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Plugin

"Plugin" is the story of a mechanical city in which every citizen is a part of the city itself, responsible for generating lights by connecting the male and female parts of the mechanism. Everyone seems to fit into this perfect puzzle except the main character, G-O, a man who does not match the rest of his world. G-O finally finds his perfect match – another man – but the City Authority try to stop this uncommon union. It is up to G-O and Ico to show their city that every connection is after all part of the same energy - love.

Plugin

9.0 2014
Listener

Focusing on developing relationships with the computer as a nonhuman entity, Listener is an iterative, site-specific performance artwork which speculates a future through Lakota ontology, narratively and physically manifesting a relationship with metals in electronics, performed via an electronic interface woven into hair (hair is sacred to the Lakota). The sonic landscape includes live police scanners, synthesizers played by the hair, and algorithmically re-arranging poetry with a voice speaking of a future landscape, prophecies, dreams, and the possibilities in listening.

Listener

NR 2018
Ice Spider

Ice Spider is a collaboration between Saimaiyu Akesuk (Cape Dorset, Nunavut) and Cheryl Rondeau (Toronto, Canada). Inspired by Akesuk’s iconic drawing entitled Red Spider (2014), this experimental short employs the technique of stop-motion animation while making reference to the actual behaviour of the Arctic Wolf Spider, a genus of arachnid common across the North. Climate change has resulted in larger populations and increased predatory tendencies of this carnivorous and cannibalistic spider. This sci-fi influenced short animates the growing discourse around the ecological, political and cultural future of Canada’s Arctic. Background imagery was shot on location in Cape Dorset, Nunavut.

Ice Spider

NR 2018
Wander

Wander is a film primarily experimenting with the effects of superimpositions to play with surreal sensations, as a poetic dialogue floats along the way. No incarnation of the subjects exists inside, only the two's voices hovering over the dynamics like extraterrestrial creatures drifting away from the Earth. The atmosphere is dangerous. And the fluid exhibition of sceneries spans from Asia to North America with chaotic velocity, which may relive a spiritual diaspora after fragmentary experiences here and there. In this visual space, the past is unrelentingly flooded away in the fading memory.

Wander

NR 2020