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Bahia Blanca

Pocho Martin's body is found dead on the shore of a fishing village. According to the forensic Ramiro, Pocho has been assassinated, which alerts the Commissioner Carlos. Young Silvia, Pocho's friend, receives the sad news but is more concerned about her impending wedding with Andy. Crackpot Oscar speaks to Carlos of the dangerous sirens of Deer Island, evil women who attract sailors and annihilate them. When Ramiro and Carlos go to the island, they find the sisters Lila and Mary, who run a tavern / brothel near the beach. Carlos and Lila are old acquaintances and celebrate the reunion, but the murder of Pocho remains unsolved.

Bahia Blanca

5.3 1984
Farewell to the Channel

A young man is pulled into crime and then murder. He falls in love with a beautiful young prostitute who sells herself to a brothel to pay off his debts. When the young man tries to buy her contract from the brothel owner, he kills one of the bosses' thugs in a fight. A crime syndicate that the young man willingly affiliated himself with failed. Now on the run from both criminals and the police, the star-crossed lovers flee through Taiwan. A powerful morality tale, the film exposes the dangers of the underworld economy, and the ubiquity of crime and violence on the island.

Farewell to the Channel

10.0 1987
The Black Castle Olshansky

Paleographer and writer Anton Glebovich Kosmich finds in the binding of an ancient book a parchment with encrypted information about treasures hidden in the dungeon of the castle. It gradually becomes clear that the last scion of the family of the Olshansky princes, who collaborated with the Nazis during the war, is also looking for the treasure. In the dungeon of the castle, along with treasures of the 17th century, materials from the SD archive are also hidden. The spaceman is in mortal danger.

The Black Castle Olshansky

7.3 1984
To Kill a Stranger

Cristina Carver (Angelica Maria) finds herself in dire straits after she arrives to spend some time with her TV-reporter husband (Dean Stockwell) who is visiting a Latin American country run by a military dictator. After a car accident one day, Cristina brings the helpful Col. Kostik (Donald Pleasence) home and then kills him in self-defense when he violently attempts to rape and murder her. Terrified, she covers up her act and hides the body, yet in spite of her husband's efforts to protect her, a local police detective starts to figure out what really happened.

To Kill a Stranger

5.3 1986
If They Tell You I Fell

In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later

If They Tell You I Fell

4.7 1989
Death Ray on Coral Island

Said to be the first science-fiction film produced in China (and perhaps having its North American theatrical premiere in Future Imperfect?), Death Ray on Coral Island spares no bile, camp, or latent envy in portraying America as the cunning archenemy that will stop at nothing—industrial espionage, assassinations, even ballroom dancing—to steal China’s futuristic weaponry. The film occupies a pivotal moment in China’s modern history, representing a legacy of the Great Cultural Revolution and a harbinger of the nation’s ascension on the global economic stage. Courtesy of the China Film Archive and Shanghai Film Group.

Death Ray on Coral Island

6.2 1980