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Voyage Into Space

Earth is invaded by an interstellar terrorist group, Big Fire (the Gargoyle Gang in the American version), led by Emperor Guillotine who spends most of his time in a multicolored space ship hidden at the bottom of Earth's ocean, from which he issues his orders. Big Fire is capturing scientists to create an army of monsters to conquer Earth. A boy named Daisaku Kusama (Johnny Sokko in the American version) and a young Unicorn agent named Jūrō Minami (Jerry Mano in the American version) are shipwrecked on an island after being attacked by a sea monster and subsequently captured by Big Fire. They flee to where a Pharaoh-like giant robot is being built by captive scientist Lucius Guardian, who gives Daisaku and Jūrō its control device. Guardian helps them escape before he is shot to death; before he dies, he triggers an atomic bomb which destroys the base. The radiation activates the robot, which now obeys only Daisaku.

Voyage Into Space

6.2 1970
Invisible Adversaries

Anna, an artist, is obsessed with the invasion of alien doubles bent on total destruction. Her schizophrenia is reflected in the juxtapositions of long movie camera takes with violently edited montages: private with public spaces; black & white with colour, still photographs with video, earsplitting sounds with disruptive camera angles. Anna uses her body like a map; after a devastating quarrel with her lover, she paints red stitches on herself. Watching their scenes together, we realize how seldom, if ever before, the details of sexual intimacy have been shown in film from the point of view from a woman. Export privileges rupture over unity and never settles for one-dimensional solutions

Invisible Adversaries

6.7 1977
The Faithful Robot

Single crime writer Tom Clempner receives a delivery of goods that he did not order. Out of the box emerges a domestic robot called Graumer, whose pleasant female voice reveals it to be the latest ultra-de-luxe model. The sender's address, the agency for the placement and rental of domestic staff, does not mention delivery to Clempner, so the robot suggests that he should just keep it. As it costs him nothing, the writer quickly overcomes his reservations and makes diligent use of the unforeseen help, perfect in conversation and housework. However, it doesn't take long before the man of the house becomes annoyed by Graumer's all-encompassing care. The robot has already become indispensable, be it in the construction of Tom's new mystery plot or the preparation of the upcoming dinner for some acquaintances. But why does Graumer seem so disturbed when he learns that a police inspector will be among the guests?

The Faithful Robot

NR 1977
Metal Messiah

A bizarre sci-fi rock opera like little else being produced under the banner of Canadian film at the time, Metal Messiah is about an enigmatic metallic-skinned stranger trying to stop society's self-destructive obsession with rock and roll. Anchored in Toronto's live music scene if the late 1970s, this dystopian parable was the feature film debut of local music impresario and director Tibor Takács. Working with screenwriter Stephen Zoller, Takács' film is a crudely crafted, episodic work that plays out like a glam version of Amos Poe's avant-punk NYC flick The Foreigner (1978), but with even more ambition, attempting to scale to the bombastic rock opera heights of films like Phantom of the Paradise (1974) and Tommy (1975). (from: http://www.canuxploitation.com/review/metalmessiah.html)

Metal Messiah

3.4 1978
The Hidan of Maukbeiangjow

This is the story of two apprentices who know more than their mentors. One is Kasper, who discovers the Hidan of Maukbeiangjow, to where six girls have been abducted. He is apprentice to Sam Trowel, whom Fred refers to as "private pig," an independent investigator who gets his mission information through a time-delay self-destruct tape (that is a parody of Mission: Impossible). The other is Prudence, a Christian spiritualist who is an apprentice to a wizard named Aph. Aph has had the impudence to use vodoun rituals to possess corpses with demonic earth spirits, or the spirits of extraterrestrials summoned from the Red Star galaxy. Fred and Junior tie up Prudence and a zombified girl named Rosebush while an alien learning to use the body of Ruthie, one of Trowel's operatives, keeps Kasper tied up while she guards whom she calls "the Prudence." The first alien brought by Aph eventually takes Trowel's body. He is intent to use Fred's safe-cracking skills to destroy evidence of his arrival

The Hidan of Maukbeiangjow

4.0 1973
Smile

The year 2061... The world after the atomic disaster. People are afraid of civilization, which, in their opinion, will surely lead to an atomic explosion again. So they destroy the last car, the last plane, burn the last book. They prepare to destroy the last scenic masterpiece. And only teenage Tom can't desecrate Leonardo da Vinci's beautiful creation. The crowd tears the painting apart, and the boy carries away in his fist a scrap of ruined canvas. In his hole, he gingerly unclenches his fingers - the smile of Gioconda shines in the palm of his hand. The boy sleeps, curled up like an embryo in the white space of the frame, and with him faith is born again.

Smile

NR 1971
Lifespan

Cult icon Klaus Kinski features in this dark and intriguing existential thriller. He plays the mysterious "Swiss Man" - ruthless industrialist Nicolas Ulrich - who is obsessed with a search for the elixir of life. He tricks a young American scientist into joining him on his demonic quest. A quest that ends in suicide, death and madness. The story takes place in the atmospheric European city of Amsterdam. Its winding alleys and ancient canals trap the characters in a labyrinthine maze as they find themselves manipulated like figures on a giant chess board.

Lifespan

5.0 1975
Miss Golem

It is the 1920's. The good-looking hostess Věra demonstrates household robots to visitors of the Futurum exhibition. Young inventor Petr comes to her rescue when she tries to flee from two men wanting to take her away. Věra confesses that she has fled from home because her father, a factory owner, wanted to profitably marry her off. Petr is fascinated by the emancipated woman and shows her round his laboratory, where he plans to create a robot of his own - but one that would be far more advanced. Věra cuts herself on a broken test-tube and a drop of her blood gets in the solution. In the morning, they are taken aback to see Věra's double. This lucky chance has helped Petr create an artificial being, Miss Golem. She has a single motive for her actions: to take care of Věra and allow her to do only what is good for her.

Miss Golem

4.3 1973
Do We Match Each Other, Darling?

Marta (Jana Brejchová) and Viktor (Vlastimil Brodský) celebrate the tenth anniversary of their wedding half-heartedly. They both think they don't suit together. While visiting Marta's friend Alena (Iva Janzurová), who just got married for the third time, they learn an interesting thing. It was a computer which selected a husband for Alena and she claims she is happy. The couple gets off after certain hesitation to a cybernetic institute, where the computer tells them that living together is a risk for them. At the same time the computer selects them ideal partners - Mrs Tuchlová, a doctor for Viktor, and Petr Karát, a music composer for Marta. By a coincidence Viktor and Marta meet wrong people.

Do We Match Each Other, Darling?

4.5 1975
The Robot

Max and Tüte are super excited about a math-whiz robot at an exhibition. The boys smuggle him out so he can do their math homework. But the magical machine's programming is faulty and it goes its own way, playing havoc in town. While Max tries to catch the robot, Tüte takes the robot’s place at the exhibition. But he gets in deep trouble, when he can't solve math problems. Luckily Max and the robot return in time and the boys decide it's better to do their own homework in the future.

The Robot

NR 1970