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Blood and Law

After the war, Noboru Ando, a former kamikaze soldier, returns to a devastated Tokyo. Enraged by the violence prevalent in society, he immerses himself in the yakuza world, believing that "violence must be met with violence." Gaining notoriety for his natural bravery and fighting skills, he becomes known as the "intellectual yakuza" and creates the Ando-gumi, a gang that controls the Shibuya district. Ando's first series of yakuza films is based on his autobiography. He labored at his first studio, Shochiku, to only minor success before leaving and going onto true stardom at Toei Studios. These films were awfully early in Ando’s career - a novice actor and former yakuza given immense notoriety by his newspaper-serialized bio upon his release from prison. 1 of 5 films.

Blood and Law

NR 1965
Quick-draw Okatsu

This film focuses on Okatsu; the adopted daughter of a master swordsman. She is a master with a sword herself and her talents far overshadow that of her brother, and real child of the man who adopted her. Her brother unfortunately has a gambling habit, and it plunges the family into trouble when he loses a lot of money in a crooked dice game. After releasing he is unable to pay the debt he owes; the blame is shouldered by the father, who is killed, leading Okatsu on a path of revenge.

Quick-draw Okatsu

6.2 1969
Los atracadores

The film is divided into three parts: 'Restlessness', 'Violence' and 'Death', to explain the motivations, evolution and defeat of three young misfits from Barcelona who end up being robbers. The way of crime is an easy way for them: a boy and a worker without a job or benefit are induced by 'el Señorito', the son of a rich lawyer. Together they form a band. Hard and violent, the film is made with a clear intention of social criticism and research of realism, culminating in a final scene that raised quite controversial.

Los atracadores

5.0 1962
Gaslight

Jack Manningham tries to drive his wife Bella out of her mind with cunning heartlessness. He hides things he previously gave her for safekeeping, makes household items disappear only to find them in the most unlikely places, and puts words in Bella's mouth that she never said. All to convince her that, like her deceased mother, she is suffering from a split consciousness and delusions of persecution.Jack Manningham has his reasons. He doesn't want Bella to realize that he returns via mysterious paths over the rooftops to spend hours searching for treasure in the carefully locked upper floor. Fate has linked Jack to the old house since the day he committed a murder in it. The gas light, whose glow diminishes when a lamp is lit in the house and brightens when it is extinguished, puts Bella on the trail of the strange connections for the first time.

Gaslight

10.0 1960
The Black Market of Love

The young women who board a liner in the port of Genoa have no idea that they are being watched, nor what actually awaits them. Harald, who had recruited them for the trip with false promises, watches unnoticed, but cannot enjoy his success, because there are many people interested in the lucrative business with the girls, who are to be forced into prostitution. After two gangsters shoot the shady Lemaire, who had previously blackmailed Harald, he can return unmolested to Berlin to his compagnon Rolf, but the competition remains on his heels and threatens to disrupt the business.

The Black Market of Love

7.3 1966
Mistress of the World - Part II

Karin is now continuing her father's research and is also caught in the cross hairs of the mysterious opponents. Johanson himself retreats to a Cambodian monastery in order to escape the gangsters' shots and recover. Meanwhile, the international criminals manage to steal Johanson's energy formula. Karin then goes after the thieves, supported by Lundstrom. But he also has his own goals. The hunt takes them around the world. It soon turns out that a certain Madame Latour is behind the sinister machinations. Eventually old Johanson falls into her hands. In Southeast Asia, a showdown ensues between the kidnappers and Lundstrom and Karin.

Mistress of the World - Part II

5.0 1960
The World's Most Beautiful Swindlers

Five swindle stories, taking place in five international cities: Tokyo, Japan ("Fumiko's Five Benefactors" by Hiromichi Horikawa); Amsterdam, The Netherlands ("A River of Diamonds" by Roman Polanski); Naples, Italy ("The Road Map" by Ugo Gregoretti); Paris, France ("The Man Who Sold the Eiffel Tower" by Claude Chabrol); and Marrakesh, Morocco ("The Confidence Man" by Jean-Luc Godard). Godard's segment was not included in the original French cinema release, and Polanski's segment was not included on the 2016 home disc release.

The World's Most Beautiful Swindlers

5.4 1964
Fighting Delinquents

This rarely seen gem from master Suzuki casts teenage heartthrob Koji Wada as a young misfit who suddenly finds himself the unwitting pawn in an escalating family feud that ultimately leads to tragedy. Lean, mean, and stylish as always, this tale of youth-gone-wild is both vibrant and touching. Suzuki contrasts tranquil glimpses of traditional regional life with the emergence of the new rock 'n' roll youth culture and the greed and seething cynicism of encroaching Westernism. Also released under the title "Go To Hell, Hoodlums!", this is a melodrama as colorful, shocking, and exhilarating as one would come to expect from Japan's master filmmaker.

Fighting Delinquents

6.5 1960