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The Chain Reaction

An old pickpocket named "Cardinal", during the days of the International Festival of Youth and Students, decides to gather old “personnels” to prepare small and large thefts from the festival participants. During the "conference" it turns out that a complete "personnel crisis" has come. The ensuing meeting with the former bootlegger — Senka-Moroz, who broke with his past and found happiness in his family and honest work, leads the Cardinal to confusion and mental confusion. A conversation with Professor Muromtsev, a terminally ill person who nevertheless cares about the fate of others, shock the "Cardinal" and he takes the first but decisive step towards a new life, breaking with the criminal world.

The Chain Reaction

8.7 1963
The Last Witness

Director Wolfgang Staudte who left East Germany in 1953 to make movies in West Germany, takes a few swipes at the West German judicial system in this fairly effective courtroom drama about the murder of a four-month-old baby. Police almost immediately arrest the mother Ingrid who is the mistress of the father, a rich business VIP married to another woman. His position and wealth keep him insulated from suspicion. A hot-shot lawyer has to overcome the unaccountably biased perceptions of the police, the judge, the prosecutor and almost everyone else in the judicial system. The defence lawyer, driven to an extreme, knows he has to find the real killer or his client will be convicted.

The Last Witness

6.4 1960
La dragée haute

Taking the place of the police, whom he finds neither fast nor efficient enough, a journalist named Hugo sets out to find the perpetrator of a murder. Suffocating in the small town where he plies his trade, he is eager to seize the opportunity that will make him a great reporter. The discovery of a murdered young woman - a high-fashion model - puts him on the trail of diamond smugglers. Despite the cautious advice of the newspaper editor and the pleas of his wife, who senses the dangers threatening them, Hugo forges ahead, plunging headlong into the labyrinth where gangsters are luring him to disappear. He finally unmasks the murderer. He finally gets his sensational story - but through his own carelessness, another girl falls victim to the gang. At the last second, the wife he thought he'd lost through his stubborn, madly clumsy attitude is still there, ready to comfort him.

La dragée haute

7.0 1960
Treffpunkt Genf

The East German scientist Professor Gerlach has made a significant discovery with his research into how a new, even stronger pesticide can be protected against ineffectiveness through hydrolysis. This fact has not gone unnoticed by other interested nations. At the International Congress of Chemists in Geneva, a power struggle broke out between agents of the BND and the CIA over a preparation that had been smuggled into Switzerland without the knowledge of Dr. Werner, Gerlach's GDR representative and assistant, and which the enemies hoped would shed light on the composition of the invention.

Treffpunkt Genf

8.0 1968
Contemporary Tales of Chivalry: The Lone Wolf

The karashi Botan returns in the third chapter of the incredible Showa Zankoden series. This time legendary actor Ken Takakura plays Takei Shigejiro of the Shimazu family. When the boss of the Shimazu is killed, Shigejiro takes revenge and is sent to jail. Upon his release, he meets the dying widow of one of hid followers and takes her to her father, Boss Shiomasa, who take him into his family. But when Shiomasa is killed by an old enemy, Shigejiro is obligated to take revenge...

Contemporary Tales of Chivalry: The Lone Wolf

8.0 1966
Agonies

Angoroj (1964; Esperanto for "Agonies") was the first feature film to be produced entirely in Esperanto. (Jacques-Louis Mahé, a friend of Raymond Schwartz and under the pseudonym of 'Lorjak', had however already produced a silent Esperanto publicity film before World War II, titled Antaŭen! (Onwards!). At the start of the 1960s Mahé, a professional photographic and cinematic expert, invested in the production of the first fictional film in Esperanto. Using a scenario by Mahé himself, the actors of the Internacia Arta Teatro (International Arts Theatre) presented a crime story, set in the Parisian periphery of petty thieves and cheats. Other notable people who played parts in the film included Schwartz (the commissioner), Gaston Waringhien (the voice-over) and many from the environs of the contemporary Paris, including a very young Michel Duc-Goninaz.

Agonies

5.8 1964