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I Killed Lucio Flavio

In the early seventies in Rio de Janeiro, detective Mariel Moryscötte de Mattos belonged to a special police force called "The Golden Men". This powerful group of the elite of the police was created with the intention of eliminate crime from Rio de Janeiro, and they had privileges above law to expedite their action against the outlaws. However, absolute power in wrong hands corrupts, and this group formed the "Death Squad", executing criminals without the conventional trial from the justice.

I Killed Lucio Flavio

4.4 1979
The Claudia Case

Based on the true events that took place in the 70s, in Rio de Janeiro. The body of beautiful girl Cláudia Lessin Rodrigues, actress Márcia Rodrigues's sister, was found in the seashore. After Police investigation, it was found she had been murdered on a party by a rich industrialist's son and his socialite hairdresser buddy, after much sex, alcohol and drugs, specially Mandrax (methaqualone). She'd probably resisted being raped and the killers threw away the body in the water. One of the guys tried to escape flying to Switzerland.

The Claudia Case

4.3 1979
The Agony

Cropped hair, a rosemary branch behind the ear, yellow shirt of shiny satin, he's behind the wheel of his car when passing by a woman who walks by the roadside. Strongly painted lips, printed dress with round skirt and red shoes matching the color of the lipstick, she catches his attention. He gives her a ride, the two of them stare in silence for a few moments. They introduce themselves to one another and between the two establishes an absurd dialogue and full of metaphors. And they are driving around in corners of Rio de Janeiro, to the sound of Noel Rosa and Lamartine Babo. Eva and Antena, she a seer, he, an assassin on the run, initiate an unusual case of love, a marginal love, where boredom often gives way to tragedy, creating the agony of a holiday spent in an abyss.

The Agony

7.8 1976
Snuff, Victims of Pleasure

After producing a successful underground snuff movie, were the lead actress is raped and killed, the Brazilian Miguel returns to São Paulo pretending to be the American director Michael Tracey and convinces his partner Bob Channing to cast and hire a crew to produce another movie. With attractive salaries, they hire the broken cinema technician Edson Lima and his assistant Juarez. Together, they cast the stripper and hooker Lia de Souza; the decadent and former famous actress Taty Ibanez; the aspirant actress Glória Verdi; the candidate of Miss Contest, the Miss São Paulo Maria Rosa; and an actor interned in a mental institution, Sérgio Bandeira. The group believes that they are going to secretly shoot porn, and moves to the small town of Limeira. When Bob falls in love for Lia, he tries to convince Michael to forget the snuff and avoid her death. But Michael is reluctant and does not want to give up his project. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Snuff, Victims of Pleasure

5.7 1977
Pecado sem Nome

Upon arriving at the building where he works, Pedro finds the janitor, Hilário Garcia, dead inside one of the elevators. Inspector Canovas, in charge of the case, discovered that Hilário was Portuguese, widowed, with an only child living in the United States. Several suspicious people are detained and interrogated and, during the investigation, a guard and a girl are killed. With the help of the North American police, Inspector Canovas discovers that Hilário's son, Antônio and his wife Vanda, had already returned to Brazil. The two are located in São Paulo and detained for investigation. At the police, Antônio confesses to Carlos, his brother-in-law, that he was responsible for his father's death. Based on these statements, Canovas concludes that the caretaker was murdered because he discovered that his son and brother-in-law made a living from various suspicious businesses and were acting outside the law.

Pecado sem Nome

10.0 1978
The Wages of Death

In a city in the Brazilian northeastern backwoods, the political chief is assassinated by a professional gunman. From there, the city begins to live the climate of the event. The killer, concealed by important people, is hidden in the house of a humble family. Time passes and the gunslinger leaves his hiding place, being killed soon after. Also the family that hid the criminal is assassinated, as well as the judge who was conducting the investigation of the murder of the political chief.

The Wages of Death

7.5 1971
Baron Olavo, The Horrible

Bressane’s first color film, shot in the home of the artist Elyseu Visconti. Part of it is missing sound and final editing because the director was forced to leave Brazil. Horror and humor to deal with the subject of insanity: “In the end everyone leaves the house as though they were laboratory mice escaping, they invade the city and contaminate the world”. “If we talk about horror, this film deals with national horror, with Mojica Marins as an emblem. There might be a few touches of Corman and English horror, but it is another level of horror. What transformed the film was the location where we were shooting, the house of a 19th century painter, a receptacle of light. When I arrived and saw that house, that light, I said: ‘This is the film. This is the horror’. The meaning of the film, its appeal, derives from this laboratory of light” (J. Bressane). — Torino Film Festival

Baron Olavo, The Horrible

6.0 1970
Nós, Os Canalhas

Two twin brothers, Cláudio José and José Cláudio, definitively separate when one of them decides to leave for the big city. Years later, the second brother also started living in Rio de Janeiro. One night, he is attacked by three thugs, who kill his pregnant wife and leave him disfigured. In search of revenge, he follows in the footsteps of his brother, who will find himself working for a crime figure. And in pursuit of his discoveries, he began to wage his revenge against the criminals on the same level as he had been confronted.

Nós, Os Canalhas

8.0 1975