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Scene of the Crime

In the woods, a 13-year-old boy is grabbed by an escaped convict and told to bring money later that day. The boy does as he's told, only to be attacked by the convict's partner. A murder ensues, and through happenstance, the murderer and the boy's mother form an alliance. All this takes place in four days during which the boy has his first communion, his separated parents face each other amidst grandmother's hopes they'll reunite, the grandfather just wants to go fishing, the school's chaplain complains about the boy's behavior, and the convicts' shared girlfriend comes, gun in hand, to help them escape to Tangier. The mother's surprising decisions complete the story.

Scene of the Crime

5.6 1986
Belphégor

Belphégor deals with a series of mysterious appearances by a masked-and-robed figure in the Louvre; a security guard is murdered, and a later police trap is foiled when the phantom—“Belphégor” (the name of a legendary demon)—uses knock-out gas. Journalist Jacques Bellegarde of “Le Petit Parisien” (the real-life newspaper which published the original story in serial installments), investigates, and eventually discovers famous detective Chantecoq and his vivacious daughter Colette are also on the case.

Belphégor

8.0 1927
Agonies

Angoroj (1964; Esperanto for "Agonies") was the first feature film to be produced entirely in Esperanto. (Jacques-Louis Mahé, a friend of Raymond Schwartz and under the pseudonym of 'Lorjak', had however already produced a silent Esperanto publicity film before World War II, titled Antaŭen! (Onwards!). At the start of the 1960s Mahé, a professional photographic and cinematic expert, invested in the production of the first fictional film in Esperanto. Using a scenario by Mahé himself, the actors of the Internacia Arta Teatro (International Arts Theatre) presented a crime story, set in the Parisian periphery of petty thieves and cheats. Other notable people who played parts in the film included Schwartz (the commissioner), Gaston Waringhien (the voice-over) and many from the environs of the contemporary Paris, including a very young Michel Duc-Goninaz.

Agonies

5.8 1964
La rouge et la noire

Carrying on Luc Moullets unfinished screenplay about the theft of la pénélope, a camera created by Aaton and capable of recording equally well in 35 mm and digitally, LA ROUGE ET LA NOIRE is a film in kaleidoscope form. The portrait of Aatons founder, Jean-Pierre Beauviala creator, inter alia, of the time-code and the light cameras used by the New Wave (in particular the bush camera specially designed for Jean Rouch) is centered around the basic plot introduced by two women thieves who talk as voice-overs, and whose identities will only be revealed at the end.

La rouge et la noire

NR 2011
Troubled Waters

Clara takes her daughter and her friends to a weekend visit at her grandfather's village. They all have a great time, but after they return home people start dying. First Clara's grandfather mysteriously drowns, then the children start getting sick and one, her goddaughter, dies. Around same time clients at the spa she teaches aqua-aerobics start getting sick with one dying. She finds some mysterious algea, related to Caulerpa taxifolia, planted near where her grandfather supposedly drowned. Clara suspects the algea and all of these illnesses and deaths are related to some sort of poisonings of fish caught near her Grandfather's village.

Troubled Waters

7.0 2004
Pas de souris dans le business

Without seeming to touch it, journalist Trupeau is interested in the doings of Mireille, a jewelry store saleswoman. A certain Jojo is hanging around the young girl, and not for the right reasons, but to pull off a "heist". Although one of his men betrays him and has to be shot, Jojo succeeds. The police investigate, question and pursue Mireille. Exasperated and disillusioned, the pretty salesgirl shoots Jojo. Fortunately, the journalist is there to prove that she's as white as an ermine. And the ch timents rain down on the culprits.

Pas de souris dans le business

9.0 1955
I, Pierre Rivière, Having Slaughtered My Mother, My Sister and My Brother…

Based on documents compiled by leading French philosopher Michel Foucault, this unique and original film charts the gruesome events which took place in a Normandy village in 1835, when a young man, Pierre Rivière, murdered his mother, sister and brother before fleeing to the countryside. With a cast made up of real-life villagers from the area where the events took place, the detailed re-enactments and careful attention to the gestures of their ancestors serve to create an intense and sometimes disturbing atmosphere of hyper-realism. Details of the crime and of the trial that followed are told from varied perspectives, including the written confession of Pierre himself, and form a rich and complex narrative that interrogates the concepts of “truth” and “history”.

I, Pierre Rivière, Having Slaughtered My Mother, My Sister and My Brother…

6.5 1976
Noir comme neige : L'oeil du diable

On his birthday, Meyer receives a curious gift: a wooden sculpture of a devil with a demonic and mischievous appearance. Meyer smiles, recognizing it as a typical art object from Bessans, a village in Savoie. He calls Constance, certain that she sent him the devil for his birthday. But he's in for a nasty surprise: not only did Constance not know it was his birthday, but she's also dealing with a frozen corpse found on the French side of the border, locked in an isolated chapel in the mountains. In the victim's backpack is a carved wooden devil. It's not a murder per se, but how can anyone be sure? Did the victim lock himself in by accident, or did the door close and then jam shut after a gust of wind? Having received the same devil, Meyer decides to get involved in the investigation...

Noir comme neige : L'oeil du diable

6.6 2025