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Sea Lovers

For most of our history, the ocean has been regarded as, if not a barrier, an adversary: something to be simultaneously exploited and feared. Ingo Niermann asks us to rethink our response to the fearful oceans, in hope of finding its hidden soul and reaching an understanding with it. In Sea Lovers Niermann offers us a whole chest of new models for reading, touching and feeling the sea. As the seaside theme parks of the early 20th century offered us a safe encounter with the novel and unsettling technologies of the age, could an underwater amusement park allow us closer interpersonal connection with other lifeforms? And just as the domestication of animals into emotional and affective companions made the forests ‘safe’ for our comprehension, could dolphins or cephalopods become our guides to the watery depths that were once our home? Could the salty touch of the ocean itself soften us towards accepting its wild and all-encompassing embrace?

Sea Lovers

NR 2020
Notes From The Integrated Circuit

"This film is a culmination of my meditations with objects, both with and without a camera present, in order to attempt 3 things: breaking down the binaries that separate me from the objects, destabilize my hierarchical position over the object, and to peer into the objects' history and their possible thoughts/emotions. The title is the combination of two essential reference points: Notes From Underground (Dostoevsky) and A Cyborg Manifesto (Haraway)." -Connor Parsley

Notes From The Integrated Circuit

NR 2020
Crazy Weapon 5: Back for the First Time

In the year 2297 Las Vegas, the master thief and escape artist, Wanda 'Whispers' Jones has stolen a Crazy Weapon from the distant future (The year 4225/Envision City) and plans on using it in the past (The year 1974/ Colorado) to alter the timeline for her own gain. Two time cops (Sergeants Calloway and Quinn) along with Timeline Regulator, Spencer Cooper partner for the first time to go back to 1974, to retrieve the Crazy Weapon and Whispers Jones.

Crazy Weapon 5: Back for the First Time

NR 2020
Jungle Girl Restart

Gu Xiaoqin’s factory exploded and a fire took the lives of 99 people in the workshop. Gu Xiaoqin came to a virgin forest to redeem their lives in search of a "lunatic" time restarter invented by scientists, but just stepped into the jungle, beasts, traps, men in black The appearance of Gu Xiaoqin and his teammates died one after another. Gu Xiaoqin, who woke up again, found that she had entered a space-time vortex. Can she find the time restarter to go back to the past? How many secrets her teammates have remained unknown? What is hidden in the repeated pursuit of the man in black? How to avoid the dangers of beasts is Gu Xiaoqin will face one by one.

Jungle Girl Restart

NR 2020
Medusa

In the indefinite future, artificial intelligence - in the form of mirrors and screens - fulfills the role of parents. The protagonist is a little girl to whom her mother-tablet tells the story of Colombre, a mythological immortal jellyfish. Aquatic, cellular, microscopic and underwater scenes comment on the adventure of the grown girl, determined to transfer her consciousness to the Colombre and thus guarantee the survival of the human race in a world now completely submerged by water.

Medusa

NR 2020
One's A Crowd

No man is an island, but HANAMANAMAN is an archipelago. Half wizard, half mad scientist, half guru, he’s the last man on earth after a virus eradicates humanity–a virus he created. Safely ensconced on the world’s most remote island, he became….lonesome. So he cloned himself a family: HANDY, to do chores; HUNTER, to bring meat; and HAPPY, to fill their lives with song. But something was missing–a woman! But not for long. Will this plucky band of survivors prevail in the face of drought and sibling rivalry run amok to reboot the human race? It is foretold.

One's A Crowd

NR 2020
The Vision Machine

The Vision Machine was filmed at the factory of SIGMA Corporation, a renowned global brand of lenses for photography and cinema production. Like most such manufacturers, it is based in Japan. Using lenses manufactured by the factory, Young filmed their female employees as they performed their usual tasks on the production, assembly and testing process. No men are featured, and while the piece alludes to the genres of documentary or corporate video, it was filmed and edited to suggest a speculative fiction: a lensmaking factory run (and perhaps owned) by women.

The Vision Machine

NR 2020
GALAXY

The narrator in the moving image work "GALAXY" is technology itself. "GALAXY" tells the story of the brief encounter of the two characters Touch and Long Swipe. The story is generated by an algorithm and offers an interpretation of an encounter of love and disappointment. Small deviations in the language and the narrative logic reveal our social imprint of how stories are expected to be told and how technology is programmed to follow these perceptions. The mise-en-scéne is a computer-generated galaxy of objects and images reminiscent of the organic, but dismembered and fragmented, reflecting on the possibility of creating new worlds and stories in digital space by following a subjective system of ordering.

GALAXY

NR 2020
Star Wars in Real Life IV: Shadows of the Past

An exciting new spin-off in a galaxy near you! Set between the events of SWIRL II and III, join Jedi Master Mike as he explores his past. After the defeat to the Sith, Mike and Cory have parted ways. Mike now resides in hiding, searching within himself for answers. A response to his call echos a familiar voice from his past. Mike begins a journey with his droid BB-8 to find this ancient call and hopefully get the answers he has been looking for. Experiance this brand new SWIRL adventure with new lore, exciting new visuals, and a new foe that may be deadlier than Supreme Leader Cody himself.

Star Wars in Real Life IV: Shadows of the Past

NR 2020