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I don't love you anymore (but you keep blowing my mind)

In a not-too-distant future, where everything has completely unraveled into chaos, the Ministry of Intergalactic Crises urges citizens to abandon Earth before the inevitable unfolds, offering interplanetary flights to the J-18 orbital settlements. Meanwhile, in a desolate bar, perhaps the last bar standing, 23 minutes before the final flights depart, a couple wrestles with a decision: is it time to end their tumultuous relationship once and for all?

I don't love you anymore (but you keep blowing my mind)

NR 2025
Daywalker

In the post-apocalyptic world of "Daywalkers," humanity struggles to survive amidst strange creatures known as daywalkers, who masquerade as corpses by day and hunt unsuspecting prey with their white eyes. Our lone protagonist, equipped with lenses to shield his gaze, navigates the perilous daylight to hunt these creatures. When he encounters another survivor seeking aid against a purportedly active daywalker, he cautiously agrees to help. However, as night falls, a chilling revelation unfolds—the supposed survivor is a daywalker in disguise, leading to a fatal confrontation that challenges our protagonist's survival instincts to their limit. "Daywalkers" explores the thin line between trust and deception in a world overrun by darkness.

Daywalker

NR 2025
Balanar

Shot on 16mm in one of the most remote regions of Tara Mountain, 1,050 meters above sea level, Balanar was a two-year odyssey marked by multiple production halts. Driven by an insanely devoted crew—composed of some of the finest film professionals working in Serbia today—the film also features a haunting score by legendary German composer Hermann Kopp (Nekromantik). Inspired by Żuławski, Carpenter, and Milius, Balanar is a love letter to American midnight cinema and Balkan mythology. It blends heavy metal, pop culture, and folk tradition—but at its core, it is an existential horror.

Balanar

NR 2025