as she fights for good with her sword and magic lasso. Equally strong in body, heart and will, she makes it her mission to help a troubled young girl enlisted by a deadly organization known as Villainy, Inc., whose criminal members have their sights set on invading Themyscira, Wonder Woman’s paradise home. The battle will be epic, because if there's one thing an Amazon knows, it’s war!

Wonder Woman: Bloodlines

6.9 2019
Zug

Tells the story of Jerry, a factory worker with some industrial strength nightmares that are an attempt to escape the harsh reality of his industrial environment. Unrelentingly grim visions of the industrial wasteland such as the horrifyingly violent and erotic inner world bred in those wastes become blurred in his mind until he finally takes action, thereby freeing himself and the love of his dreams from the inhumane imprisonment symbolized by the dark, shadowy Brain Police. A film directed by a group of young filmmakers who live and work in the automotive corridor of the Midwest, Zug has the look of an Eraserhead sequel, Detroit style. Photographed in shadowy film noir tones, with gruesome special effects and a synthesized mechanical soundtrack.

Zug

NR 1987