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King of the Gang

The 11th and final film in the Gang series. Most of the films had different directors and cast, and were only connected by the title and Toei's marketing department. Unlike the early entries, which were jazzy capers, this final entry is a prototype jitsuroku yakuza film. Just back from the war, Noboru Ando leads a gang of war vets turned gangster in the US occupied streets of Tokyo. They get into a conflict with a Chinese gang as well as the military police. Tetsuro Tamba appears as a police chief trying to bring peace to the streets; 1st wave pinky violence star Masumi Tachibana is a girl grieving his dead gangster father.

King of the Gang

9.0 1967
Alias Ladyfingers

When Rachel Stetherill's daughter marries a man of whom she disapproves, Rachel disowns her. Five years later her daughter, now widowed, is killed. Her young son comes under the influence of a professional safecracker and is soon on his way to becoming a hardened criminal. Twenty yeas later the Stetherill family lawyer learns that the infamous thief known as Ladyfingers bears a striking resemblance to Rachel's husband--and has fallen in love with Enid, Mrs. Stetherill's young ward. Complications ensue.

Alias Ladyfingers

7.0 1921
Inhumanity

A killer is doing his thing and detectives are investigating the murders that are possibly connected to a sexual assault. Watch Diff'rent Strokes' Todd Bridges unwind at a strip club (what you talkin' 'bout Willis?), marvel as aspect ratios change and film stock turns to digital video and back, and feel your brain turn to mush as Todd and Faizon Love (possibly the most unlikable duo in filmdom) turn in some of the worst off the cuff dialog ever. Is the rapist/murderer the stuttering gardener? Who cares.

Inhumanity

10.0 2001
The Frog

In this Edgar Wallace adaptation, Sergeant Elk (a lugubrious Gordon Harker) sets out to unmask the Frog, the evil mastermind heading up a mysterious network responsible for a litany of sensational crimes. Wallace was one of the first British authors to capitalise on the potential of cinema to increase his already considerable celebrity. His luridly titled thrillers depicting shady underworlds remained popular film sources long after his death in 1932. This lavish production boasts a distinguished cast and delivers on all fronts: from romance and exotic cabaret acts, to heaps of tension and a dramatic reveal.

The Frog

8.0 1937