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Eye for an Eye

Mario, an exemplary man, lives in a village on the Galician coast. In the old people’s home, where he works as a nurse, everyone appreciates him. When the best known narco in the area, Antonio Padín, recently released from prison, enters the residence, Mario tries to make Antonio feel at home. Now, Padín's two sons, Kike and Toño, are in charge of the family business. The failure of an operation will put Kike in jail and cause them to owe a large debt to a Colombian supplier. Toño will turn to the nurse to try to convince his father to assume the debt. But Mario has his own plans.

Eye for an Eye

6.7 2019
Parthenon

In a cheap brothel at the foothills of an Athenian fortress, a man recounts the magnificent events of his life. His search for love and glory is retold and relived by many: a prostitute with an unredeemable past, a gangster haunted by bad luck, an icon painter who has no faith - In one of the stories, the man finds his riches, in another he becomes a vagabond prophet, in yet another he returns home to his wife. Memories betray him, but he knows for sure that in one of these lives, he will be killed.

Parthenon

5.5 2019
Troubled Waters

Off the coast of Montpellier, a diver exploring a wreck uncovers a highly sought-after treasure: a golden statuette of Medusa, the monster from Greek mythology. The day after his discovery, the young man's boat is found adrift, with no one on board. Has the curse surrounding the legendary statue struck again? Or is a rival treasure hunter behind the diver's disappearance? - It's up to Police Captain Guillaume Le Guen of Montpellier's regional crime squad and his brother, Gendarmerie Captain Damien Le Guen, to solve the mystery. There's no time to waste and they'll need all their investigative skills, particularly because the victim is none other than Thibault Gagneur, Guillaume's son-in-law, whose daughter Emilie is expecting his grandchild.

Troubled Waters

5.5 2019
Amours à mort

Deep in the heart of the Moselle, in the Uckange furnace Park, is a crime scene as spectacular as it is baffling. The victim is the former Director of the site. When the relentless but sensitive Clément Leroy, captain of the criminal section of the Metz gendarmerie, sets out to investigate, he reconnects with his childhood love, Laure Thouvenin, the victim's daughter and a specialist in industrial history. As this free and unconventional woman becomes increasingly involved in the case, she and Leroy unravel the shocking story of their respective families running over three generations.

Amours à mort

6.3 2019
Two Sisters Who Are Not Sisters

Based on Gertrude Stein’s eponymously named screenplay, written in 1929 as European fascism was building momentum. Beatrice Gibson’s adaptation, set almost a century later in contemporary Paris, deploys Stein’s script as a talismanic guide through a contemporary moment of comparable social and political unrest. An original soundtrack, written especially for the film by British composer Laurence Crane, responds to the repetition, duplication and duality at play in Stein’s script. Both a fictional thriller and an act of collective representation, Deux Soeurs proposes empathy and friendship as means to reckon with an increasingly turbulent present.

Two Sisters Who Are Not Sisters

NR 2019
Torn

In the suburb of Lille, Stéphane holds a tobacco shop with his father, Maurice, a retired military officer. Although feeling trapped in his marriage, Stéphane doesn't want to leave his wife, Elise, a lawyer, and is currently having an affair with Leila, a physiotherapist and mother of two. Together they hope for a better life, but everything changes when Sofiane, Leila's 15 year old son, holds up the store at gunpoint, without any knowledge of his mother's affair with Stéphane. Maurice-violently hit-pulls out a gun and shoots him.

Torn

6.3 2019
The Death Train

In Iasi, Romania, from June 28 to July 6, 1941, nearly 15 000 Jews were murdered in the course of a horrifying pogrom. At the time, the programmed extermination of European Jews had not yet began. After the war, the successive communist governments did all they could to ensure the Iasi pogrom would be forgotten. It was not until November of 2004 that Romania recognized for the first time its direct responsibility in the pogrom. All that remains of this massacre are about a hundred photographs taken as souvenirs by german and romanian soldiers, and a few remaining survivors.

The Death Train

8.0 2019