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After Scarcity

After Scarcity is a sci-fi-essay film that tracks Soviet cyberneticians (1950s-1980s) in their attempt to build a fully-automated planned economy, an attempt that finds traction today as a way of defying financialization. If the problem of socialism was time loss—too much bureaucracy, too much conversation, too many meetings—a socialism-on-speed, counting electricity plus statistics, could move past this limit. The film recounts the history of a moment in time when, against all odds, it seemed feasible to plan for the whole system at once—collective ownership of global resources with the programmed and networked efficiency of Wal-Mart.

After Scarcity

7.0 2018
Exaella

It all happened in one of the safest Somniupolis of the planet, inside one of the best-equipped and reliable mega-complexes - "Xonasu Area." As in the very beginning, and in the last few decades, all the systems had operated in nominal mode until the satellite network transferred an array of unclassified data to the central analytical cluster. According to the guidelines, the data were immediately isolated and sent to be re-evaluated in order to classify the registered events and to develop further options for protective and preventive efforts. A few days later, the tranquility of the sleeping "Xonasu" was torn apart by sharp, blazing fragments of multiple meteors. The area around the "Xonasu" faltered - a wave of interruptions and failures rapidly swept through the heart of its systems ... and one of the errors launched the sequence to awake the Supreme Operator of Xonasu. A little later - all was quiet and still.

Exaella

4.7 2011
Threshold

Science fiction is a rare genre in the otherwise rich and diverse history of Egyptian mainstream cinema. One exception is the film "The Master of Time", directed by Kamal El Sheikh in 1987. In this film, the main character, a scientist named Mr. Kamel, is obsessed with the idea of immortality. Through radical editing, Lebanese artist and filmmaker Rania Stephan captures the quintessence of this obsession. In her film, she eliminates all fictional elements from the original and retains only the transition shots featuring doors, gates, and all forms of crossing and passing through.

Threshold

NR 2018