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Death Ray on Coral Island

Said to be the first science-fiction film produced in China (and perhaps having its North American theatrical premiere in Future Imperfect?), Death Ray on Coral Island spares no bile, camp, or latent envy in portraying America as the cunning archenemy that will stop at nothing—industrial espionage, assassinations, even ballroom dancing—to steal China’s futuristic weaponry. The film occupies a pivotal moment in China’s modern history, representing a legacy of the Great Cultural Revolution and a harbinger of the nation’s ascension on the global economic stage. Courtesy of the China Film Archive and Shanghai Film Group.

Death Ray on Coral Island

6.2 1980
William

Two cutting-edge scientists give 'birth' to a Neanderthal—the first to walk the earth for some 35,000 years—in order to attempt to answer these questions. Part 'normal' child, part science experiment, William’s 'parents' struggle with the best way to raise him. As William grows toward adulthood, he is educated in the human experiences of love and intimacy. But his primitive impulses begin to emerge the more he tries to conform to human expectations, leading to tragic consequences for him and his loved ones.

William

5.8 2019
Empire of Danger

A newly designed spacecraft capable of going through time is sent to Mars to rescue a crew previously lost on Mars. The ship is sent through the past but to the wrong time, years later than the first crew. Once they land on Mars, the crew finds that it is a place where Bararians rule. The leader of the Barbarians is a female battle warrior named Giza that wants their ship to use as her own chariot through time where she hopes to steal the ancient power of the Masha. With that power, she will gain complete control of the Siperion Empire. - Empire of Danger is the sequel to the movie "Lost on Mars"

Empire of Danger

5.1 2004
Knights of Heaven

A military group of alpinists are selected to carry out a secret mission. The fate of humanity depends on their success. The rules of the mission require the death of each participant once his or her task is accomplished. After killing one of their colleagues and splitting into several groups, the alpinists continue their journey. But the human unconscious doesn’t follow military orders. Having once committed murder, the “knights” can’t control their desire to kill. They forgot their mission… and kill each other instead. —University of Pittsburgh

Knights of Heaven

5.0 1989